Sentences with phrase «working with lead paint»

Not exact matches

Dr. Gayle D. Jones, Oneida County Director of Health, says it is essential that anyone who disturbs lead - based paints in pre-1978 housing be properly trained and certified in lead safe work practices and that contractors or renovators found to be non-compliant with EPA regulations are subject to substantial fines.

The program, initiated last year by County Executive Anthony J. Picente, Jr., targets properties in Cornhill, West Utica and parts of East Utica that are «at risk» for lead poisoning and allows the homeowners to replace old lead - base painted, single paned windows with new energy efficient replacement windows purchased at cost and using lead safe work practices.

He continued, «Remodelers and renovators performing work in pre-1978 homes and found to be in non-compliance with the new regulations could face significant fines if a family member living in the dwelling is lead poisoned as a result of unsafe renovations of lead - based paint.»

City investigators went as far as to recommend an independent integrity monitor to ensure NYCHA is performing lead paint and other inspections, according to a home health aide who frequently works with NYCHA tenants.

Renovator Training Supports Local Employment «Joint Initiative Partners MVCC, LPP and Workforce Development» Oneida County Executive Anthony J. Picente, Jr. today announced a free training program designed to provide as many as ten persons with construction experience who are currently unemployed the necessary skills to work on pre-1978 built houses that may have lead - based paints.

New York City Housing Authority Chairwoman Shola Olatoye said on Friday that the agency has been out of compliance with the U.S. Environmental Protection Agency rules requiring training for work involving lead paint since 2014.

Along with mitigating the lead paint, the initiative will work on creating better energy efficiency in some of these older homes.

The $ 3 million grant, from the U.S. Department of Housing & Urban Development Office of Healthy Homes and Lead Hazard Control, will provide the resources for the Erie County Department of Health («ECDOH») to work with NYSDOH and community partners to assess 180 homes for lead - paint hazards and correct them where they are foLead Hazard Control, will provide the resources for the Erie County Department of Health («ECDOH») to work with NYSDOH and community partners to assess 180 homes for lead - paint hazards and correct them where they are folead - paint hazards and correct them where they are found.

Oneida County's housing stock is among the oldest in New York State, and while sturdy and architecturally aesthetic, is covered with lead - based paints requiring specialized knowledge of lead - safe work practices compliant with the Environmental Protection Agency (EPA) regulations that went into effect in 2010.

To register for the Renovation Training class or for more information on working with lead - based paints and EPA regulations visit the Oneida County Health Department's web site at ocgov.net or call the Lead Primary Prevention Program at 266-6lead - based paints and EPA regulations visit the Oneida County Health Department's web site at ocgov.net or call the Lead Primary Prevention Program at 266-6Lead Primary Prevention Program at 266-6147.

Dr. Sattler has also worked at the local level in communities facing environmental health risks associated with lead - based paint, pesticides, Superfund sites, and risks associated with gas and oil extraction.

Vance and Hines True Dual Exhaust, fully painted inner fairing, Vance and Hines Intake, fully auto - tuning fuel management system, Led taillight, upgraded speakers with amp, Klock Works windshield, Hwy pegs, and more.

Leading up to his two exhibitions later this autumn at David Zwirner's gallery spaces in London (October 5 — November 17) and New York (November 1 — December 19), I discussed with Tuymans a number of subjects that come out of his two new bodies of work, including the questions they raise around the romanticized life of artists, the recurring issue of otherness in his work, and how a talking parrot in a charmingly ramshackle tapas bar close to his studio inspired the title for a series of new paintings.

Edited by the exhibitions's co-curators Frances Morris and Tiffany Bell, and with essays by leading scholars that give a context for Martin's work — her life, relationship with other artists, the influence of South - Asian philosophy — alongside focused shorter pieces on particular paintings, this beautifully designed volume is the definitive publication on her oeuvre.

They freely shared their passion for painting, their work ethic, one painting leading to the next, never being truly satisfied with the last... this is how I work as well.

With the influx of art and artists into London for Frieze week, three leading contemporary artists analyse and discuss their work in relation to contemporary painting.

The archetypal compositional techniques Carrà admired in these works led to his break with the dynamism of Futurism and to his creation of paintings with a stillness and form, which he termed a «condensation of expression».

He has said that the latter, with its winter - time palette of multi-hued grays and whites, has led to a softening, almost metaphysical approach to his work; the tonality of the eight - part horizontal painting Night and Day, 2012, is an apt example.

Despite his lack of formal training, Dial took the art world by storm with his deft fusion of painting and sculpture, leading one art critic to declare that his work marked the end of so - called «outsider» art when it was shown at the Whitney Biennial in 2000.

Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson's leading artists, of both the past and present — beginning with monumental works such as one of Dan Graham's large - scale glass - and - steel pavilions, entitled Two Vs Entrance - Way (2016), which reflects and refracts visitors and its Brutalist architectural surroundings.

These apparently disparate paintings are informed by diverse and varied visual modalities, and are imbued with Rivers» early flirtations with Abstract Expressionism that led to the appropriation of pop imagery, incorporating newly available materials into his working vocabulary.

These collages and paintings usually lead toward a final product; oftentimes an experimental film work — the best artistic tool, I feel, with which to incorporate many different mediums, cultural influences and concepts.

Established in 1960 as a way to showcase the majestic paintings from the Hudson River School movement, Storm King Art Center has evolved into one of today's leading sculpture parks, with more than 100 contemporary works dotting a dramatic landscape of pastoral hills, breathtaking vistas, and tranquil ponds.

In the Creation series, Furnas» technique integrates wholly with concept, as his method of pouring paint along a grooved surface on the canvas introduces gravity into the work in a physical and literal sense, as the imagery depicts the sequence of events leading to the Fall of Man.

What was your path towards art - making and what led you to working with mixed media, including sculpture, collage, painting, installation, and printmaking methods such as silkscreen, lithography, and woodblock?

The show features paintings by Helen Frankenthaler, Alfred Leslie, Trevor Winkfield, Nell Blaine, Joe Brainard, Grace Hartigan, Joan Mitchell, Jane Freilicher and Fairfield Porter; poetry collections published by the gallery's imprint, Tibor de Nagy Editions, and featuring work by Frank O'Hara, Kenneth Koch, James Schuyler, John Ashbery, Barbara Guest and others, with illustrations by Tibor de Nagy artists; photographs and films by Rudy Burckhardt; letters, announcement cards and other ephemera; and archival photographs of leading cultural figures of the day by John Gruen and Fred McDarrah.

With over 100 paintings, sculptures and works on paper, it examines Surrealism in the United States between 1930 and 1950 and includes the leading Surrealists working in America at the time - Salvador Dali, Jackson Pollock, Max Ernst, Arshile Gorky, Mark Rothko, Frida Kahlo, Alexander Calder, Yves Tanguy, Charles Rain, O. Louis Guglielmi, Isamu Noguchi, Dorothea Tanning and many others.

Suddenly the viewer is able to understand Ramsden's intentions beyond the mere aesthetic level of her other works; charged painting processes lead to obscured and fragmented heart symbols, fostering mutual relationships between artist, subject and viewer which linger as decoratively appealing with an added punch.

A notable characteristic of modernism is self - consciousness and irony concerning literary and social traditions, which often led to experiments with form, along with the use of techniques that drew attention to the processes and materials used in creating a painting, poem, building, etc. [4] Modernism explicitly rejected the ideology of realism [5][6][7] and makes use of the works of the past by the employment of reprise, incorporation, rewriting, recapitulation, revision and parody.

Other leading contemporary artists to have built upon the historic and the classical to create something wholly new include Jeff Koons at Almine Rech Gallery, and, more recently, Mat Collishaw at Robiland + Voenna, with four mirror works that engage with paintings by Caravaggio in the Galleria Borghesa's permanent collection in Rome.

Partial panorama of the installation, with work by Emily Berger on the left, Mira Schor on the right, and Sarah Hinckley on either side of the doorway leading to the small gallery where my paintings are hung

The Whitney exhibition led to the museum purchase of the painting Rational Irrationalism, private sales of the other works and his signing with William Zierler gallery.

His formidable reputation as a modernist helped establish him as a leading representative of Italian painting during the Fascist era, and he seems to have played along with the nationalistic spin some gave to his work.

- Peter Doig1 British / Canadian artist Peter Doig stands in a position seemingly riddled with contradictions: straddling national identities; employing a medium (photography) historically thought to lead to the eventual disappearance of his own medium (painting); and working within a continuum of large scale figurative and landscape oil paintings.

These works lead to Escapist Collages, paintings on colored tile layered with photo decals of tropical imagery, as if suggesting a way out.

The lush colors and formalized shapes in Avery's paintings have often led critics to compare his works with those of Matisse.

The lead lot is a Joan Miró late work estimated at $ 10 - 15m, a Barnett Newman work on paper estimated at $ 800k to $ 1.2 m; a Mark Rothko late work on paper with a $ 7 - 10m estimate; a de Kooning from 1978 with an $ 8 - 12m estimate; Roy Lichtenstein's work from the 1970s with a $ 7 - 10m estimate; a Donald Judd stack with a $ 8 - 12m estimate and a 1964 Warhol flowers painting with a $ 2 - 3m estimate.

The 2010 exhibition «Ugo Rondinone — The Night of Lead» finally ends this long hiatus, with the Aargauer Kunsthaus serving as the venue for a comprehensive solo exhibition that includes large - scale sculptural works and paintings as well as audio and video pieces.

The lecture, led by curator Lynn Zelevansky, will discuss Yayoi Kusama's years in New York and her relationship with Donald Judd, in addition to examining both artists» early work in painting and subsequent shift to three - dimensions.

While MFA exposure and real - world experience are at the core of the Welch Aqua Art Miami program, more than a dozen works were acquired including paintings by Larkin Ford, Joe Hadden and Elham Masoudi, ceramic / DVD works by Rachael Ballard, and photographs by MFA photo graduates, Tyler Mann, John Prince and Ben Lee, among others, as well as follow - up with potential collectors and exhibition leads.

Led by a Sigmar Polke raster dot painting with a $ 20m estimate that would make it only the second Polke work to sell for eight - figures, Christie's has secured the Emily and Jerry Spiegel collection for the May sales in New York.

Although his work is grounded in poetry and was affiliated with William S. Burroughs, Giorno's collaborations and friendships with leading visual and performance artists, such as John Cage, Brion Gysin, Yvonne Rainer, Robert Rauschenberg and Andy Warhol pushed his work into performance, film, painting and other media.

Surprisingly, some rooms in the space have white walls hung with wall works like your average gallery, but passing through a door leads you to rural wooden spaces with angular roofs filled with a wide array of digital works like a manipulated vinyl rendering of a Fuji water bottle by Yung Jake and an abstracted digital painting of Alexandra Marzella by Giovanna Olmos.

Artist, curator and writer, Matthew Deleget has described Hill as being «on the leading edge of a group of contemporary artists who are working with new abstraction, issues of painting, and pushing those in really compelling and interesting new directions, particularly through the filter and through the lens of photography and digital media.»

Although none of the paintings sold (perhaps not surprisingly given that they were created by a novice and Parsons generally did not have a great track record for sales), Rauschenberg's work registered with fellow artists, and the show led to several important friendships.

Another acknowledged leading figure of the movement is Michelangelo Pistoletto (b. 1933), whose now iconic mirror paintings played with the representation of reality by inviting the viewer to enter the work.

His exhibition with The Conversation will be comprised of new paintings and works on paper made with recyc - led materials.

His unease at the loss of figurative imagery in the painting at that time with which he had so much success eventually led his own work down deeply conflicted avenues.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Could it be this painterly quality to Dean's films that led the NPG, in collaboration with its neighbour the National Gallery, and the Royal Academy (whose offering I haven't seen, as it doesn't open until the end of May), to the decision to divide the present survey of her work into the three traditional painting genres — portraiture, landscape, still life?