Sentences with phrase «working inside of a head»
Between Medium and Tilt Brush alone, the Rift is one of the best ways to experiment with how working inside of a head - mounted display can enable your creativity.
https://venturebeat.com/ Not exact matches
CNBC's Deirdre Bosa headed inside one of the Prime Now hubs to see how it works.
Maybe we need to do the absolutely necessary internal work of showing ourselves mercy, of lifting our own heads, of not beating ourselves up, of healing our divided hearts, of receiving the gift of peace on the inside.
It's because prayers only work inside your own head to the extent of your imaginationary and biased abilities to twist your perceptions so that they reinforce your beliefs.
My plan is to do some freelance work as a designer, try my luck as a food photographer, keep on developing our apps, perhaps start working on another book and a bunch of other projects that I have sketched up inside my head.
It seems like an ordinary song until the drums kick in, simple but elegant vocals by James LaBrie and solid string work from Petrucci with a beat that just sticks to the inside of your head, great stuff from now - replaced Mike Portnoy.
It had its calm parts and its fearful parts and its dramatic parts — like when the baby's head was out and he began kicking his body visibly inside me, trying to work his way out, something my midwife had never seen in her 35 years of practice.
You're not just a single c *** but a f *** ing squalid hyperc *** - a 4 - dimensional c *** inside another c *** inside another c ***, a mess of scandalous w *** ery, s *** headed incompetence and obstinate persistence in the face of every bit of evidence of what works, with a face like Michael Gove artificially in - f *** ing - seminating a crackhead's puke and less good policy than the orgasmic grunts of the biannual gangbang of the 1922 Committee.
In the wake of The Post's revelation that de Blasio routinely drifts off to dreamland inside his office, City Council Speaker Melissa Mark - Viverito denied catching any z's at work — but confessed to having put «my head down» when «I legitimately have not felt well.»
The triceps consists of three muscles or heads that work together to extend the elbow: the medial head, which runs down the middle of the rear arm, the lateral head on the outside posterior arm; and the long head running along the inside posterior arm.
And this habit, they say, is actually changing the way the brain works: While we may think of memory as something that happens inside our heads, it is increasingly happening with the help of outside devices.
Smart shopping strategies from Cupcakes and Cashmere's head honcho, what divorce can teach about marriage, the Netflix for designer sunglasses, an inside look at a top fashion blogger's biz, 21 of the best coffee shops in Philadelphia, hilariously at - home with the cat, how to spring clean your business, and a down - to - earth look at work / life balance.
GloPRO Microneedling Regeneration Tool w / Attachments: The patented technology of GloPRO Microneedling Regeneration Tool with GloPRO Face MicroTip ™ attachment head works from the inside out by triggering skin's natural healing process and inducing micro-regeneration deep within the skin.
Pixar has two original films heading to theaters next year — Inside Out and The Good Dinosaur — making 2015 a truly exciting time for fans of the studio's work, as it will be the first time Pixar has released two feature films in the same year.
Based on the books «Inside WikiLeaks: My Time With Julian Assange At The World's Most Dangerous Website» and «WikiLeaks: Inside Julian Assange's War On Secrecy,» and penned by Josh Singer («The West Wing,» «Fringe «-RRB-, the film will present Assange as a whistleblower who apparently let power get to his head and let the ethics of his work slide, much to the chagrin of his right hand man Daniel Domscheit - Berg (Bruhl), who also just happened to write that «Inside Julian Assange» book.
The movie goes inside her head, where characters representing Joy (Amy Poehler) Anger (Lewis Black) Fear (Bill Hader) Disgust (Mindy Kaling) and Sadness (Phyllis Smith) work the levers and panels of her brain.
But right before you get to work, you need to leave behind the distractions around you and inside your head, and simply concentrate on this one task in front of you.
From designing a cover to managing your costs (and projecting your profits), plus essential tips on how to promote your work in the press and social media, get inside knowledge from a panel of experts, including best - selling self - published authors, Joanna Penn and Ben Galley, Ed Peppitt of GETpublished.tv, and the Guardian's own head of book publishing, Sara Montgomery.
As he puts it, «the point in ghostwriting, the point in which it works, is when you capture the voice of your subject so completely that you are inside their head, you think the way they think, you can write the way they would write if they could write that way....
Inside, there will be plenty of HOT NEW ideas that will flip what you think and turn your head and attitude about what works and doesn't work in today's publishing arena.
For a pet trim, the areas you will need to work on are around the inside of the ears, the top of the head, the top of the outside of the ear, the chest & throat and, the feet and hocks.
Studio head Evan Wells said: «The geek inside you is always excited about a shiny new toy, but then the practicality of it starts to set in: this is going to be a lot of hard work.
- get Public Works tasks from Isabelle - early on you'll have to build a school - choose the outside look from a selection of options then work on the inside - inside includes work on benches, lockers, tables and more - later you'll work on a hospital, cafe, a shop and more - the hospital tasks you with working on multiple rooms - use the stylus to drag and drop items into the playing field - tap the object to change the perspective and move them all easily to somewhere on the grid - drag the characters around as well - tapping on the D - Pad lets you change the camera angle - move around with the Circle Pad and interact with others by pressing the A-button - the plaza is where old and new animals are gathered - a speech bubble above a head denotes requests - once you've wrapped up the development of a property, a scene will play where the animals interact with the property - animals will say specific things when they are in stores / school or comment on things that are placed around the house - throw in your own favorite characters by purchasing amiibo cards - scan them and they will enter the house or scene - cards also give requests from characters before you even meet them in the game - some characters are exclusive to the cards - put data back on the card and give that information to the friend
Often with your work I will think about what it would be like to be inside the head of person in your painting.
in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.
The head curator for the biennale this year is Nadim Samman, who has created the general theme — «Deep Inside «-- and selected the works of art for the main project of the biennale.
Colin Gleadell reminds us that this week provides a gauge of the Hirst market as one of the works from the now - infamous Beautiful Inside My Head Forever sale is back on the block at Phillips on Wednesday.
In truth, since the Beautiful Inside My Head Forever sale in 2008, Hirst has made several attempts to move on with new art work — there was the ill - fated attempt at painting like Francis Bacon sponsored by Victor Pinchuk and shown at London's Wallace collection — and revive his market with stunts like the global Gagosian show of spot paintings.
Although seemingly straightforward in appearance, many of the works on view — for example, Julian Dashper's cut painting stretcher Untitled (2002), Vincent Como's Sumi ink cube 4.5 Cubic Inches (Volume of the Inside of My Head), and Victoria Munro's cast porcelain painting OR, THE WHALE — are not what they appear to be at first glance and require closer inspection by the viewer.
It is significant that the show is in the intimacy of the artist's studio: the subject matter of the work is so rich and various, it feels like being inside Landy's head.
2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.
All shot with a fixed video camera, the subjects of these early works are, in fact, very simple: one video, for example, shows the head of a large doll beaten by the windshield wiper of a car (Mia testa, mio cuore [My head, my heart], 1993), while the same doll is again shot in Soap (1993), this time in circular motion inside a washing machine.
As part of our inaugural Friends Week in June, Mark Hampson, the RA Schools» Head of Sculpture and Printmaking, led a life - drawing masterclass inside the historic life - drawing room — still in the same, semi-circular setup that the likes of Sir Joshua Reynolds and J.M.W Turner worked in.
Finch; Uri Aran; Oscar Munoz; Superflex; Busted (group) / High Line Park Orly Genger / Madison Square Park / thru 9/8 Ugo Rondinone / Public Art Fund / Rockefeller Center / thru 6/7 Alexandre Arrechea / 10 works on Park Avenue between 53 to 67 / thru 6/9 Thomas Schutte / Public Art Fund / 5th Avenue @ 60th / thru 8/25 Mark di Suvero / Brooklyn Bridge Park Pier 1 / ongoing Oscar Tuazon / Public Art Fund / Brooklyn Bridge Park / thru 10/13 (extended) Thomas Hirschhorn / Gramsci Monument / Forest Houses off Tinton Ave @ 163, The Bronx / info: gramsci-monument.com / thru 9/15 Opening 7/1 SELECTED EVENTS: Tuesday, 6/4, 7 PM / Dred Scott in conversation with Andy Zee / Revolution Books / 146 W 26 / Donation Thursday, 6/6, 6:30 PM / Heads in Limbo reading — book launch: Geoffrey O'Brien; Barry Schwabsky; Susan Mastrangelo / Heller / 54 Orchard / FREE Friday, 6/7, 6:30 PM / The Review Panel: David Cohen; Eva Diaz; Ken Johnson; Chloe Rossetti / National Academy / 1083 Fifth @ 89 / $ Saturday, 6/8, 10AM - 6PM (also 6/8) / Figment / Governors Island / FREE Saturday, 6/8, 4 - 6 PM / Mei - mei Berssenbrugge; Charles Bernstein book launches with Susan Bee / Accola Griefen / 547 W 27 — floor 6 / FREE Saturday, 6/8, 5 - 9 PM / Morgan Avenue Open Studios / 649 Morgan bet Nassua & Norman / FREE Sunday, 6/9, 2 PM / State of Sculpture: panel: D.Goodman; B.Albertini; R.Gero R.Maltz / Dorsky Curatorial / 11 - 03 45th Ave., Long Island City / FREE Wednesday, 6/12, 7 PM / Thomas Lanigan - Schmidt on his work / Morgan Library / 225 Madison @ 36 / FREE Friday, 6/14, 7 PM / Chloe Bass speaks on her work, & book launch / Momenta / 56 Bogart / Bushwick / FREE Thursday, 6/20, 6:30 PM / Laylah Ali in conversation with Kelly Kivland, web launch / DIA / 535 W 22 / FREE Friday, 6/21, 2 PM / James Turrell speaks with Michael Govan / Guggenheim / 1071 5th @ 89 / $, students free with RSVP Friday, 6/21, 7 - 10 PM / Far From Now curated by C.Cox: Screening & performance / 1665 Norman, Ridgewood, Queens / FREE Saturday, 6/22, 4 PM / Lorna Williams speaks on her work / Dodge / 15 Rivington / FREE Saturday, 6/22, 4 PM / Inside Out curator Laura Phipps speaks / Kentler Int.
Neil Patrick Harris headed for the Focus: African Perspective section, Matt Dillon had his eye on pretty much everything inside Sean Kelly's booth, BBC's Being Human star Russell Tovey was spotted at Kavi Gupta, and John Waters» painted blazer was itself a work of art.
«Treasures» is Mr. Hirst's latest body of work that aims to astound with the scale of its ambition and commercial success, like his $ 200 million «Beautiful Inside My Head Forever» auction at Sotheby's in 2008.
His work often involves advice to management teams or trustee boards relating to senior level restructurings and the removal of senior executives, head teachers and others with high profiles both inside and outside of the client's organisation.
I am so blessed and thankful for everything that I have — family, friends, a good job, a roof over my head and food on the table... But even with all that there is something inside me that feels out of place and the title of the book Mending is what I am feeling... I work at a family homeless shelter in downtown Columbus, Oh and I see families struggle everyday and it is my goal to be strong so that I can help them... I am so happy for you two and the journey you are on and just having followed your blog for some time now I know that your baby will be happy and LOVED!