Phantom Thread had been
the working title of the film while Anderson shot it, but Indiewire reported back in June that it would not be the official title upon release.
Not exact matches
Gordon Green wrote and shot the
film,
titled Prince Avalanche, in Austin last month prior to getting started on his remake
of Dario Argento's Suspiria, and it's described as following «two men whose lives intersect while
working on a road striping crew together.»
Some
of his more notable
work came from his collaboration with director Spike Lee; over the course
of the 1990s, Washington starred in three
of his
films, playing a jazz trumpeter in Mo» Better Blues (1990), the
title role in Lee's epic 1992 biopic Malcolm X (for which he received a Best Actor Oscar nomination), and the convict father
of a high - school basketball star in He Got Game (1998).
There follows a long
working out
of the
film's
title, as Jen transforms herself from victim to warrior and Ms. Fargeat turns her skills to suspense and gore.
Beetlejuice proved Keaton's comeback: one
of the year's most popular
films, it allowed him to do some
of his best
work in years as the ghoulish, revolting
title character.
While previous editions have had six or seven short
films, Boys Life 4: Four Play requires only four
titles for its 87 - minute running time, a sign
of how much more substantial and ambitious
work in the field has become.
Although the
film failed to achieve the same amount
of praise as Mann's
work before it, Will Smith delivered an career - changing performance in the
title role and was nominated for a Best Actor Oscar.
Filmed in 1996 in Venice and Rome with a variety
of working titles (Courtesan, Venice, and The Honest Courtesan).
As the
title implies, the focus
of this hour - long live - action series is not on the larger than life costumed superheroes who turned The Avengers into the third highest - grossing
film of all time, but the employees
of the Strategic Homeland Intervention, Enforcement and Logistics Division, the government agency
of espionage and law enforcement that has
worked with and sometimes against the likes
of Captain America, Iron Man, Thor, and the Hulk.
The selection
of Vincent Gallo as the embittered
title character is Coppola's bravest stroke for this new
film, since the mercurial New York actor has earned himself a reputation
of being difficult to
work with and consequently hasn't landed many primo acting gigs.
At last year's Comic - Con another teaser trailer for Tron «s sequel was revealed, along with the
film's official
title, Tron Legacy, and a replica
of Flynn's Arcade containing multiple
working Space Paranoids game consoles.
The
film's
title is inspired by a David Hockney painting, a
work that provides mystery in suggestion as the only sign
of a protagonist is a splash and an empty chair, asking the spectator to provide the rest.
Lawrence has a poem
titled «Love on the Farm», which could
work as an alternative
title for Lee's
film — except that love is as far from the mind
of its main character, twentysomething Johnny Saxby (played by Josh O'Connor), when we first encounter him as anything could be.
Indeed, from the sly casting
of impish Emily Blunt in the
title role to the Easter - egg hues
of Sandy Powell's typically immaculate frocks, Jean - Marc Vallee's
film works overtime to convince us that the 18 - year - old Victoria could be very amused indeed: as Blunt barely suppresses laughter at a stiff royal function, or skips down a corridor after being informed
of her impending coronation, she effectively severs any connection or comparison with Judi Dench's Oscar - nominated interpretation
of the role in «Mrs Brown.»
The
film says as much in its Ziggy Stardust - inspired opening
title card: «Although what you are about to see is a
work of fiction, it should nevertheless be played at maximum volume.»
We'll be seeing Saoirse again in January when director Josie Rourke's debut
film for
Working Title, Mary, Queen
Of Scots, opens (though it will most likely play the autumn
film festivals first).
Upon its release in 1974 this low - budget
work, the only
film in Peckinpah's long career over which he was allowed final cut, tanked at the box office — and merely invoking its
title has since become a kind
of joke, whether in Michael Ritchie's 1985
film Fletch or BBC Radio's «I'm Sorry I Haven't A Clue».
Screenwriter James V. Simpson provides the sort
of set - up that allows Antal to really tighten the screws, to
work the
film's warehouse setting, plus both inside and out
of the impenetrable vehicles that give the
film its
title, in a way that maximizes tension and suspense.
I applaud
Working Title for breaking new ground and not sticking to the «Into Thin Air» version
of the 1996 Everest tragedy, which is maybe why this book is not in this
film's Credits, something that has not gone unnoticed by some professional reviewers.
Another indie
film, with the
working title of «Bunnyman Bridge,» was being shot entirely with digital SLR cameras.
Shandling was a regular Buddhist too, hence the
title of this four - hour
film, which will delve into the comedian's influential
work both as a stand - up mining punchlines from neurosis and as the creator and star
of two innovative series, It's Garry Shandling's Show and The Larry Sanders Show.
Although the
film doesn't make time to fully investigate his body
of work, which, from his bitter liberalism (the dubiously
titled «comedy
of hate») to his pre-cancer embracement
of smoking («I go through two lighters a day,» he'd often quip), is admittedly problematic, it nevertheless refuses to shy away from these darker corners
of his existence.
With a string
of movies such as «Roxanne», «The Wedding Singer,» «Happy Gilmore,» «Daddy Day Care,» and «Blended,» Nealon will be spending his summer
working on a
film titled «The Pleaser,» the story
of a man who tries to please every one, but has a knack for disappointing.
The
film's
title («Return» in English) is echoed by the return / resurrection
of the protagonist sisters» mother thought to be a ghost (and played by former Almodóvar muse Carmen Maura, returning to
work with the auteur after a falling - out that lasted a decade).
But why should they when Gilroy's own
film is about nothing so much as the corrosive effects crony capitalism wreaks on that heretofore - unsatirized American institution (certainly not covered more intelligently and presciently by a nearly forty - year - old
film whose
title rhymes with get
work)
of headline news?
Hong Sang - soo, whose recent
film «On the Beach at Night Alone» finds an actress wandering around a seaside town thinking about her relationship with a married man, is not too different from his thematic concerns in «Claire's Camera,» This is a multi-lingual project that clocks in at sixty - nine mostly magical minutes, the whole episode graced with performances by Ms. Huppert in the
title role and Kim Min - hee, who
worked with the director in three
of his
films, in the role
of youthful Manhee.
It's always been clear that Greta Gerwig, who co-wrote and starred in the
film, played an enormous role in shaping its
title character, to say nothing
of how she may have mitigated some
of the nastiness that had started to weigh down Baumbach's
work in the years prior.
Jafar Panahi and Mojtaba Mirtahmasb's semi-documentary was given its
title because on a certain level, it isn't a
film in the way
of Panahi's past
work — it has no script or actors, it was shot in the Tehran apartment in which he's been serving out his house arrest, and it's centered around his talking through the feature he would have made had he not been banned from filmmaking for 20 years.
Having turned in a couple
of ill - received
films delving into the matters
of political intrigue, Alfred Hitchcock went back to Britain and, practically at the very end
of his career, made another great
film on the trail
of the
works that had given him the
title of the master
of suspense and the macabre.
«The Visual Effects
of Battleship» (11:30) lives up to its
title, dissecting and celebrating Industrial Light & Magic's
work on the
film.
«Birth
of a Director» is a shorter, one - on - one interview with a French journalist, and as the
title suggests, it's principally focused on Farhadi's humble beginnings and on the thematic and formal evolution
of his
work (A Separation is discussed at length, but the amount
of time spent on his earlier
films suggests that the extra will be more useful to people already familiar with his previous features).
With the sequel to Fantastic Beasts and Where to Find Them in the
works, official Harry Potter website Pottermore has revealed the
title for the
film: Fantastic Beasts: The Crimes
of Grindelwald.
The
title is also a nod to that ban: This
work, which was reportedly smuggled out
of the country in a cake, isn't a
film because Panahi isn't allowed to make them.
Special Features: • Brand new 2K transfer from the original camera negative • High Definition Blu - ray (1080p) and Standard Definition DVD presentations • Optional English SDH subtitles for the deaf and hard
of hearing • Audio commentary with co-writer and producer Mardi Rustam, make - up artist Craig Reardon and stars Roberta Collins, William Finley and Kyle Richards • New introduction to the
film by director Tobe Hooper • Brand new interview with Hooper • My Name is Buck: Star Robert Englund discusses his acting career • The Butcher
of Elmendorf: The Legend
of Joe Ball — The story
of the South Texas bar owner on whom Eaten Alive is loosely based • 5ive Minutes with Marilyn Burns — The star
of The Texas Chain Saw Massacre talks about
working on Eaten Alive • The Gator Creator: archival interview with Hooper • Original theatrical trailers for the
film under its various
titles Eaten Alive, Death Trap, Starlight Slaughter and Horror Hotel • US TV and Radio Spots • Alternate credits sequence • Reversible sleeve featuring original and newly commissioned artwork by Gary Pullin • Collector's booklet featuring new writing on the
film, illustrated with original archive stills and posters
I Only Want You to Love Me (1975) could serve as the
working title for most
of the
films in the career
of Rainer Werner Fassbinder, the prolific German director who made 43 features between 1969 and his death
of a drug overdose in 1982.
About the Art Directors Guild: The Art Directors Guild (IATSE Local 800) represents nearly 2,000 members who
work throughout the United States, Canada and the rest
of the world in
film, television and theater as Production Designers, Art Directors, and Assistant Art Directors; Scenic,
Title and Graphic Artists; Illustrators and Matte Artists; and Set Designers and Model Makers.
The reason this
title works is because the
film aims to tell the origin story
of the one and only Dracula so I actually quite like it.
Filming has officially started on location in England and Scotland on the
Working Title Films production of Mary, Queen of Scots, starring Saoirse Ronan in the title role opposite Margot Robbie as Elizabeth I. Josie Rourke, artistic director of The Donmar Warehouse, makes her feature directorial debut on the m
Title Films production
of Mary, Queen
of Scots, starring Saoirse Ronan in the
title role opposite Margot Robbie as Elizabeth I. Josie Rourke, artistic director of The Donmar Warehouse, makes her feature directorial debut on the m
title role opposite Margot Robbie as Elizabeth I. Josie Rourke, artistic director
of The Donmar Warehouse, makes her feature directorial debut on the movie.
Working Title's Eric Fellner, one
of the producers
of The Theory
of Everything, told the Guardian he was «delighted» with the
film's stack
of nominations, calling it «one
of those rare times where it's a conflation
of three factors: we're pleased with the
film, the critics love it, and it's a success with the real audience» — it is currently top
of the UK box office charts.
We know a new Halloween
film is in the
works, and ShmoesKnow.com is now reporting that they have reliable confirmation that the current
working title of the next
film to feature the return
of Michael Myers to the big screen is «Halloween: The Next Chapter».
Sadly, this will
work on viewers who love football and trick them into thinking this is a good
film about the love
of the game (Costner
film title pun intended).
Currently under the
working title of Ocean's Ocho, the
film will be a continuation from the Clooney / Brad Pitt / Matt Damon - led
films directed by Steven Soderbergh with Bullock starring in the Clooney - Danny Ocean role and will «form a team
of thieves to steal a necklace from the Met Ball in order to frame a villainous gallery owner.»
Eric Fellner, co-chairman
of producers
Working Title, paid tribute to the
film's subject, Stephen Hawking: «He's won everything else already, so it'd be gorgeous if he got close to an Oscar.»
The
film's
title comes from the name
of a self - help book written by Teddy Raymond (Tom Berenger), a semi-anonymous guru whose
work has managed to sweep the nation (or at least greater Los Angeles; the movie makes it hard to differentiate between the two) despite his lack
of participation in the publicity machine.
Yes, they protect themselves with that late
title card about the Clarke estate, along with another buried card that states, «This
film is a
work of fiction and is not intended to be a true or exact account
of actual people or events,» but that doesn't mean they were responsible, only cautious.
Blu - ray Highlight: There's not as much on tap as some Criterion discs, but fans will be happy to discover a nice collection
of interviews with John Schlesinger, actor Murray Head, and others that
worked on the
film, as well as an interesting retrospective on the movie by Schlesinger biographer William J. Mann
titled «On Sunday Bloody Sunday.»
Linklater» s previous
work includes the BEFORE SUNRISE, BEFORE SUNSET, and BEFORE MIDNIGHT trilogy, DAZED AND CONFUSED, SCHOOL
OF ROCK, ME AND ORSON WELLES, A SCANNER DARKLY, BERNIE, which had a real - world impact on its title character, and my favorite of all his films, the sublime, the provocative, the mind - blowing, WAKING LIF
OF ROCK, ME AND ORSON WELLES, A SCANNER DARKLY, BERNIE, which had a real - world impact on its
title character, and my favorite
of all his films, the sublime, the provocative, the mind - blowing, WAKING LIF
of all his
films, the sublime, the provocative, the mind - blowing, WAKING LIFE.
Announced in 2008 as part
of a two - picture deal with
Working Title Films, «Baby Driver» was originally intended to be released before his 2013
film, «The World's End.»
In fact, the experience
of working on a
film like this has only solidified why sequels and remakes will continue to be made instead
of focusing more on original
titles.
The
Working Title film marks the directorial debut
of Josie Rourke, the artistic director
of The Donmar Warehouse.