«Mary
works in a linear fashion» says Amy Cosier, senior director at Lehmann Maupin, which has been working with the artist since 2011.
Not exact matches
Three of us started the company, we were first time software entrepreneurs, we were starting
in a difficult environment
in late 2000 when the Internet bubble had burst, we couldn't get funding, we were
working without salaries and having no financial cushion... but almost
in a
linear fashion it just got better and better: more momentum, more customers, better culture, better technology.
However, the structure that holds together what might otherwise seem a series of eclectic reflections — that is, the mysteries of the rosary — is of course nothing other than the life and
work of Jesus Christ set out
in linear fashion from Incarnation through redemption to the glory of heaven.
With a much larger focus on story, Fusion was able to unfold
in a much more
linear fashion than its predecessors, which mostly
worked in its favor.
One generation of research lays the basis for the next, and the process proceeds
in a cumulative, though not
linear,
fashion until the product of
work of 100 or 50 or perhaps only 2 years ago has only historical significance.
The CC standards are organized
in an intoxicatingly simple,
linear fashion that acknowledges that the
work of a first grade teacher contributes to the growth of a tenth grade student.
That's hardly neck - snapping stuff, but power is delivered
in linear fashion, while its five - speed manual transmission makes easy
work of staying
in the powerband.
Most of us get
in for the chance to
work less hours
in condensed
fashion for more reward than the process of exchanging time for money
in linear fashion.
The variety of color is broader
in these
works, with rich purples and teals that are softened by more pastel shades, drawing the eye across the canvas
in a more
linear fashion.
By presenting Guston's paintings within the realm of poetic discourse, rather than as a chronological study,
in linear fashion, as often reflected
in traditional exhibitions, the curatorial approach from which «Philip Guston and The Poets» has grown allows for the artist's
work be explored, examined and appreciated anew.
The collection will no longer be arranged
in a
linear fashion;
works by the same artist will not necessarily be shown together, and the itinerary will not be strictly chronological.
Most scholarship has viewed Smith's early
work as developing
in a
linear fashion, from the European influences of Picasso and cubism
in the 1930s; to a figuratively based, highly detailed, American surrealism
in the 1940s; to a lyrically abstract, expressionist expansiveness
in the 1950s; culminating with the seemingly disconnected breakthrough embodied
in the reduced, geometric monumentality of his final
works.
Lilley echoes the sentiment: «I approach the sectors
in a sort of geometrical -
linear fashion, starting with the centre and
working front to back then side to side.
Fourth, as we are doing the
work of insight and the Pain and Peace Cycle (because though I'm laying things out
in a
linear fashion... therapy, or growth itself is not always
linear.