Sentences with phrase «working near a window»

One study showed employees working near a window received twice as much light as their coworkers who didn't and hence enjoyed more sleep.

If possible, work near windows that get plenty of natural light.

Not exact matches

A three - month - old lying near a window can amuse herself looking at patterns of sunlight, work on rolling over, and chew on a simple toy.

Throughout the day, try to get natural light exposure by sitting near a window when you work.

I no longer work right near the parade route or the rally but I have a feeling I'll be able to see part of the parade from my office's windows today.

While it may not always be possible to arrange your desk or work surface near an office window, a strategically placed https://www.potterybarn.com/shop/accessories-decor/all-mirrors/ mirror can reflect the best of the outdoors for you to enjoy from your seat.

Keep all windows and doors open and have a spotter for stray sparks when working near the seats / soft furnishings.

I was twenty - five years old, working as a graduate assistant in the history department, and renting an illegal basement apartment, the kind with tiny windows near the ceiling that would be difficult to escape from in a fire.

Our question: we are bring home a 9 week French Bull Dog in a week and don't know whether to keep the crate near the window, or secluded, near a wall, while we are at work.

Short, angled scratchers under the bed or in corner closets work well, and tall scratching posts with viewing platforms are beloved by cats when they are placed near windows.

There's a nice work station near the windows with some tropical artwork hanging on the wall.

These spacious rooms have adaptive equipment including hand rails, lowered work surfaces, wet room shower, plus LCD flat screen television, desk located near the large window at the far end of the room from the door, mini bar and tea and coffee making facilities.

I've found that as launch day nears I grow more bristled about getting the games ordered, meaning that when I'm working at the computer I keep an Amazon web browser window open that I refresh from time to time.

She gets up, and she goes to her drawing table near the window, and gets out her pencils, and her rulers, and stack of tracing paper, and starts working through various compositional iterations.

Likewise, as you reach the top of the stairs, you do not immediately see the vertical canvas, No. 218 - 2, 1982 - 86 — though it is a striking work — placed in the corner near the window behind a large sculpture by Donald Judd that all but dominates this space.

Like windows or drawers, a door has to open and close to work, and it's clear to me that Doremus has the same expectations for her paintings, something that is nowhere near as simple as it seems.

Among the works that did well were Lot 16, a charming small sculpture, one of three examples down in 1945 - 6, by David Smith, shown above, that sold for $ 220,000 (not including the buyer's premium) and had had a high estimate of $ 150,000; Lot 5, «Atantolone,» a gloss household paint on canvas of colored dots on a white field that sold for $ 170,000 (not including the buyer's premium), well over its high estimate of $ 120,000; Lot 14, a large 1943 painted wood and wire sculpture, «Constellation,» by Alexander Calder (1898 - 1976) that sold for $ 1,982,500 (including the buyer's premium), more than double its high estimate, and Lot 24, a larger Calder sculpture, «Trepied,» that sold near its low estimate for $ 1,542,500 (including the buyer's premium); Lot 20, a large and very interesting and abstract but not very colorful 1953 Francis Bacon (1909 - 1992), «Two Figures at a Window,» that sold above its $ 1.2 million high estimate for $ 1,542,500 (including the buyer's premium); Lot 27, «Tour III» by Brice Marden (b. 1938) that sold within its estimates for $ 1,487,500 (including the buyer's premium), tying the artist's record; Lot 41, «Grillo,» by Jean - Michel Basquiat (1960 - 1988) that sold for $ 1,102,500 (including the buyer's premium), also within its pre-sale estimates; and Lot 31, «Vierwaldstätte See,» a large black and white 1969 landscape by Gerhard Richter (b. 1932) that sold for $ 1,047,500 near its low estimate of $ 1 million.

Change your work environment for the better by moving your desk to a nicer spot, sitting near a window where there is more natural light and even consider adding a house plant to your desk.

The work is viewable from either front or rear due to the delicacy and translucency of the paper — the pieces nearest to the window being especially effective as you can observe the world going by through -LSB-...]

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

We are presented with four works: in Tower Block, a blank monitor is interjected with high rises, surreally spliced into abstraction via arbitrary image edging; in Floor, three parallel projections explore the surface texture of floorboards with a near - fetishistic, intimate scrutiny; in Shirt, worn fabric is rendered nonfigurative, the patterns and folds becoming landscape instead of fashion; while in Moon, a twin - screen installation, presents us with 21 miniature viewing - windows from which we voyeuristically glimpse the moon, creating a field of juddering orbs.

His vision of the «green jobs» benefits from stimulus spending — focused on near - term, visible work like caulking windows — was far too truncated, and he lost the chance to build a broader coalition around making a sustained energy quest America's new imperative.

This is definitely not the final list of devices, and we're still hard at work to let people with other phones get hands - on with Windows 10 in the near future, including non-Lumia devices as well.

While we wait for a true personal assistant on Windows Phone, we can look forward to this leaked video of how voice searches might work on Bing in the near future.

Near Share is a new feature in the works for Windows 10 right now too, which will undoubtedly be coming to Android phones; allowing you to share files, photos and more instantly between your PC and phone directly from the Share UI on Windows 10.

There is no denying that Microsoft engineers have been working hard and doing their best to address these issues — but maybe just a little something more needs to be done to ensure that problems caused by Windows Updates are near - nil.

Near Share only works for computers running the Windows 10 Spring Creators Update because both the sender and the receiver need to have this feature enabled.

Microsoft has since finished working on the internal updates to its development process, and Sams suggests that Windows Insiders should see new features in the near future.

I worked at one company that had a comfortable, fun office with white desks, big windows and skylights near Union Square in San Francisco.

Place your desk near a door or large window to give yourself inspiration while you work and allow plenty of light to flood in.

My dream space would have flat space, drawers, cupboards & basket space for sewing machine, ironing board, cutting table, etc., paper crafting with all my tools & paper close at hand, computer work space and photo booth for little shoots, a wall near each station for inspiration boards, lots of windows and a little spot to sit, breathe, read & drink a cup o» tea.

In a light - filled space, save the area nearest the windows for the social rather than the work zone.