Sentences with phrase «working on abstraction»

Not exact matches

In his main work, Difference and Repetition (1968), he has shown why the conception of concrete immediacy in and between occasions must not be considered naive in a post-Hegelian sense, but post-Hegelian altogether.15 In order to achieve this aim, Deleuze replaces the categorization of the world into the general and the individual in favor of the distinction of the universal and the singular.16 On the level of abstraction, «mediation» describes the analysis of that which is subjected to a «law.»

Flat, blank facades on buildings conceived as commodities — or just oddities — rather than works of civic art; flat modernist pictorial abstractions; the flattening of cultural history into pseudo-history packaged as what Henry dismissed as «applied sociology» — all spoke to him of something far more ominous, the abasement of man and the crude negation of his proper relationship to nature as embodied in the great tradition.

Dillenberger's theories on abstraction lack the critical scrutiny he shows elsewhere in his work.

Though Bergson did not develop an elaborate theory of extensive abstraction, it is not surprising that he should have viewed Whitehead's The Concept of Nature, in which this theory is given its classic formulation, as «one of the most profound (works) ever «written on the philosophy of nature» (DS 62n).

In the southern city of Seville, where last year the glittering Expo took place against a backdrop of fountains, water was cut off for 12 hours a day until earlier this summer, when an emergency water abstraction works opened on the nearby Guadalquivir river.

Magnetic Fields aims to change this perspective by focusing on nonrepresentational work by women artists of color, presenting a more complete presentation of American abstraction than has previously been offered.

While that style of logic is still consistent with how I think today (i.e. that humility and an open mind are essential in this line of work), I learned that I was totally missing the point, because my question was completely abstract — and the kind of suffering I witnessed on those wards was anything but an abstraction.

Such features work by layering abstractions on top of extracts available earlier.

This lesson covers the following: Water security and scarcity Water footprints Case study on water management in South Africa (Lesotho Highlands) Rain harvesting Over abstraction in India There are task sheets and work sheets throughout and I have provided notes for any case study materials.

Acer's plan is that that, ultimately, all of its smartphones will also sport ClearFi, a new tiled UI that will work as an abstraction layer across mobile gadgets running on multiple OS.

The teams at Dennaton Games, Abstraction Games, and Devolver Digital have worked incredibly hard to reproduce the fast - paced gameplay and super tight controls of the original game, and we couldn't be happier with how Hotline Miami plays on PS3 and PS Vita.

Laurens: We can't answer this question in a technical sense as our friend at Abstraction Games did all the technical work in getting the game on Vita.

According to the Facebook post, the PS4 port is being worked on by both Romino and Abstraction Games, and will «contain all features the extensive PC version»,» which includes «tons of fixes» to code and gameplay, a new map, and over twice the characters as the previous console releases.

Created in collaboration between Tequila Works and Abstraction Games, Deadlight: Directors Cut will deliver the definitive Deadlight cinematic experience on June 21, 2016 for $ 19.99.

Abstraction has strong publisher and first party relationships from its history of working on large adaptations, such as Angry Birds and Hotline Miami.

With several major adaptations under its belt, Abstraction Games looks to continue to establish itself as a leader in the space, while also working on their own projects and games in the near future.

We worked closely with Abstraction Games and now we're finally able to extend our legacy to fans on the Xbox One.

If I had to guess, It would be that Valve is working on a sort of abstraction software + api for handling cross-platform gaming.

He has been kind enough to share with Painters» Table his thoughts on painting and images of his work in advance of a retrospective exhibition, Celebrating Abstraction, which will be on view June 7 - 14, 2012 at the Appledore Festival.

If abstraction is favored by undiscerning speculator collectors as well as museums hoping to advance a fast - forward chronology of art history, there is still no small amount of figurative work on the scene.

A retrospective of Jones» paintings, Celebrating Abstraction, will be on view June 7 - 14th at the Appledore Festival with works by ceramicist Sandy Brown.

Organized both thematically and chronologically, the show divides the works on view into two main chapters: the years from 1923 to 1933, a time when Torres - García was involved in early modern avant - garde movements such as Catalan Noucentismo to Cubism, Ultraism - Vibrationism, and Neo-Plasticism; and those from 1935 to 1943, a time in which he was fully committed to creating works in his unique style of synthetic abstraction.

«Generations of black abstract painters never seem to be celebrated,» says Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston, where she recently organized «Black in the Abstract,» a two - part exhibition that focused on the history of African American painters working in abstraction.

But if one goes as far as to see that these abstract elements have a rich existence in his work, then one can go on to the appreciation of the full Soutine despite any supposition that, by temperament, he probably detested abstraction any form.

It is through Courbet, the specific artist, the Harmonian demiurge, that all the figures partake of the life of this pictorial world, and all are related to his direct experience; they are not traditional, juiceless abstractions like Truth or Immortality, nor are they generalized platitudes like the Spirit of Electricity or the Nike of the Telegraph; it is, on the contrary, their concreteness which gives them credibility and conviction as tropes in a «real allegory,» as Courbet subtitled the work, and which, in addition, ties them indissolubly to a particular moment in history.

Much of her collection, which numbers over 3,000 works, focuses on collecting art from Latin America, particularly Cuban art, geometric abstraction, photography, video, and conceptual art.

FANTASTICAL WORLDS: From majestic depictions of imaginary realms to inventive works of abstraction, expressionism, and surrealism, we seek works that put a fantastical spin on the world around us.

On the other hand, though the group of painters represented here form a tight - knit «generation» (one constraint of the show is that all the artists were born between 1939 and 1949), and though the selected works originate from the same period and place, the works are aesthetically independent enough to resist any easy categorization according to style or aims... Rubinstein's curation in Reinventing Abstraction proposes something — an idea, a possible history — that may connect with others but which is, nevertheless, its own.

Asked about his paintings, in which gestural abstraction and imagery blend together, Berryhill remarks «There's something about the searching for the thing you don't know what it is, the invention part I like, so when I get something in a drawing, I like, to work on it until it feels like a thing.»

In Tramas, more than 70 works from the 1980s, including drawings and installations, focus on his exploration of geometric abstraction and spatial interplay.

Defying easy categorization, Amy Sillman's works on paper incorporate silkscreened, painted and drawn elements with imagery that vacillates between abstraction, figuration, traditional painting and comic illustration.

By painting the figure and the object on equal terms, Pearlstein's paintings appear to be more like still life compositions than formal portraits, and some critics even consider his work to be a form of abstraction.

Exploring concepts of landscape and abstraction with human experience, the exhibition unites sculpture with important recent paintings on aluminium and linen, together with works on paper.

Rosa Esman Gallery «17 Years at the Barn, Highlights from the Edward Albee Foundation» New York, N.Y. Lang & O'hara Gallery «The Inscribed Image» New York, N.Y. Luhring, Augustine & Hodes Gallery «Drawings» New York, N.Y. AFR Fine Art «Works on Paper» Washington, D.C. 1987 Willard Gallery New York, N.Y. New York Studio School «Five Abstract Artists» curated by Robert Storr New York, N.Y. Knoedler & Co. «Art Against Aids» New York, N.Y. Brooklyn Museum «Working in Brooklyn» curated by Charlotta Kotik (catalogue) Brooklyn, N.Y. Pace Editions «Monotypes» New York, N.Y. Barbara Krakow Gallery «Poetic Substance» Boston, MA 1986 Dart Gallery «Abstraction» Chicago, ILL..

On the occasion of the only full - scale retrospective Porter's work has been given - the exhibition called Fairfield Porter (1907 - 1975): Realist Painter in an Age of Abstraction, which Kenworth Moffett organized at the Museum of Fine Arts in Bostonin1983 - I wrote that «For myself, though as a critic I had praised Porter's work on a number of occasions during thelast20yearsand though I knew it well, I found I was not really prepared for what I found in this exhibition..On the occasion of the only full - scale retrospective Porter's work has been given - the exhibition called Fairfield Porter (1907 - 1975): Realist Painter in an Age of Abstraction, which Kenworth Moffett organized at the Museum of Fine Arts in Bostonin1983 - I wrote that «For myself, though as a critic I had praised Porter's work on a number of occasions during thelast20yearsand though I knew it well, I found I was not really prepared for what I found in this exhibition..on a number of occasions during thelast20yearsand though I knew it well, I found I was not really prepared for what I found in this exhibition....

Although the artist's figurative abstractions may appear crude at first glance, closer examination reveals works vibrating with energy and pulse, creating an all - out assault on the viewer's concept of reality.

Her painted works concentrate on process and medium, which establish formal relationships between figuration and abstraction.

Calling up diverse references, from still life vanitas to hard - edge abstraction, color theory diagrams, and optical illusions, Eaton's work deeply engages with vision on physiological, technological, and philosophical terms.

Freud's adherence to realism and focus on the human figure, when abstraction and other progressive forms of practice were more prolific, moved him in and out of the spotlight until the 1980's when renewed international interest in painting and figuration gave his work a new significance.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

He manipulates readymade mesh screens and spray paints the foreground and background to create immediate, textured works that hover on the edge between abstraction and representation.

The presentation explores how the two artists, who shared their lives for nearly 25 years, in Paris, then in Vétheuil in the Seine valley, developed a studio practice and a distinctive body of work while sustaining a broad dialogue focusing on abstraction.

But if MoMA's vision of abstraction embraces the work of the Abstract Expressionists, then it makes no sense whatsoever to exclude Miró and Klee, whose richly poetic understanding of the content of abstract art left such a deep impression on the American avant - garde in the 1940s.

Hansa artists» works represented in the Grey show include Jane Wilson's Portrait of Jane Freilicher (1957), an oil on canvas merging abstraction with figuration, and Jean Follett's Many - Headed Creature (1958), a piece that recreates a fragmented body on a wood panel out of junk and found objects — a light switch, socket cooling coils, a window, a screen, nails, a faucet knob, mirror twine, cinders, a caster, springs, and rope.

Casting a light on the diversity of contemporary approaches to abstraction, the works explore the artists» impact on the landscape of art and American culture, across generations and disciplines.

Haynes is co-curator of an important Alma Thomas exhibition currently on view at the Studio Museum and is co-editing a comprehensive catalog about the artist known for her powerful use of color working in abstraction, which is expected to be published in November.

Angelina Gualdoni's works on canvas take patterns, interiors and abstraction as their main focus, locating the rhythm of the everyday sublime in the language of color field painting.

Chris Ofili creates intricate, kaleidoscopic paintings and works on paper that deftly merge abstraction and figuration.

Traveled to Blum Helman Gallery, New York (July 13 — August 17); Murray State University, Murray, Kentucky (November — December); Grand Rapids Art Museum, Grand Rapids, Michigan (January 12 — February 25, 1990); University Art Gallery, University of North Texas, Denton (September — October 1990); Richard F. Brush Gallery, St. Lawrence University, Canton, New York (November — December 1990); and the University of Oklahoma Museum of Art, Norman (January 18 — March 3, 1991) Morceaux Choisis 1: Sélections des acquisitions du FRAC de Haute - Normandie 1983 — 1988, Fonds Régionale d'Art Contemporain de Haute - Normandie, Hôtel de Région, Rouen, France (May 9 — June 2) The Linear Image: American Master Works on Paper Since 1939, Marisa del Re Gallery, New York (April 25 — May 27) Emplois du Temps: Exposition de Peinture Contemporaine, Salle des Procureurs du Palais de Justice de Rouen, France (April 21 — May 2) Made in America, Virginia Beach Center for the Arts, Virginia Beach (April 5 — June 11) Methods in Abstraction, Gallery Urban, New York (March 3 — 25) Ronald Bladen the 1950s: Bluhm, Bolotowsky, Held, Mitchell, Youngerman, Washburn Gallery, New York (February 7 — March 12) Important Works on Paper, Meredith Long Gallery, Houston

2010 Art Basel Miami Beach, Galerie Thomas, Miami (December 2 — 5) From a collection of Abstract Works on Paper 1946 - 1961, Cheim & Read, New York (October 29 — December 30) Abstraction Revisisted, Chelsea Art Museum, New York (October 7 — December 16) Abstract Expressionist New York, Museum of Modern Art, New York (October 3, 2010 — April 25, 2011).