Sentences with phrase «working in a print studio»

This guide will offer the opportunity to go behind the scenes and see footage of Jasper Johns's working processes and a rare archival film of the artist working in a print studio in the «70s.

Not exact matches

In early December, when the pain grew so fierce he had to call off a weekend of studio work for ESPN, he had a local shop print up 1,000 small cards.

After living and working in Brighton, she moved back to her hometown of Manchester two years ago where she set up a Heath Robinson-esque print studio in her garage.

I chain drink cups of tea whilst working at my chaotic, rickety desk and printing in my chilly garage - cum - studio.

All work for the build program will be done at the recently opened SEMA Garage - Industry Innovations Center in Diamond Bar, California — a facility that allows SEMA - member companies to test and prototype parts, try its 3D modeling and printing and use its full - scale photo studio, among other things.

Working from a small studio in her home, Mizushima crafts the tiny creatures by hand, selling her felt creations and prints of the little dioramas she constructs on her Etsy page and on Society6.

Working from a small studio in her home, Mizushima crafts the tiny creatures by hand, selling her felt creations and prints of the little dioramas she constructs on her

No - nonsense German design studio Stellavie worked on a passion project in the form of a truly challenging maze print — all drawn by hand, using no algorithms.

Inkie has since worked as head of design for SEGA, Xbox, Jade Jagger's in - house designer as well as running a West London design studio creating prints, illustrations, clothing and with his trademark beauty on large - scale pieces, the globally respected artist, whose diverse inspirations collect Mayan architecture, William Morris, Mouse & Kelly, Alphons Mucha, The Arts & Crafts movement and Islamic geometry, has exhibited worldwide, been denounced as Banksy's right hand man by The Daily Mail and simultaneously lauded by The Times, his art published in the books Banksy's Bristol, Children of the Can, Graffiti World, Street Fonts and magazines GQ, Rolling Stone, Computer Arts, Huck, Graphotism and Dazed & Confused.

BOB ADELMAN (1930 - 2016) James Rosenquist in his studio, working on the painting, «Fahrenheit 1982», currently in the collection of MOMA photograph 1981 (printed later) archival pigment print, AP, signed paper size > 30 x 20.5 inches

The first is an installation, with a studio view of the work in progress, photographed from the proverbial dark upward toward the light, and the second is crocheted cotton, handmade paper, inkjet printing, copper wire, beads, and paper embroidery floss sleeves.

The exhibition featured approximately 70 prints, drawings and related sculptures from throughout Puryear's nearly 40 - year career, including many works never shown before outside the artist's studio.1 Together with its substantial catalogue, it illuminated the complex and intimate relationship between Puryear's two - and three - dimensional thinking, and the persistence with which he continually revisits and reworks forms, in some cases, over the course of decades.2

B.A., Amherst College; creates An Image of Salomé for his senior thesis project, which is published by the artist and printed at Apiary Press, run by Baskin's students at Smith College; meets and becomes good friends with Baskin's assistant George Lockwood, who would later found Impressions Workshop in Boston; marries Gail Beckwith (later, the poet Gail Mazur), who was then a student at Smith College; begins graduate study at School of Art and Architecture, Yale University, New Haven; studies with Gabor Peterdi, Bernard Chaet, William Bailey, Rico Lebrun, Sewell Sillman, Neil Welliver, art historian Egbert Haverkamp - Begemann, and Asian - art historian Nelson Wu, as well as with visiting artists Fairfield Porter and John Scheuler; makes regular Thursday trips with other students to Peterdi's home / studio; works as a teaching assistant for both Peterdi and Bailey.

Takes a year off from studies at Amherst to live in Italy; takes drawing classes at the Accademia di Belle Arti in Florence; studies the work of Renzo Vespignani and other Italian neorealists as well as the Italian old masters; learns Italian; while in Florence, visits the studio of American sculptor Bernard Reder; buys his first prints, which include works by Georges Rouault, Käthe Kollwitz, Rodolphe Bresdin, and illustrations from the German periodical Die Stürm; on his return to the U.S., reads Dante's Divine Comedy in the original Italian.

What many people don't know is that Yuskavage, whose paintings leave her studio at a meticulously controlled pace, maintains a parallel body of work in which she creates exquisite prints embodying her most popular themes — and that these pieces are surprisingly affordable.

Concurrent with his continuing development of large format works on paper and on canvas, Il Lee has been at work on a printing press in his studio creating monoprints and limited - run etchings.

For Drums on Paper: With the Neighbors, Ground Floor Gallery has invited local, Park Slope - based printing studio, Authorized to Work in the US Press, to take over their gallery space for a month!

Nous Vous will exhibit drawings, prints, paintings and objects, producing new artwork in on - site open studios and working with a selection of other artists to deliver a programme of performances and workshops.

The photographs on view, all gelatin silver prints, include twenty - five prominent artists at work in their studios or taking a break — among them Nevelson, Calder, Chuck Close, Willem de Kooning, Roy Lichtenstein, Andy Warhol, Louise Bourgeois, Robert Rauschenberg, Jasper Johns, Frank Stella, Joan Mitchell, Romare Bearden, Isamu Noguchi, Saul Steinberg, and Laurie Anderson.

Also in the mid-1960s, Stella started exploring printmaking, initially working with Kenneth Tyler, of Gemini G.E.L., and later installing printing equipment in his own studio.

The studio's founder, artist Cem Kocyildirim, will print new Risograph work from the gallery — in collaboration with local artists — and encourage the gallery's neighbors to experience the process through artist - led workshops from the space.

She also worked for many years with Master Printer Bud Shark at Shark's Ink., a professional print studio in Lyons, Colorado and Holualoa, Hawaii.

Greg Knott in studio 317 will debut new «0 Editions» of his popular works: photographic prints matted with the one - of - a-kind, hand - drawn conceptual sketch that led to the final work.

His poetic use of found materials, printed and reproducible images, his unconventional and inventive mark - making, and his embrace of chance operations (whether dragging a canvas on the ground, allowing a drop cloth to absorb stains of nature and of the studio, or exposing the paintings to the forces of weather) can be seen echoed within Schnabel's entire body of work as well as in the work of a subsequent generation of artists.

Unfortunately, a massive studio fire in 1966 destroyed the majority of these works along with many of the master prints of his films.

The work also recalls her studio in the 1990s, although the prints date from 2014 and stains on the floor from just the other day.

Like the unconventional use of the printing press in these works, this recycling of cast - off studio supplies was typical of Rauschenberg's open - minded and experimental approach to his art materials.

L.A. Object & David Hammons Body Prints is the most thorough examination to date of Hammons's early work and features installation shots, ephemera, and many never - before - published photographs of Hammons in the studio....

Shepard Fairey was the cover of our 200th issue, and in that feature back in the September 2017 print magazine, we got insight and studio access to see the work that the Los Angeles - based icon was working on for his then upcoming massive solo show, Damaged.

The cloths in the Pyramid Series works came from his own print studio and are marked by stains and dabs of ink that convey their former purpose.

Shepard Fairey was the cover of our 200th issue, and in that feature back in the September 2017 print magazine, we got insight and studio access to see the work that the Los Angeles - based icon was wo

noon to 1 p.m. Thursday, February 5 FACULTY BIENNIAL ARTIST TALKS: Believable Fictions: Three Ways with Ronald Christ, professor of painting and drawing, and Life Under Pressure: Re-Contextualizing the Print with Monika Meler, assistant professor of printmaking Ronald Christ's studio practice includes work in oil painting, opaque watercolor, and drawing.

After moving to the US in 1987 he worked in various print studios including as Master Printer at Crown Point Press in San Francisco.

Featuring 125 working proofs and edition prints produced by 25 artists between 1972 and 2010 at Crown Point Press in San Francisco, one of the most influential printmaking studios of the last half - century, Yes, No, Maybe goes beyond celebrating the flash of inspiration and the role of the imagination to examine the artistic process as a sequence of decisions.

The studio works closely in photographic production and the proliferation of the photographic medium at large with a dedicated gallery space for showcasing publications and printed material in relation to local and international photography.

A certain material vagueness in pigmented paper pulp thus seems ideal for Stockholder, who has always enjoyed the erasure of distinctions: between gross matter and art, composition and formlessness, narrative and abstraction, sculpture and painting... «Having arrived at the Mill with digital prints of objects she photographed in her years and studio (bright plastic bowls and containers, a drinking bottle, some gaudy cakes that had seen better times) along with real objects (fabric swatches, the floor mat) she proceeded to collage and emboss them in stretches of pigmented paper pulp, working in collaboration with Paul Wong.

And though the assertion is seductive, both documentary and primary claims are hampered by characteristics that cement the prints» status as highly calculated images whose subjects are manipulated and posed in the artist's studio, then processed into aesthetically precious serial works.

Working primarily in series in intaglio mediums such as etching, drypoint, and aquatint, Samuel has invited artists to create prints in his Santa Monica studio but has also traveled internationally to collaborate with artists in their own studios.

I searched for a studio space where I could start working on my own print designs and found Kew Art Studio, which is not far from my home in South West London.

Kühne studied visual communication at Zurich University of the Arts, graduating in 2009 and going straight into working full time in my studio designing and printing posters, stationery, brochures and magazines for music, art, architecture, theatre and film projects.

At 77, Cottingham still puts in full days in the studio, where he works on prints and paintings (which usually start out as gouaches) and listens to classic and West Coast jazz.

Producing bespoke work from her studio in Kew Gardens, Lu uses traditional silkscreen print techniques to create her bold, limited edition wall art.

At the time, Cumbria wasn't known for its studios and creative agencies, and with the recent recession still fresh in peoples» minds, not many businesses were willing to stretch their budget for «excessive» design and print work.

Annie Silverman is a relief printmaker and book artist living and working in Somerville who owns ABRAZOS PRESS, a teaching and professional print studio.

Days before the auction, he began posting to Instagram images of his studio littered with freshly printed copies of a 2005 work that was in the auction and estimated to sell in the millions, threatening to sabotage his own sales simply through the acknowledgement of the infinitely reproducible nature of his work.

At S.M.A.K. Dirk Zoete is showing new and recent work — drawings, objects and prints — in a varying display that is midway between an exhibition and a temporary artist's studio.

Stella first became interested in printmaking in the mid-1960s, while working alongside master printer Kenneth Tyler at Gemini G.E.L.. By 1973, he had a print studio installed in his New York house.

2014 Jealous Graduate Prize for Chelsea College of Art by Jealous Gallery, residency in the print studios 2013 Peter Stanley Award (For the Most Outstanding Work in Exhibition at Hortensia Gallery)

In addition to pioneering artists like Helen Frankenthaler, Lee Krasner, Joan Mitchell, and Anni Albers who often worked in the print medium, women also founded some of the most important print studios in the United StateIn addition to pioneering artists like Helen Frankenthaler, Lee Krasner, Joan Mitchell, and Anni Albers who often worked in the print medium, women also founded some of the most important print studios in the United Statein the print medium, women also founded some of the most important print studios in the United Statein the United States.

One year after Wieland's work, Acconci created the exhibition's titular work by kissing parts of his own body in lipstick at the same print studio: Nova Scotia College of Art and Design.