Not exact matches
Best of all, the new Gear 360 will
work with newer model iPhones and other Android devices and not just a handful of Samsung phones, as the current
camera does.
In addition to the new iPhone models, Apple also unveiled an update to its iOS software, and revealed that the 5S will carry improved
camera features as
well as a special M7 motion detection chip that will
work in conjunction
with a host of new health and fitness apps.
Her idea is simple: everyone
with a video
camera has a crapload of priceless family footage; however, because the footage is unorganized, and generally not put together
well, people would rather pull their fingernails out than watch a half hour of family memories; therefore,
working within different pricing models, my wife takes video, photos, and music, and edits people's stuff.
On the left are my roasted tomatoes from 2010 in what appears to be a very photogenic Tupperware container... Back then I used an ancient point - and - shoot
camera which I bought in 2004 and used for so long that eventually every cell phone was being manufactured
with a
better camera than what I was
working with.
Although the challenge of streaming something like this live is massive, there's a possibility that it could mean fans will be able to choose to ride onboard
with a driver and pan the
camera around themselves, as
well as the possibility of watching in VR if it all
works out.
Both of the
cameras can pan, zoom and control the angle on both of the
cameras, and both
work just as
well as it would
with a single
camera.
Bottom line: This
camera works well for parents that are not too familiar
with technology due to its ease of set up.
Maintain visual and auditory contact
with your preemie, infant or toddler
with one of the new, handheld, wireless security
cameras with small LCD screens, infrared night vision, and several different frequencies so you can choose the one that
works best in your situation.
It'd be great
with any
camera but
works particularly
well the full frame of the 6d.
The Hubble observations were made
with Hubble's sharp - eyed Wide Field
Camera 3 (WFC3), and were conducted by the Supernova H0 for the Equation of State (SH0ES) team, which
works to refine the accuracy of the Hubble constant to a precision that allows for a
better understanding of the universe's behavior.
At this time I just don't have the money to invest in a
good camera so I'm stuck
working with my phone.
I actually had my
camera with me this time when I visited my friend at the Facebook HQ, it's an amazing
work space
with art,
good light, and relaxing
work nooks in a welcoming hometown city like setting
with touches of modern industrial over at their new campus.
P.S. I highly suggest you bring your
camera, iPhone
works great as
well but there isn't natural light so you may want to play
with lighting settings on a DSLR for the
best photo quality for posting
I've always had a desire to do television and had done some on -
camera work projects before last year including an appearance on HGTV, a video project
with Nate Berkus and Target and a web series for TLC about decorating
with color, as
well as a lot of expert segments and other web videos.
Heidi Klum has always seemed sweet and personable on Project Runway, and Southern confirms that the German supermodel is just as charming off -
camera: «Heidi is by far the
best and easiest model to
work with.
The images aren't up to my usual par because I wasn't able to bring my DSLR
camera into the grounds so here is my
best work with a point and shoot... I had a blast at Coachella on My birthday / Easter Sunday and thanks to Budlight I was able to return to Indio and attend Stagecoach for the first time.
i had the
best time being behind the
camera snapping away,
working with the space, and being creative.
There's one
good sequence in «Prey at Night»: Silent Leatherface in Burlap tries to murder Kinsey's brother in a swimming pool, and the director, Johannes Roberts, shoots the
works in an effective way, the blood spreading through the water, the
camera cutting to below the water's surface, then back up and down again,
with «Total Eclipse of the Heart» in sync, popping from the soundtrack foreground to the muffled background.
Tony:
Well, we absolutely agree about this part... Robin Hood
works best when the
camera sits back allowing one to relish the kind of epic one rarely sees anymore,
with hundreds of actual horses galloping against a cast of soldiers equally as large.
Dancer - turned - director Anne Fletcher chats about how her movement background helps her behind the
camera and on the page, as
well as what she loved about
working with Reese Witherspoon and Sofía Vergara.
The Killing Of A Sacred Deer doesn't have as sharp an allegorical edge as his
best work — it's no Dogtooth in that respect — but it does find the director honing his command of unnerving atmosphere to a razor point, enhanced by a
camera that glides menacingly down hospital corridors and gazes from above
with the severity of a merciless god.
Robespierre, who wrote the screenplay
with her «Obvious Child» collaborator Elisabeth Holm,
works well with her excellent cast, even if you sense she'd rather simply turn her
camera on Slate's pipsqueak - voiced energy and let Dana's regressive antics run roughshod over everything.
But there's nothing here to
work with beyond rape and murder, which the
camera lingers on too long and loves too
well.
Miss Peregrine's Home for Peculiar Children also reunites Burton behind the
camera with his Dark Shadows and Big Eyes cinematographer Bruno Delbonnel, whose knack for creating glossy visuals through his film
work (by utilizing soft shadows / focus shooting techniques) looks to serve Burton's upcoming film
well - in particular, during those scenes that take place in the fantastical setting where Miss Peregrine and the «Peculiars» live.
In The Hateful Eight, the actor steals every scene he's in — and yes, even from Jackson, who often does his
best work with Tarantino behind the
camera — as an eager, would - be sheriff.
In addition to
working in front of the
camera (Ben & Kate for Faxon, Community for Rash), they shared the Academy Award for
Best Adapted Screenplay
with writer - director Alexander Payne (Sideways, About Schmidt, Election) for The Descendants.
Sean Bobbitt Unlike most of these names, Sean Bobbitt has been
working with a
camera for
well over thirty years.
, German - language documentary in 4x3 SD
with burned - in yellow English subtitles contains B - roll that provides a
good impression of the filming conditions — including the look of the sets and the relatively small size of the handheld 16 mm film
cameras — plus a clip of Burger delivering a lecture on his
work in the camps and footage showing him consulting on set during the production.
Sadly, hurricane Hooper begins to ravage the
good ship «Les Misérables»
with direction that
works to put the audience in the most awkward position to view the film,
with odd
camera angles, extreme jump cutting and swift passages through time.
Beside Dorval, the
best thing about the film is probably the cinematography, even though it sometimes calls a bit too much attention to itself, what
with all the off - center close - ups, slow - motion tracking shots à la Wong Kar - Wai, B&W shots of Hubert talking to the
camera, colourful fantasy cutaways... Still, you can tell that the kid has seen a lot of movies and instinctively knows how to recreate the things he likes in others»
work through his own.
When you consider that Franco not only had to play Wiseau acting in The Room but also had to play Wiseau directing The Room, then had to go behind the
camera himself and direct his movie about the making of The Room, it's probably just as
well that he stuck
with the accent the whole time he was
working.
The
camera work and cinematography are both
well done,
with very nice night photography scenes, great
camera movement, and some memorable crane shots in the drive - in.
While there's little chance that Bruce Willis will ever again get to
work with the kind of material and behind - the -
camera talent that helped make him a wiseass action star in the 1980s and»90s, he tries the fourth or fifth next
best thing
with Once Upon A Time In Venice, a tiresome imitation of smart - alecky Shane Black whodunits like Kiss Kiss Bang Bang and The Last Boy Scout.
It's a concept that
worked well with the hidden
camera television shows and Sacha Baron Cohen's Borat and Bruno movies.
With heavy John Carpenter's Halloween influence, the camera captures the autumn colors perfectly in this Midwestern town that works well with the overall tone of the f
With heavy John Carpenter's Halloween influence, the
camera captures the autumn colors perfectly in this Midwestern town that
works well with the overall tone of the f
with the overall tone of the film.
I'm one of the ones who kind of can't
with Three Billboards (although I fall more in the middle than most) and I don't even think Franny's doing anything near her
best work in it, but trot her out in a stately pilgrim sack and have her scowl at the
camera - man and my heart sings.
The Westworld star has
worked with A-list directors such as Darren Aronofsky, Woody Allen, Robert Redford and George Clooney, so it's safe to assume she gained vital knowledge about filmmaking from them and is
well prepared to step behind the
camera herself.
Scorsese shows his range as a filmmaker and proves what makes him so
good: he's a director
with an eye for fancy
camera work but a heart for his characters and the journeys they take.
The strange thing about Grimsby is that it
works much
better as a Bond - spoofing actioner than it does as a politically incorrect rib - tickler which might have something to do
with it being Louis Leterrier behind the
camera instead of Cohens customary collaborator Larry Charles.
What follows is
well acted and entertaining, though I did have a problem
with the shaky
camera work during the arena action scenes, and some of the visual effects looked cheap.
The regular controller
works well with the
camera being controlled by left stick and the crosshair
with the right stick, and each power is mapped to one of the colored buttons.
He's already getting awards buzz for his
work in front of and behind the
camera, and — along
with co-star Aja Naomi King,
best known for How to Get Away
with Murder — he's close to a cert for Oscar glory.
But through on -
camera interviews
with the comic himself — as
well as discussions
with friends and admirers like James L. Brooks, Jim Carrey, Conan O'Brien, Bob Saget, Jerry Seinfeld, Sarah Silverman, and more — the film tries to trace not only his enormous impact on comedy, but also the man himself and how he evolved through the decades into someone actively
working to open himself up to the world and the people around him.
Director John Madden — whose
work tends toward the safer and tamer (Shakespeare in Love,
Best Exotic Marigold Hotel)-- here amplifies Chastain's fiery delivery
with frenetic
camera movement and sudden close ups.
Gray has a gift for drawing rich, naturalistic performances out of actors (Gwyneth Paltrow, Mark Wahlberg, Eva Mendes, and Vinessa Shaw have all done their
best work in James Gray movies) and rendering them vividly
with the
camera.
What we have here are exceedingly talented craftspeople, both behind and in front of the
camera, doing all they can to do their
best work only to end up
with nothing worthwhile to show for their endeavors.
Shot
with ponderous long - takes and minimal
camera movements, Durkin's film has an airy quality that
works well with the uncertainty of its central character.
Boasting the
best camera work outside the Namibian desert or the Canadian wilderness,
with bravura one - takes and brazen 360 degree pans dripping
with suggestive menace, this is a film that makes you scan the background of every scene for looming danger.
But
with «Chronicle» director Josh Trank
working on a version of acclaimed game «Shadow Of The Colossus,» things might be looking up, and now another serious name has come on to take a role both in front of and behind the
camera with a big - screen take on one of the most acclaimed and
best - selling game franchises of the last few years.
Forte has a great deal of experience behind the
camera, serving as producer on «That»70s Show» and as story editor for «3rd Rock from the Sun» and «Action,» as
well as
working as a writer for «Late Show
with David Letterman» and the MTV Movie Awards.