Titled «Barely There» and inspired by the artist Fred Sandback's yarn and string - derived minimalist sculptures,
the work features dancers Marissa Labog and Roberto Lambaren interacting with the gallery environment designed by Judit Fekete and Zoltan Pali.
This catalog, with 58 of Degas's
works featuring the dancers of the Opera ballet, has two goals: to survey the range of Degas's treatments of ballet subjects from the late 1860s until the end of his working life sometime after 1900, and to reevaluate Degas's working methods.
Not exact matches
The party
featured dancers dressed as superheroes, who help raise awareness of Impacta's
work.
42nd Street (Warner Archive, Blu - ray)-- Released in 1933 by Warner Bros., which specialized in snappy, fast - paced pictures with
working class heroes and street smart characters, 42nd Street launched a series of great backstage musicals that
featured lavish production numbers in a Broadway culture where the depression was a reality just offstage and the
dancers were one flop away from the breadlines.
Prior to the gala dinner,
dancer Daniil Simkin performed an excerpt from his
Works & Process at the Guggenheim — commissioned production, Falls the Shadow,
featuring costume designs by Maria Grazia Chiuri, Artistic Director of Dior.
The series, which
features flying cars and shape - shifting exotic
dancers, should go some way to satisfying those longing for a second «Blade Runner» sequel, but best of all is the return of the lanky, laconic Kinnaman — Holder on «The Killing» — to detective
work.
Featuring the
works of painter Edgar Degas, this volume offers young
dancers an introduction to ballet, beginning with a typical class, ballet wear, and ballet history.
Why Trance is a Top Video Innovator: Dance lovers can view spectacular videos by their favorite performers, while
dancers can
work to get
featured on their front page to gain more fans.
The volume
features writings by Richard Powell, Deborah Willis, and Kellie Jones and is dominated by an amazing, detailed timeline charting Saar's
work and life from the moment she was born in 1926 through 2016, when «Uneasy
Dancer» opens in Milan.
The
feature - length film concentrates on Cunningham as he
works with his
dancers over three days and across three stages in the stunning 1930's Albert Kahn building.
Julian Opie's new
work features linear life - sized images of the pole
dancer Shanoza in nine different poses, each divided into three framed panels.
Throughout Frieze Week a new
work filmed during the creation of «Relinquish» is projected outside White Cube Bermondsey from 7 pm onwards.Relinquish
features four
dancers, each locked in an individual, looping sequence of complex, choreographed movement.
A private view will be held on Thursday 25 September from 6 - 9 pm
featuring a one - off performance by artist collaborators Meta Drcar and Dori Deng
featuring three female
dancers responding to the architecture of the space, alongside a live performance of sculptural objects by Harold Offeh based on his series of
work looking at elements of historical 17th and 18th century gardens as sites of artifice, spectacle and theatre.
Among the
works presented are a re-creation of Chair / Pillow (1969),
featuring a large group of casually dressed performers making art almost inadvertently with their bodies, fluffy pillows, and folding chairs, and an excerpt from Spiraling Down (2008), in which four highly skilled
dancers burn themselves out to the strains of Ravel's Bolero.
As one of the first artists to explore the possibilities of video as a mode of expression, especially through his long - lasting collaboration with Merce Cunningham, Atlas has teamed with numerous
dancers and artists to create projects that range from
feature - length documentaries to shorter media
works, transforming the way performance is viewed by its audiences and the art world.
The
work features documentation from a peer led workshop with artist Viki Browne,
dancer Danni Spooner, writer and researcher D - M Withers, vocal improviser Maggie Nicols and the artist.
Featuring contributions from filmmaker Matt Wolf (Wild Combination: A Portrait of Arthur Russell) and acclaimed
dancer / choreographer Gus Solomons Jr. (of the Merce Cuningham Company 1965 - 1968), Black Mountain Songs is an expansive choral and visual
work.
The disputed
work, a multi-screen cinema piece called The Long Road to Mazatlan, made by Julien and
featuring De Frutos as both choreographer and
dancer, will be part of the artist's exhibition at Tate Britain, in central London, which opens to the public on Wednesday.
Contemporary artist Chris Doyle,
featured in issue 1, and choreographer /
dancer Amy Smith,
featured in issue 8, will discuss several of their collaborative experiments and talk about their
work together on the forthcoming Red Rovers, a performance piece that takes as it starting point the exploration of the Martian landscape by the rovers Spirit and Opportunity.
Chris Dercon, former Director of Volksbühne Berlin and Tate Modern, presents a keynote lecture on the occasion of
featuring selected
works by pioneering
dancer, choreographer, filmmaker and writer Yvonne Rainer at IMMA.
Beginning at 6 pm, MAD's 6th floor will
feature a performance activating Blackwell's
works by
dancer / choreographer Daniel Roberts and musician Alex Huberty.
The
featured work for 2017 - 18 is Femme en Extase, a portrait of the Italian
dancer Giulia Leonardi by the great Swiss painter Ferdinand Hodler, on loan from the Museum of Art and History in Geneva.
Initiating the Symposium, Artist Brendan Fernandes (Artist Monique Meloche Gallery, b. 1979 in Nairobi, Kenya) stages a site - specific iteration of his performative
work Révérence (2015),
featuring a series of choreographed
dancers to both welcome and confront the audience.
Produced to be broadcast as individual, mini-documentaries on the artists and their
work, Logue's short interpretive video pieces
feature a prime - time selection of over twenty New York performance artists, composers,
dancers and writers, including Mayanne Amacher, Robhert Ashley, David Behrman, John Cage, Lucina Childs, Douglas Ewart, Simone Forti, Jon Gibson, Philip Glass, Spalding Gray, Joan Jonas, Bill T.
Professional Experience and Roles Wan na Be Now, LLC, Creator / Co-Producer / Actor / Co-Writer (Los Angeles, CA) Produced Living Luminaries on the Serious Business of Happiness ColeBeanBay Theatre, AEA Production Manager (Ste. Genevieve, MO) Managed Productions of Cabaret, Fiddler on the Roof Sean Mulvihill Productions, Singer / Actor (Los Angeles, CA) Venetian Macau Resort,
Featured Performer (Macau SAR, China) Great Plains Theatre, Actor (Abilene, KS) Role as Albert in Bye, Bye Birdie US Concepts, Actor / Promoter (Chicago, IL) Chesterfield Community Theatre, Director (Chesterfield, MO) Directed the Complete
Works of William Shakespeare, Abridged DramaRama Theatre Company — Regional AEA Theatre Tour, Actor (St. Louis, MO) Role as Chillie Goat in Billy Goats Gruff: Tales from the Troll, White Rabbit in Alice in Wonderland St. Charles Christmas Traditions, Actor (St. Charles, MO) Role as Bob Wallace in White Christmas Revue Piwacket Theatre for Children, Actor (St. Louis, MO) Role as Frankie in Snowman's Revenge Tuacahn Center for the Arts, Actor / Singer /
Dancer (Ivins, UT) Role as Noodler in Peter Pan and Understudy to Lt. Buzz Adams / Luther Billis in South Pacific Berendo Court Records, Producer / Songwriter / Musician (Los Angeles, CA) Hey Pooper EP RockPaperScissors (Punk Band), Guitar / Vocals (Los Angeles, CA) Worlds Away Films, Director's Assistant for Scheherezade (Los Angeles, CA) F / X, Casting Intern on The Shield (Los Angeles, CA) The Bomb / Teen Talk, Director / Producer / Writer (Chicago, IL)