Sentences with phrase «working film music composers»

That's pretty prolific for someone who offers up quality work each and every time out, rather than coasting on simplicity like a few other hard - working film music composers out there.

Not exact matches

Unlike most films, where the composer would create the music based on what happens on the screen, it is said that Leone worked the opposite way, constructing scenes to fit the pieces of music.

LIFE marks his sixth project with director Daniel Espinosa, having previously composed music for his films Babylonsjukan, Outside Love, Snabba Cash, and Child 44, and the Danish short film The Boxer, which was his first work as a composer.

Levinson always picks the perfect composer for each film he scores rather than rigidly sticking with the same one, and the roster of composers with whom he has worked is a virtual who's who of the film music business - Alex North, Bruce Broughton, John Williams, Randy Newman, Ennio Morricone, Hans Zimmer, Christopher Young, and others.

On the latest Crew Call, the Long Island native and two - time Oscar nominee of The Hurt Locker and 3:10 to Yuma talks with us about his latest work as well as his early days at Yale Music, and how he decided to take the plunge into film scoring thanks to The Omen and Poltergeist composer Jerry Goldsmith.

Whereas a director like Ryan Coogler may have in the past sought out luminaries in film scoring like John Williams, Hans Zimmer, or Thomas Newman — and does in fact have original music by composer, Ludwig Göransson (best known for his work with Childish Gambino)-- his decision for the soundtrack is something that other directors will surely copy.

YAMATO: Talk about working with your sister, Eve Egoyan, on the classical piano music in the film, and with your longtime composer, Mychael Danna.

The «organic» quality of the sound work also bled into the film's score: Bigelow hadn't originally planned to have music in the film, but when that idea changed, Ottosson and composer Marco Beltrami («3:10 to Yuma») worked together to blur the line between sound and music.

A smart screenplay (by Linda Woolverton), a gifted voice cast (that, it must be noted, is free of the marquee names that now clutter animated feature credits), and superior animation work would have already made for a good film, but what makes Beauty so justly beloved is a generous helping of magic — namely the divine music by the legendary team of composer Alan Menken and the late, great lyricist Howard Ashman.

Each filmmaker / composer team also works closely with an in - house sound designer in an environment where music, score, and sound design are treated as integrated aspects of the overall story world of the film.

Not long after the tragic death of the great James Horner in mid-2015, director Antoine Fuqua — whose Southpaw was one of the last films the composer completed work on — revealed that Horner had not only agreed to score his remake of The Magnificent Seven, he had actually already begun to write music for it based on the script (it was still being filmed at the time).

But the highlight is «The Music of Step Brothers» (18 mins., 1080i), a detailed look at the process of the film's musically precocious composer, Jon Brion (Punch - Drunk Love), here working with guitarist Nels Cline (Wilco), drummer Greg Saunier (Deerhoof), and mandolinist Chris Thile (Nickel Creek).

Composer Michael Giacchino wins two awards — Film Music Composition of the Year and Best Original Score for a Fantasy / Science Fiction / Horror Film — both for his work on the third film in the blockbuster Planet of the Apes trilogy, «War for the Planet of the Apes».

Music Composer, Alex Heffes is an amazing musical talent whose work in the film was outstanding.

Danna is a very individual composer who tends to approach films differently from how others would have done, and this is so refreshing - the last thing one expects to find in a score for a movie like Breach is music quite this elegant and involving, but it's not hard to see why it would work so well.

With its flowing harmonies, «Disobedience» works equally well as an example of modern classical music at its most thankfully harmonious, Herbert dresses strings lines over each other with gossamer delicateness in a way that's also reminiscent of the hypnotic film works of ephemeral composer Michael Convertino («Bed or Roses») in a way that awakens with its womens» growing self empowerment, also calling to the ear such diverse, ultra-melodic composers as Claude Debussy and Richard Wagner.

In addition to its focus on the tactility of film, his work is infused with the influences of other art forms, including painting, which he studied in college, and music, which features prominently in his collaborations with celebrated composers such as John Adams, Jóhann Jóhannsson, and Steve Reich.

The «fullscreen» side offers «The Music of Stay» where the four composers who worked on the film discuss their musical styles and the instruments which were used.

Composer Cliff Martinez, known for his work on «Drive,» «Traffic» and many other hit films, has just committed to score the upcoming third and final «Wolverine» film, according to Film Music Reporter.

For the music, the producers turned to composer John Barry, then world - renown because of his work on the James Bond films.

In this exclusive SoundWorks Collection music profile writer Jon Burlingame chats with Oscar nominated composer Dustin O'Halloran about his work on Director Garth Davis's film LION.

Among anime film composers working today that also write music for videogames, Kenji Kawai is among the most internationally recognized.

During a panel interview at Game Music Connect, the title's composers Joe Henson and Alexis Smith discussed how they tried to stay true to the work of Jerry Goldsmith, who scored the film, while also giving the game's music a more modern tMusic Connect, the title's composers Joe Henson and Alexis Smith discussed how they tried to stay true to the work of Jerry Goldsmith, who scored the film, while also giving the game's music a more modern tmusic a more modern twist.

During high school, his tastes diversified; he loved Yellow Magic Orchestra, begun to appreciate Western pop music, and also started to enjoy the work of modernist composers and his protegé, late film composer Jerry Goldsmith.

Evaluated on the basis of overall musical excellence, winners of the Global Music Awards include prominent composers for film, television and video games; outstanding songwriters and bestselling recording artists from the world of popular music; and illustrious composers whose works have been performed in concert halls around the wMusic Awards include prominent composers for film, television and video games; outstanding songwriters and bestselling recording artists from the world of popular music; and illustrious composers whose works have been performed in concert halls around the wmusic; and illustrious composers whose works have been performed in concert halls around the world.

Anderson is an avant - garde artist, composer, musician and film director whose work spans performance art, pop music, and multimedia projects.

Zig Gron, composer of the sound track, is an experimental video artist who has also worked in Hollywood preparing temporary music tracks for films (including credits as music editor on the all three of The Matrix films).

Laurie Anderson (b. 1947) is an American avant - garde artist, composer, musician and film director whose work spans performance art, pop music, and multimedia projects.

Among the highlights will be the social practice artist Theaster Gates singing his own rendition of «God Bless America,» «The Battle Hymn of the Republic» and other traditional patriotic tunes; the filmmaker Arthur Jafa presenting his lauded short movie about racism, «Love Is the Message, the Message Is Death»; the artist Shirin Neshat showing films about violence against women; the composer David Lang performing and also speaking about «danger and honesty in both pop and classical music»; the poet Elizabeth Alexander reading her own work; and the artist Hank Willis Thomas presenting and discussing his film «A Person Is More Important Than Anything Else» (2014) on James Baldwin.

The CDMX festival, devoted to Mexico City's pop, folk and film music, will feature specially commissioned works by up - and - coming composers.

She has also been working with other media including audio, film and video, with her husband, writer and video / film director Ed Bowes, and with her son, musician and composer Ambrose Bye and nephew Devin Brahja Waldman, with whom she works on projects with The Fast Speaking Music label and live performance.