Sentences with phrase «working with publishers at»

However, even if we allow that Mike and the trends are half right and we see say 33 % or 40 % of the market reachable via no - risk required methods by 2012, then the savvy authors like JA Konrath will see little reason to work with a publisher at all.

Not really, as a matter of fact we generally try to work with a publisher at least for our bigger console and PC games, mostly because we work on quite big projects which we can't finance 100 % from our side.

Not exact matches

While at the university, I worked with Avi Bennett to take 75 % ownership of McClelland & Stewart, the iconic Canadian publisher.

«Now, Nike is a big supporter of the culture, whether media, contests, skater sponsorships, shops whatever,» says Ryan Stutt, publisher of skateboarding and snowboarding magazines KingSh * t and KingSnow (disclosure: I worked with Stutt years ago at SBC Media).

The move comes as news publishers try to figure out how to work with Apple and Facebook Inc, which are important distributors of news content to their hundreds of millions of users, but at the same time are getting between publishers and their readers.

While this strategy works just fine for large publishers that already have established brands and get thousands of shares on any new article they publish (such as Mashable or TechCrunch), a more pragmatic approach is needed for just about every other business.It's true that getting quality inbound links starts with great content on your client's website, but the missing link is getting journalists, contributors, authors, and editors at quality publications to become aware of that content so that they can link to it when writing relevant stories / articles.

Steve Hiller, of the Centre for Speech Technology Research at the University of Edinburgh, has been working on the tutor for two years with partners in France and Italy and at the publisher Berlitz.

Don't delay, because the FREE bonus package valued at $ 150.89 (including the Free DVD from Kim Lyons and the M - power Fast - Fitness Audios) will only be available for a limited time due to the publishers I'm working with for those.

With Techland still hard at work on some ambitious Dying Light content, however, a reunion with publisher Deep Silver would seem unlikWith Techland still hard at work on some ambitious Dying Light content, however, a reunion with publisher Deep Silver would seem unlikwith publisher Deep Silver would seem unlikely.

It could be referred, coming from a man who works in the financial side of the publisher, that monetization tools such as microtransactions could be delivered after the launch rather than be re-balanced at a later stage as it happened with Star Wars Battlefront II.

While Team Ninja and publisher Tecmo Koei didn't elaborate on how Move and Ryu's katana will work together, we're holding out hope for optional 1:1 motion controls - or at the very least, something a little more elegant than waggle.If you're not interested in waving a glowing wand around, though, take heart: Ninja Gaiden 3 still feels pretty great with a regular controller.

Working with sector computing experts including Miles Berry of Roehampton University and Naace, the inspirational Terry Freedman, who had formerly worked for QCA and Tom Barrett, now senior consultant at NoTosh, and publisher Rising Stars, Switched On Computing had been created.

Some years ago, I signed on as an editor at a major publisher of elementary school and high school textbooks, filled with the idealistic belief that I'd be working with equally idealistic authors to create books that would excite teachers and fill young minds with Big Ideas.

Tim works with various agencies and publishers on a myriad of projects aimed at improving literacy.

Kristina Makansi and Lisa Miller at their June 8, 2016 SLPA presentation titled «Working with a Local Small Publisher,» show some of the books they publish with their company Amphorae Publishing.

Depending on what your publisher has planned for your book (which an editor often shares with you and your agent 6 months to a year before your book launches), and depending on your budget, a freelance publicist (who usually works on fewer books at any time than an in - house publicist) can supplement or enhance what your in - house publicist will be doing.

International publishers and booksellers at the London Book Fair this year have become increasingly vocal about their difficulties in working with Amazon.com.

But for most of the indie authors and small publishers I work with, money is at a greater premium than time.

And at the end of the day, for doing the same work you would do as a self - publisher, you end up with only about $ 1 a book.

As we wrote at the time, this example makes the point that authors already have a lot of the tools for marketing their work, and in some cases — as with Hocking, Locke and other self - publishers such as J.A. Konrath — this can make them so self - sufficient that they no longer need the support of a traditional publishing deal.

Apart from the works of Robert Graves, RosettaBooks has also acquired the digital rights to Sir Winston Churchill's writings though the publisher has also stated they will be making available at least a dozen of Churchill titles on a print - on - demand basis, with the first to arrive around spring 2014.

In addition to Open Road we are working with a top 3 music publisher that is using Vistaar's pricing software for their digital catalog and they are starting to expand to physical content and we are in discussions with other book publishers that are looking at both digital and print.»

Even Brean Hammond, the Shakespearean scholar who spent 10 years studying the play and editor of the Arden Shakespeare Edition, believes that the 18th century publisher of the play, Theobald, significantly «cut and altered the work to suit his 18th century audience» though in an interview with the BBC, he says he is certain that Shakespeare «had a strong hand in» the first act, the second act, and at least part of Act III.

There is so much competition for readers» attention, let alone the media, and at the same time publishers» publicity departments are shrinking, so publishers have to be very mindful of those they choose to work with.

Assuming an agent / publisher's vetting, continue the print career (if you have one), while attempting to negotiate for your erights, or at least a higher ebook royalty... WHILE at the same time using ebooks to get out previous work, or recent work that went nowhere with your agent but was considered salable (as with my thriller SAVAGE NIGHTS, now on Kindle and soon all the formats), and also perhaps some new work targeted for ebook format only.

And while a freelance editor (like me) makes more money simply from more work, a traditional publisher's editor makes more money from higher - quality work — and suffers at least in reputation from association with low quality work.

However, there's no denying that Christian writers hoping to publish with one of the top 15 - 20 Christian publishers will face these challenges related to the identity of a Christian book, working with authors at different publishers, and marketing their books.

They are choosy about the authors they sign, so at the time I did feel honored that they chose to work with m. Because I paid a pretty hefty up - front fee, it never even occured to me that the publisher would then keep the majority of the money from my book sales.

Authors who are working with small - to mid-sized publishers, or whose work is self - published, can't topple Rowlings from her perch while Harry Potter is everywhere — in movie theaters and in every nook and cranny of the media — all at the same time.

She did become my confidante and mentor, and when the timing was right, I was thrilled that she jumped at the chance to present me to Lisa Hagan, literary agent, who signed me on the spot (this was after I self - published my first three books, developed a large author platform, sexual abuse advocacy, signed with a (now - defunct) hybrid publisher, wrote another book, directed an imprint, and have two works in progress and another series in the hopper).

Only on rare occasions will a ghostwriter work with someone on a contingency basis, putting in all the time and expertise required to write a manuscript and pitch it to publishers at no charge to the originator of the book, in exchange for an agreed - upon percentage of future royalties.

But as long as HQN editors are working both with HQN and Dellarte writers, and thus earning HQN profits through both commercial and fee - based publishing, I would hope RWA wouldn't compound the «form over substance» problem by winking at HQN and saying that its commercial imprints are publishers even while those same editors are also working at Dellarte.

Unless you are getting a huge offer, meaning up into six figures or more, you do not have the clout at the moment to negotiate with a traditional publisher in any way that will allow you to keep your rights on your work.

From what I can see, small publishers are sometimes better at working with an author, but I've also noticed, in looking at some of the titles they publish, that they don't seem to be doing significantly better commercially than comparable self - published titles.

I've worked at the highest levels in publishing, helping authors and publishers with my book marketing ideas.

Lyon founded the Chico Authors and Publishers Society, which meets at Lyon Books and which offers prospective writers tips on working with agents but also on how to self - publish a book using the Amazon tool CreateSpace.

Scholastic is working with other publishers to adapt their titles for Storia, but at launch the Trajectory titles will include A Christmas Carol, The Jungle Book, Wuthering Heights, Frankenstein, and Cinderella.

His US publisher Kathryn Court at Penguin commented in a statement, «William Trevor was a truly brilliant writer, and one of the most compassionate human beings I have worked with.

But at this year's BookExpo America event, the largest book industry event in North America, publishers will be working to engage directly with their target audiences through an incorporated one - day event, BookCon.

Lesley - Anne Alexander, c.e.o. of RNIB, told the Bookseller that: «We want publishers to work with us so that blind and partially sighted people can read the same books at the same time as everyone else including all of the new exciting titles that are just hitting the shelves.

The biggest news, though, is that we're working with a number of major publishers (and important smaller ones) to provide a storefront that contains deluxe digital graphic novels aimed at the «real mainstream,» the audience for graphic novels that reads Maus or Fun Home or Dotter of Her Father's Eyes but would never think of going into a comic shop guarded by a dodgy life - size statue of She - Hulk... We think the immersive «lean back» experience that tablets provide, along with purchase ease - of - use and the ubiquitous availability that app stores provide, can, if handled right, create a sea change in the consumption of graphic novels — and, if we have our way, the whole thing will have absolutely * nothing * to do with superheroes.

Peter Brantley will be leading a stellar panel exploring how libraries and publishers can work together to make digital reading and lending a win for all parties involved (including authors), and we'll be taking a look at the importance of copyright with the brilliant William Patry.

After working with a print - on - demand publisher on her first title, agents and editors refused to even look at the book, still clinging to the stigma that initially marked self - published titles.

At the Frankfurt Book Fair, Samsung will work with its partners to engage and support both publishers and consumers through a series of events, such as panels and experiential areas.

- Publishers Weekly «At times slow - moving, but imbued throughout with a careful and evenly wrought lyricism.»

They are just working with Animate and Libre but they can look at other publishers as well (please look at Ohta Shuppan!)

Polskin, who served as an executive VP at the Magazine Publishers of America, met with a media startup called Byliner that publishes feature article and works of short fiction as e-books, often referred to as e-book singles or e-singles.

Yes, some blame may fall wrongly on the publisher, but I think at this stage of electronics consumerism, even not - very - savvy consumers understand that older devices won't work (as well or at all) with new purchases.

But it's another thing entirely to have a publisher's sales team — or a distributor's sales team — working on your behalf and personally making sales calls with the buyers at Barnes & Noble, Amazon, Ingram, and others to get orders placed for books before readers ever see it sitting on a shelf.

Since working at ICM, Literary Agent Amber Canavan has held such positions as: Marketing, Legal Assistant, and Associate Editor at International Masters Publisher, Freelance Copy and Project Editor, Substitute Teacher, and with Green Expo.