Sentences with phrase «working with my hands ever»

I have been building things and working with my hands ever since I can remember.

Not exact matches

Asked about the worst career advice she ever received, Ahrendts tells of the time she was working at a big corporation and a human resources manager told her that she needed to make changes — like not talking so emotionally with her hands — if she wanted to be considered «CEO material.»

«No one has ever touched Zeno without refuting him,» he writes in a short essay commenting on the fundamental line of thought in his chief philosophical work, Process and Reality.16 In the same essay he explicitly distinguishes his theory from two other opposed positions: on the one hand from the view that interprets the character of becoming as illusory and becoming itself as simply empty and nonexistent in comparison with beings and their being.

The rest of my colleagues ran away from me, but my dear readers I do promise that I will always work hand in hand with them if they ever need me.

Ever wondered how some people have super strength when it comes to working with their hands?

To guarantee that the ingredients Gnosis uses are Raw, Vegan, Organic, and of the highest quality, I regularly return to my suppliers with increasingly in - depth questions, and put my hands in every stage of production at the farms and factories I visit to ensure the nutritional integrity that is the foundation of Gnosis.I continue to work with industry leaders to develop new and ever more effective ways to assure raw integrity, and I invite you to voice your concerns to merchants and their suppliers.

«Working with Damona has been, hands down, one of the best decisions I've ever made.»

The main reason Charley appreciates the brow - sweating work — aside from the fact he brings home more cash - in - hand pay than his father ever seems to — is that he gets to spend time with Lean on Pete, a five - year - old quarter horse Del endlessly tours around the local race tracks.

The opportunities introduced by possessing others isn't just an easy source of laughs, but also works hand in hand with Odyssey's ever - present challenges.

Our ever - evolvingSMART Interactive Displays and SMART Learning Suite of software, continue our tradition of working hand in hand with educators to enable more natural collaboration to support student success.

But perhaps his best work was with Williams — in 1991 his then - new FW14 scored multiple victories in the hands of Nigel Mansell and Riccardo Patrese, and in 1992 the revised FW14B, one of the most advanced Grand Prix cars ever, dominated, with Mansell taking nine victories and Williams ten wins from 16 rounds.

Your friends, family, and publisher will do everything they can to spread the word about your work, but at the end of the day, with more books than ever being published and read, authors who think their work is done after the finished manuscript is in simply won't be read as widely as an author who (respectfully) continues to do everything he or she can to get their book into the hands of readers.»

The staff at Smith Publicity are, hands down, the most professional, competent, positive, sweet, caring, and downright fun people I've ever had the pleasure of working with.

Unlike ever before, the power to create and share work is firmly in the hands of writers, and dealing with difficult, big - name publishing houses is finally a thing of the past.

Scott Simpson is hands down, not only the best mortgage lender with which I've ever worked, but the best professional with which I've ever worked.

These paintings followed some loose hand - painted spots on board such as this one, dating from 1986, and the first spot work on canvas «Untitled (with Black Dot)» (1988)-- the only «Pharmaceutical» painting ever to have incorporated a black dot.

The Biennial also includes ceramic works by Sterling Ruby, John Mason, Shio Kusaka, and Pam Lins (in collaboration with Amy Sillman), and while the examples here are colorful and lustrously glazed, they serve the same conceptual purpose as the works mentioned above within the larger conversation the of Biennale — that is, they highlight the action of the artist's hand as works requiring dexterous skill in a world where such displays of manual proficiency are fewer and farther between than ever before.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

On the other hand, after Smith had made his statement with the black cube, he quickly moved on to the tetrahedrons and parallelepipeds, thus challenging himself with a rigorous complexity, as seen in Duck (1962) and Amaryllis (1965), and later with ever greater rigor in works such as Smoke (1967) and One — Two — Three (1976).

Each spontaneous work pulses with a sense of the artist's hand pushing ever onwards in its desire to recreate afresh.

In Bjà ¶ rk's own words, «It is now more important than ever before to emphasize a respect for nature I believe that profits, technological advances and working together with nature can all go hand in hand.

Hands down one of the best companies I» e ever worked with!

For example, if we always have a calculator app right at hand, or a spellcheck feature, working on our basic math and spelling skills isn't exactly a high priority for us, and if we always have access to a game or our newsfeeds, or basically the entire internet all the time, we don't ever have to just sit there and look at the scenery, or connect with other humans, because we have an instant distraction device right in our pocket.

Think about it: the tourbillon — a 200 + year old invention designed by one of the greatest watchmakers to ever live, which for most of its history has been practically synonymous with hand - craftsmanship and high end watchmaking, has been produced in a working watch with a 3D printer.

Rushed through in November 2003 with last minute amendments and before infrastructure had been put in place, the profession has borne a heavy cost at the hands of HM Revenue & Customs ever since as ways have to be found of working through a cumbersome and heavy - handed tax reform.

We know that today clients are buying value more than ever, they want total solutions and they are willing to select individuals best suited to resolve the issues at hand rather than staying with a firm they have worked with historically.

Apple designed HomePod to work hand - in - hand with Siri, ideally offering you a way to control the speaker without ever touching it after set it up.

Things have changed and with technology and competition working hand in hand to make things difficult for applicants, we have to be on our toes more than ever now.

My three years of experience in this capacity has taught me the necessity of researching the ever changing trends that events are planned upon and to assist in basing all planning and execution on strategies that work hand in hand with change.

As you may guess from the names, those who work in direct patient care are hands - on with patients, while those in certain indirect patient care jobs rarely, if ever, see a patient face to face.

Ever since I was a child I have loved working with my hands and making small parts come together into a bigger project.

She is hands down the best agent we have ever worked with.

Ever since BCREA spent over 1 million of our dues encouraging us all to become a big happy family without (in my opinion) having a clue how this would work or not work, I have felt there is one to many «REAS» with their collective hand in my pocket.

Helping to a point is fine, but if you need to hold hands you need to compensate who ever you work with in some manner.

«Pamela is hands down the best real estate agent I have ever worked with.

Mermaid Cottages has, hands down, been the best and easiest rental agency we have ever worked with!