Sentences with phrase «works at music festivals»

He frequently travels the country to sell his Jazz - focused works at music festivals.

As a New Scientist reader who often works at music festivals, I found my imagination blending together two articles in...

Some of those fellow passengers went on to work at music festivals themselves, and they're now customers of Boulay's booking platform for charter buses, Sharethebus.

I wore this dress all day: to Mass in the morning and while I worked at a music festival in the afternoon.

Not exact matches

I was working at a convenience store during a music festival... someone bought an ice cream sandwich and put it in his backpack.

FIVE BOROUGHS MUSIC FESTIVAL PRESENTS TENET IN THE SOUNDS OF TIME IN QUEENS AND THE BRONX Friday, May 11 at King Manor Museum in Queens and Saturday, May 12 at Christ Church Riverdale Watch TENET Perform Works from The Sounds -LSB-...]

She has produced short narrative and documentary films, music videos, and web series and her work have shown at festivals including Virginia Film Festival and Tampa International LGBT Film Festival.

We schlepped to work, road - tripped with the family, camped at a music festival, and hauled just about everything you can imagine in our Odyssey.

- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing

It's had work in the National Gallery Victoria, Museum of South Australia, International Symposium on Electronic Art, music festivals as well as at the Australian Open Tennis Championships.

She has shown her solo and collaborative work at venues such as Brooklyn Academy of Music (BAM), Leila Heller Gallery, Abrons Arts Center, National Sawdust, Mana Contemporary, NURTUREart, and festivals such as River to River and South by Southwest.

With Kelley, he curated the experimental music festival A Fantastic World Superimposed on Reality (2009) and at MoMA PS1 organized a series of performances in conjunction with the retrospective exhibition of his work in 2013.

-- We sit down with Trent Reznor of Nine Inch Nails to discuss a life of art within his music — Christian Rex van Minnen exposes his inner - self and a stunning series of new works — Matthew Palladino gives us a review of his reliefs — Saner goes beyond the mask — Adam Neate takes us deep into his Dimensionalism — Axel Void opens up about his personal works and life - affirming murals — We visit and review two great street art festivals at opposite ends of the world: Nuart in Stavanger, Norway and The Unexpected in Fort Smith, Arkansas — We preview and review the comprehensive Walker Evans exhibition at SFMoMA — Ryan McGinness and Tony Hawk teamed up for a new skate park in Detroit, and we got the lowdown — Danielle Colen of Waltz Studio shows us her new fashion line...

Their work is part of the museum's participation in «NL: A Season of Dutch Arts in the Berkshires,» a festival coordinated by Dutch public and private agencies that also includes dance, theater, cinema and live music performances at Mass MoCA, the Clark Art Institute, Jacob's Pillow, Tanglewood and elsewhere.

Her work has been shown at Mars Gallery, Siemens Art, Borusan Music House, Manzara Perspektif Art Gallery, Harfiyat, Moda Project Room in Istanbul and in exhibitions and video festivals in France, Germany, Bulgaria and South Korea.

Finished works have taken the form of Super 8 mm or 16 mm films, film performances with live music, and installations; presented at film festivals in Australia, including the Melbourne International Film Festival, and at various spaces in New York including Union Docs, Roulette, Vaudeville Park, Eyebeam, Norte Maar, and Centotto, amongst others.

Her work has shown at international festivals, as well as the 2008 Whitney Biennial (NYC), MoMA (NYC), the Brooklyn Academy of Music, the Gene Siskel Film Center (Chicago), the ICA (London), and the Walker Arts Center (Minneapolis).

Amongst the ironic and iconic were other note - worthy works, such as the spray painting by Sterling Ruby at Hauser & Wirth and Ryan McGinley's 48 photographs from music festivals at Team Gallery.

She has shown her solo and collaborative work at venues such as Brooklyn Academy of Music (BAM), Mana Contemporary, NURTUREart, National Sawdust, Abrons Arts Center, The Invisible Dog Arts Center, and festivals such as River to River and South by Southwest.

A South African Moment in New York As the first solo museum show of work by black South African photojournalist Ernest Cole hangs at the Grey Art Gallery at NYU, Carnegie Hall prepares its Ubuntu festival of South African jazz, classical, and folk music, which will also feature a program of films by William Kentridge.

Originally from Japan, her work has been shown at the American Museum of Natural History, the Museum of Art and Design, the Hammer Museum, San Francisco Art Institute, Centre d'Art Contemporain Geneva, Museo Regional de Guadalajara, Matadero Madrid, Theatre Maissonneuve, Biennal in Venezuela, eBay, New York University, Cooper Union, The School of Visual Arts, The University of Wisconsin - Madison, Eyebeam, Harvestworks, Milllenium, Mapping Festival, Dumbo Arts Festival, MOD festival, Blip Festival New York and Tokyo, Mutek, Music Hall of Williamsburg and The Gramercy Theatre.

/ performances 2017 Audible Edge Festival, Tone List and Tura New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Perth

Investigators work the scene on Monday after a mass shooting at a music festival near the Mandalay Bay resort and casino on the Las Vegas Strip on Sunday in Las Vegas.

Volunteering at festivals works particularly well for students and other people who can't afford the ever - rising price tag of music festivals, but also for those with a heart of gold, trying to inject some good will into society.