Sentences with phrase «works by dripping»

Not exact matches

However, a slow drip of revelations regarding the work of Cambridge Analytica, unearthed by The Guardian, The Observer and Channel 4 News have brought the issue to the front and centre.

They developed (or stole the idea from the Greeks, whatever) a clock that worked by allowing water to drip at a nearly constant rate from a small hole in a vessel.

But if there's one thing worse than getting less work as one ages in Hollywood, it is surely being blinded by the condescension dripping from the smiles of the likes of Jude Law when you are brought up on stage in a manner that can only be described as «token and patronising».

By dripping, you average out the prices over the investing horizon and not feel guilty for over-paying as it works out well in the end.

Myers Cocktail IV Therapy works by using an IV drip filled with minerals, vitamins, and nutrients to cure many common health concerns.

After a lot of hard work by publisher SEGA, their crime - dripped action series Yakuza has finally started to get some traction outside its home territory of Japan, a place where it's a high - seller but up until 2017 hasn't been able to replicate that overseas.

Powered by Epic's Unreal Engine 3 to deliver slick HD visuals like the blood dripping from your opponent's chin after a sweet left hook, the Tegra 3 exclusive serves up a 30 - fight career to get to the top of the ladder and a series of mini games to work on your skills.

Kurchanova writes: «Apart from large canvases covered by Pollock's signature all - over web of patterned, dripped or sculpted paint, a range of his smaller abstract paintings adds complexity to our understanding of his work as that of an «action» painter... Pollock's active engagement with printing presents his achievement as a painter to us from a completely different angle and complicates the understanding of his work as based in physical action and unmediated involvement of the artist's hand.

A number of key works have been recreated inside the gallery and one wall has been given over to a new painting, Muddy Water Falls (2015), using mud from the River Avon: the top half, a dynamic hand - and finger - painted mural; the bottom half, a flurry of drips, splashes and smears, created by gravity, reflecting the constant redistribution of this mud in the tidal river of its origin.

Jackson Pollock had the benefit of Cubism's fragments of perception, Dada's trust in chance, Surrealism's in dreams, a fashion for Jung, the passage from American folk art to drip painting in work by Janet Sobel, and Lee Krasner to keep him sober.

The work proceeds to step entirely outside of their final iteration by exposing uncontrolled stains and drips of bright green and red paint on the canvas» thick edges.

Abstract Expressionism certainly included dense work on a modest scale, such as the pioneering drips by Janet Sobel or Shimmering Substance by Jackson Pollock.

Her working environment, documented for the first time in a number of new photographs by the artist, will be recreated as installations in the gallery, down to the paint pots, brushes, books and discarded scraps of newspaper that are similarly covered in the spatters, splashes and drips that result from her obsessive painterly method.

The exhibition brings together sculpture, works on Mylar, and the artist's largest presentation of wall panels seen in New York, all of which are created by layered drips of material that form both their physicality and imagery.

Entitled Drip, Drape, Draft, the show presents works by Robert Davis, a close friend of Johnson for more than a decade; Angel Otero, who he has known for some six years; and Sam Gilliam, an older artist from what Johnson refers to as «an almost lost generation of black abstract painters», with whom he recently struck up a mutually significant friendship.

Drip is an abstract acrylic painting inspired by the expressionist works of Jackson Pollock.

The tinny rhythm of the drips — musically scored by artists Tobias Madison, Emanuel Rossetti, and Stefan Tcherepnin — is just one example of the work put on by Dallas's young alternative art space, where the programming teeters on the brink of artistic anarchy and avant - gardism.

Like all the works of this period, Collection is held together, across its material disunity and the variety of materials out of which it is constructed, by a grid structure derived from the modernist tradition in which Rauschenberg was trained by Josef Albers, by the drips, stains and thick brush marks that create an over-all surface, and by the similarity of value shared by its range of colors.

Joffe's expressive works in oils and watercolours, which frequently drip, smudge and blur, capture Kristen at ease, in the contemplative mode of a life - model relaxing into a long pose; the accompanying black and white images taken by Aldridge during those sessions pay homage to that naturalism.

In this work — which took its name from the 1967 Velvet Underground recording with German singer Nico — Ostendarp presented Pop Art classics by Andy Warhol, Robert Rauschenberg, and others against bright pink walls bordered with red drips.

In several works from 1972, Mr. Overstreet switches to an explosive, staccato drip technique, whose intimations of starry skies are regularly contradicted by dividing lines or added segments of canvas, leaving us suspended between deep space and eccentric objects.

Loose brushwork, semi-visible underlayers, and untouched drips of paint reveal the process of careful adjustment by which he arrived at the work's seemingly casual perfection.

In addition to teaching, Hofmann also continued to make his own art, producing work that was created by dripping and splashing paint onto a canvas.

The Pollock work, Number 5, 1948, is 1.2 by 2.4 metres (4 ft by 8ft), and is one of his first drip paintings.

By laying the canvas on the ground, and dripping the paint onto it, the body of the painter was also immersed with color, the marks of his movement were also left on the canvas, as well as the ashes of the cigarettes the painter smoked while working.

The culmination of Beyeler's career came in 2007 when all the works that passed through his hands were reunited at the museum for a grand exhibition that included van Gogh's 1889 Portrait of Postman Roulin, Lichtenstein's Plus and Minus III and a huge expressive drip painting by Jackson Pollock.

Inspired by historical forms from art and architecture, Al - Hadid's highly material works are charged with drips, textures, patterns, and ornaments that recall Arabic calligraphy and Islamic textile patterns.

They seem to be an attempt at extreme synthesis rather than meticulous refinement; a synthesis of personal obsessive renderings of the fragmented body, that had always lay hidden in the «all - over» works, combined with, and intensified by, the technical innovations he had made while working upon the drip - based paintings.»

In 1946 she began her Little Image paintings, a tightly focused series of works in which her use of dots and drips of paint were inspired by Pollock's «drip paintings» of the period.

At the same time, he found his own rhythm and complexity using a drip style similar to, though denser and more opaque than, the one made famous by Jackson Pollock, who had worked for many years at the MNOP and with whom he shared common influences.

This is, in part, thanks to the lurid pink and purple slashes of paint on those white walls, the by - products of her recent paintings, enormous enamel - on - metal works which feature steamy, sexy, dripping images of women, often behind glass — in effect trapped, in reality free.

So voracious is the presence of the twelve works in this focused retrospective of Al Loving's work, set as they are against the inert framing of the white cube, that they might be better described by the activities that resulted in their making: stack, weave, layer, tear, cut, drip.

For instance, Self Born, 1949, while taking full advantage of the «drip, blob, and spatter» method used by Jackson Pollock and Robert Motherwell, among others, went one dramatic step further by employing these devices not against the kind of flat, implied space that existed in Pollock's and Motherwell's canvases but within the infinite, clearly defined atmospheric space also found in the works of such Surrealists as Dali and Tanguy.

Along with «Migration» (a photo of a site - specific installation at an Ohio paper mill wherein Nesbitt transposed a Times front onto dripping dilatant silicone), the work is a sobering reminder of how one day's major truth falls by the wayside in an instant.

In this solo exhibition of works on canvas, Monaghan applies paint by flicking, spilling, and dripping into a textural, immersive, multi-level artworks.

While Kaloidis» work is more action explicit, portraying direction of motion through drips and splatters, paintings by Szot feature an array of shapes and patches of different hues and layers, which rely on the juxtaposition of color and form to convey stories of their own.

But the geometric forms in the works exhibited here are counterbalanced by layers of translucent colour, with small pools and drips of interacting cool and warm hues that imbue the jagged lines with unpredictability and impish freedom.

Created by adding pools, drips and splatters of color to wet bands of paint applied with a roller, these works re-asserted the artist's interest in color.

It must be emphasized that this was a wide movement, encompassing differing styles, including (as mentioned) works that were either semi - or non-abstract, as well as those characterized by the way paint was applied, such as Jackson Pollock's paintings (dripped and poured), and Willem de Kooning's works (gestural brushwork).

It was also a moment in which he began to consider and truly digest the work of important abstractionists from all over, from the boxy squares of the Russian suprematist Kazimir Malevich (which he had admired at the Stedelijk Museum in Amsterdam) to the effusive drips of Jackson Pollock to the mosaic - like canvases produced by the African American color field painter Sam Gilliam.

(One of the works in the Mary Boone shows will present some of the rebar in its twisted state, arranged on the floor and mirrored in a same - size photograph that evokes a drip painting by Jackson Pollock.)

Characterized by snake - like forms and colorful drips, as well as bright, centrally placed shapes, the artist's late works evidence a masterful approach to light and colour, structure and composition.

Working on canvas allows Otto - Knapp to layer each detailed yet atmospheric image, subverting the difficulties of watercolour by producing substantial paintings that accentuate the imperfections of the medium, such as the drips where the paint fails to absorb.

Her installations combine dozens of these ceramics in quiet but arresting vignettes: Kusaka's works are also distinguished by their handmade aesthetic, evident in occasional impressions of the artist's hands and visible glaze drips.

He presents us with whimsical interpretations of iconic artists at work and play; Kahlo sitting regally on a chair; Dali jumping athletically across a triptych created by vintage Thai calendars; Bacon casually checking the time on his wrist watch; Pollock dripping paint; Duchamp fixing the viewer with a cold gaze; Picasso drawing freestyle across a vintage sign; and multiple Warhol figures crouching on a studio floor creating screen prints.

Enamoured by colour and glamour, Miles Aldridge makes work dripping in jewels, lipstick and fluorescents, transporting his subjects into a surreal feminine space.

These works shown by David Benrimon Fine Art successfully combine a number of painterly styles, including abstract expressionist drips and flat fields of color, with recognizable narrative outlines of fish and fowl.

Mary Heilmann paints to perfection by looking and seeing and applying paint until the work stands on its own, including all the drips and changes that got her there.

While drippings dominate Pollock's work, Fridriks» is characterized by splashes, drops and languagelike glyphs.

Aiming to provoke a thought and emotion from his viewers, he has produced in a number of different styles: the 1960s were marked by monochrome single - panel paintings that featured accidental drips over the canvas; the works of the 1980s were obviously influenced by the Asian culture, seeing calligraphy becoming a part of his portfolio; by the 21st century, Marden has moved on to create paintings comprised of colorful, intertwining lines.