Sentences with phrase «working on costumes»

Consolata has been working on costumes in theatre and film since the early 1980s and her credits include Angela's Ashes and The Iron Lady.

I am working on some costumes for Halloween and gifts for Christmas.

What a terrific film and Janty Yates deserves a golden kudo's pillar for her work on the costumes.

While director Joe Wright previously worked on the costume epics «Pride and Prejudice» and «Atonement» with star Keira Knightley with fantastic results, «Anna Karenina» is a strange entry in his filmography.

For the third year in a row, Doell recruited participants and arranged facilities where they could work on their costumes.

Not exact matches

In my six years working as a Walt Disney World «cast member» (that's what they called us), I did everything from working attraction lines, to taking pictures of park guests with costumed characters, to being an actual costumed character (more on that one in a minute).

There was a much better way for the store to handle this issue; they could have excused her from work that day, or put her in another department, but firing her on the spot for not wearing a christmas costume is rediculous.

That year, we were scheduled to work on Halloween, and the managers of the restaurant requested that everybody dress up in some costume to serve tables in.

I'm working on an Amelia Earhart costume for my Amelia this year!

This costume found on Rookie Moms is so simple and works great for couples with new babies.

At the time she was breastfeeding her daughter, she was working on set and often had to retreat to her trailer to feed her little one while still in costume.

O'Keefe played video clips of his work, including a 2009 investigation of the group ACORN in which he costumed himself as a pimp seeking advice on setting up a brothel.

According to a lawsuit a group of his former staffers filed against him, the Cheektowaga Democrat harassed about half a dozen women who worked for him — remarking often on their looks, talking about visits to strip clubs, inviting them to share hotel rooms with him and suggesting two of them wear a «sexy elf costume» and sit on his lap for a staff Christmas photo.

Although offered many roles in Hollywood, he preferred to work in Europe on the sort of glitzy costume dramas that highlighted his attention - grabbing physique.

We want photos of you sweeping the glitter off the village hall floor; heading out to teach 5 people on a dark evening half an hour's drive away after a long day at work; your piles of philosophy books stacked next to your mat; your tabs of marking for trainees; the scrubby you use on the handstand footprints on the wall; the loose change rattling in the donation box after the PWYC; your studio rent bill; the baby sick on your yoga top after mums and baby yoga; the holes in your favourite decade - old yoga leggings; the charity shop where you buy more; coffee stains on cork blocks and the hospital room where you teach cancer patients; the costume box for your yoga and theatre kids class; your ID badge for prison work; the hug from the student who finally learned to stand on one leg...

Mark Bridges, the BAFTA - winning costume designer for «The Artist,» was the first designer Rogien worked for, on the 2006 film «Fur: An Imaginary Portrait of Diane Arbus,» starring Nicole Kidman.

Worked in interior design for private homes and businesses, designed only one festival venue and took on no costume gigs.

Selena Gomez wore a teal halter - neck gown for the vows of her close pal and costume designer Shannon Larossi; the two met while working on The Wizards of Waverly Place.

I first bought this for a Halloween costume because of the glittery too it and I now wear it on a daily basis at work.

I also had a workout date with my mom, a fun lunch with my friend Molly, a dinner date in the city with Amy, phone calls to catch up with my sister Reilly and my cousin Emily, and got together to work on Halloween costumes with our friends Katie, Shelly, and their husbands.

Haunted houses stress me out, carving pumpkins is too much work and I don't have the desire to go all out on costumes.

I'm actually working on a Green Arrow costume right now (not for NYCC though...)

Did you get the costume yet???? I've been working on a few new ideas for my Etsy shop and this wedding guest book with 3D butterflies was a hit this season, I just couldn't resist to share with you.

I've always thought pencil skirts were ideal for work, especially cause you can take them for a night on the town afterwards without too much of a costume change.

Hello My name is James I like to play video games, make costumes, work on chainmail and just trying new things.

I even make costumes to fit with historical periods (so far I've got 1860s, pirate and 1920s, now I'm working on a cyberpunk version of a Native American monster)...

sorry about the picture its the only decent one its from a work night out super hero was the idea yes i was wonder woman this happens when you leave till the last minute to get your costume im about 5.6 of not to bad a build but going gray and bald so i shave my head all im looking for is some on...

From there it heads through actor training and casting, set decoration and costumes, shooting on the water and in Virginia, cinematography, director Terrence Malick's working style, and general impressions of the production.

Once is not nearly enough to appreciate the costume design work here by Ruth E. Carter (Marshall [2017], Selma [2014]-RRB-, nor the superb cinematography of Rachel Morrison (recently nominated for an Oscar ® for her work on Mudbound [2017]-RRB-.

No actress could fail to be upstaged by the stunningly fanciful costumes (with matching tresses), the blaring choir music (so distracting it could make a fundamentalist swear - off religion), and production design by a craftsmen who worked on the cartoon - inspired flicks X 2 and Superman Returns.

The Black Panther is a quasi-diety and with the costume custom - made by Shuri — who works alone in her laboratory — T'Challa can just think his suit on.

It's a film so exactly costumed and so exactly designed — verging on working - class cosplay — that verisimilitude functions as diversion.

I think the best part of being an actor is that to me it feels like I've been in the best film school for the last twenty years because not only do I see the director work on set, I see how the producers work, I see how the DPs work, I see how the gaffers work, I see how the costume department works, I see how the production office works.

Making its American debut Sunday via the PBS series «Masterpiece Mystery,» 201 years after Elizabeth Bennet finally said yes to Mr. Darcy, it's a highly satisfying riff on the original work, as well as a credit to the modern British costume drama.

As the title implies, the focus of this hour - long live - action series is not on the larger than life costumed superheroes who turned The Avengers into the third highest - grossing film of all time, but the employees of the Strategic Homeland Intervention, Enforcement and Logistics Division, the government agency of espionage and law enforcement that has worked with and sometimes against the likes of Captain America, Iron Man, Thor, and the Hulk.

The featurettes cover set and production design, story / character areas, cast and performances, costumes and props, locations, Branagh's work on the set, makeup and creature creation, music, and general thoughts.

To that team, Coogler added the costume designer Ruth Carter, who had worked on large productions before, Spike Lee's Malcolm X (1992) among them.

Upon entering I thought that I could very well be walking into yet another costume drama that takes no time whatsoever to work on an able story (i.e. Valmont), but instead I was treated to a beautifully layered film that is probably the second best I've seen so far this year.

The shows created by «Feud» director and executive producer Ryan Murphy are known for their distinctive visuals, of course, and when he set out to make «Feud,» he called upon Lou Eyrich, a costume designer he's collaborated with for almost two decades, and Judy Becker, a production designer who has worked on features like «American Hustle» and «Carol.»

Andrew Garfield showed up in costume at Comic - Con — click here if you missed Sarah's recap earlier today — and then flew straight to the South of France to see his girlfriend Emma Stone where she's working on Woody Allen's new movie with Colin Firth.

He would work on and off (mainly on) with Allen for the next three decades plus, starting with costumes, and moving into production design.

The Irish costume designer received her third Oscar nomination this year for her work on period drama Victoria & Abdul starring Dame Judi Dench.

In a night free of upsets, some of my own favorite outcomes were entirely expected, whether it was «Call Me by Your Name» earning its screenwriter, 89 - year - old industry veteran James Ivory, his long - overdue first Oscar, or Mark Bridges winning costume design for his astute work on «Phantom Thread» (plus a jet ski for giving the night's shortest speech).

O'Sullivan worked as assistant costume designer on Disney's Beauty and the Beast starring Emma Watson, which got the nod in Best Costume Design category.

It comes on the 1956 production of The Prince and the Showgirl (working title: The Sleeping Prince), a costume comedy casting Monroe (Michelle Williams) across from director / producer Olivier.

Catching Fire costume designer is Trish Summerville, who after winning a Contemporary Costume Designer's Guild award for her fashionable work on The Girl with the Dragon Tattoo in 2012 is a hot name right now.

Other sexual content includes the scanty costuming on most of the female cast, and especially on a seductively - dressed sex slave (Rihanna) who works in a brothel and amuses her costumers with pole dancing and sensual moves.

And that may be why this animation, based on his work, features a couple of aspiring comic book creators who point to these costume choices as the inspiration for their title character.

Russell's also reteaming with several members he worked with previously on American Hustle, including cinematographer Linus Sandgren, editor Jay Cassidy, production designer Judy Becker, and costume designer Michael Wilkinson.

I recently spoke to cinematographer Roger Deakins, production designer Kristi Zea, costume designer Albert Wolsky and film editor Tariq Anwar about their work on the film, a 1950s period piece featuring the on - screen reunion of Leonardo DiCaprio and Kate Winslet.