«Stolen bodies
working stolen land.
The land she tilled and worked had been Indian land... Stolen bodies
working stolen land.»
Not exact matches
On Boo's Haunted Bash when a player
lands on a Happening Space and summons the Big Boo, when the Big Boo
steals coins or stars from the other players, this item for chasing the Boo away does not
work for the Big Boo.
The Homesman
works as both an entertaining western as well as a subtle commentary on a dark moment in our American history, specifically how the West was won, when settlers
stole the
land outright from Native Americans and justified their...
Adam Brody all but
steals the film as the casually - homicidal lead singer of the most evil emo band in the world, Low Shoulder, though I'll grudgingly forgive you for not noticing his greatness in such
work as The OC and In the
Land of Women.
The community of Nusa Ceningan
works together with a collation of local NGOs to seek justice for their
stolen land at Bali's high court The community of Nusa Ceningan is struggling with a legal battle to...
As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the
stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately
landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow
works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.
In a discussion about
Land Art in 1969, he observed that «photographs
steal away the spirit of the
work.»
«They entered a
land which was
stolen, and was
worked by
stolen and enslaved people, and informed by institutionalized racism and discrimination.
It is impossible to even be stunned anymore by the incompetency of those propagating these solutions — climate change is causing a loss of
land and
work and the response is to essentially
steal or buy (without permission)
land from the people whose agriculture is already being adversely affected.