Sentences with phrase «works for cod»

It works for CoD or Madden or even AC because they aren't reinventing every gameplay mechanic each year.

Not exact matches

We work hard together, but we have fun together too, escaping the city for team retreats at Cape Cod and the forests of the Berkshires.

Martin Luther, the first of the Reformers to formulate a radically new understanding of the Christian idea of vocation, argued that any kind of regular and legitimate work in the world — manual labor, parenting, civic activity — could be a vocation or a calling so long as the Christian did that workout of love for Cod in service to humankind.

It works really well here with either hake or cod, creating a colourful and flavoursome dish that's great for entertaining...

LINCOLN, MA — More than 650 people pitched in at Mass Audubon wildlife sanctuaries from Cape Cod to the Berkshires to make the respected conservation organization's annual «Work for Wildlife» Statewide Volunteer Day a grand success.

Cushing, 30, worked previously for Mass Audubon on Cape Cod and the South Coast, and returns to the respected conservation organization after working for The Nature Conservancy (TNC) in Vermont since 2013.

Last year, a working group with the International Council for the Exploration of the Sea (ICES) highlighted harm to large cod and whiting as the only known irreversible effect.

Economists, fisheries and evolutionary biologists from Kiel University, the GEOMAR Helmholtz Centre for Ocean Research Kiel, and the Finnish University of Helsinki working together in an interdisciplinary project have calculated how fishery and aquaculture will develop in the coming decades in regard to popular types of edible fish such as sea bass, salmon, cod and tuna.

I prefer Green Pastures Fermented Cod Liver Oil but for this recipe, a high quality regular cod liver oil works as weCod Liver Oil but for this recipe, a high quality regular cod liver oil works as wecod liver oil works as well.

In January 2010, Michael F. Holick, MD PhD, a vitamin D researcher whose work I have cited in previous articles, Linda Linday, a medical doctor whose cod liver oil study formed the starting point for Cannell's 2008 commentary, and several other colleagues, even including one researcher from the National Institutes of Health, made a direct response to Dr. Cannell and his colleagues in the pages of the same journal.

In January 2010, Michael F. Hollick, MD PhD, a vitamin D researcher whose work I have cited in previous articles, Linda Linday, a medical doctor whose cod liver oil study formed the starting point for Cannell's 2008 commentary, and several other colleagues, even including one researcher from the NIH, made a direct response to Dr. Cannell and his colleaugues in the pages of the same journal.

Vitamin A is critical for the autistic child and cod liver oil is the best way to receive it, because the vitamin A in cod liver oil comes in combination with another fat - soluble vitamin — vitamin D — and these two vitamins work as a team.

I have concluded that, without a doubt, a daily cod liver oil supplement is necessary for optimal health and that the vitamin A and D work synergistically, not antagonistically!

In many of Dr. Price's experiments, he found that patients only had minor improvements in health parameters when given cod liver oil (a concentrated natural source of vitamin D), but when cod liver oil was combined with grass - fed butter for vitamin K2, the health improvements were significantly better, as the vitamin K2 and vitamin D worked together synergistically inside the body.

Hi, I started taking Green Pasture Fermented Cod liver oil for my cystic acne, which worked great for my acne, but I started to loose hair, did any of you experienced the same issue, is there any safe dose that I can take for my acne without loosing hair?

People should use recommendations as guidelines to help them experiment and find the amount of cod liver oil that works best for them, knowing that it has been a safe and valuable health - promoting food that for centuries has nourished both young and old.

Keep up the good work and keep them away from food dyes and additives, look into fermented foods, fermented cod liver oil, probiotics and essential oils for healing:)

We've been furiously working to clean and declutter and organize and patch holes and paint walls and fix things up to get our little Cape Cod home ready for sale.

I have been working on plans to return to Cape Cod this summer, and it's always makes for an exciting time when making travel plans.

Notice my husband isn't in the photo — he had to leave Cape Cod early for work.

Their bickering is what made Marvel's original outing so striking (it was an origins story for two characters rather than one), so the writing team of Christopher L. Yost, Christopher Markus and Stephen McFeely — none of whom worked on Thor — do well to continue his cod - Shakespearean struggle for power.

Neither High Moon, Activision nor Bungie have revealed what exactly High Moon will be working on, but based on the studio's role in porting CoD: Advanced Warfare to last - gen and its continuing support role for those versions it would be a safe bet that it will be working on Destiny content for PS3 and Xbox 360.

Best known for his nonfiction work (including Cod and Salt), writer Mark Kurlansky tries his hand at fiction in this debut novel, a tale that teems with life from the first page.

The notion worked out twice for me, first on Cape Cod and later in Santa Fe.

How It Works: As Canada's cod fisheries dried up in the 1990's, so did the prospects for Fogo Island (population 2,435).

^ ^ I'm not «expecting» anything... I'm just saying that regardless of what platforms they have worked on, they should still not find the architecture of the PS3 as all that ridiculous... valve's first PS3 was Portal 2... and it was great... IW's first experience with the PS3 for cod 4 was «not overly challenging at all»... these are good developers... that was my point... the developers that are all «holy fack it makez no s3NSE!»

They also take creative risks with the property that keep things interesting even if they don't always work as well as they could have (CoD points, for example).

I wouldnt say cod needs a time off, i be my life that activision is already working on an engine for next gen consoles and save stuff up for a massive upgrade, but am also willing to bet that we wont see that till 1 - 2 more cods.

Black Ops is the biggest CoD (and, arguably, videogame) yet; it only makes sense for the team to get to work on a direct sequel.

So consider that there might be reasons for a 50 year old who feels about COD the same way Phil Fish does to still want to work on one of those titles.

In a not - so - shocking piece of news, Black Ops developer Treyarch - whose CoD work, after the disappointing MW3, I look forward to most - are looking for additional staff to join their team as work on the ninth Call of Duty title, dubbed «Project Iron Wolf», ramps up ahead of next year's inevitable November release date.

This turned the game into a corner - camping - ambush shooter as the only way to stay invisible was to crouch and not move - aka don't need to hack the game to cheat, they did all the work for you, smh... This killed any momentum Sony had built up from advertising and CoD: Ghosts went on to steal the epic melee style from it as well as the «perk system» where your streak earns you perks, metaphorically quartering all the good meat off Killzone 3's dead corpse before leaving it to rot.

The three - team interplay works perfectly for CoD's turn - on - a-dime pacing, and the smaller team size means that big streaks feels more rewarding to the team and more impressive as an individual combatant.

Advanced Warfare will be known for its fantastic presentation value, superb work done by Kevin Spacey, addictive cooperative mode, and gorgeously rendered cutscenes, but I don't really see die - hard COD fans nor disbelievers truly remembering this game, let alone it being their favourite COD title.

Honestly, this isn't much of a surprise at all, seeing as how job listings for Sledgehammer openly announced that the company would be working on the next CoD game.

These lectures enthusiastically commend less visually appealing works almost as if they will be good for us, cod - liver oil for the eyes — but twentieth - century figurative painters Alice Neel, Sylvia Sleigh, and Philip Pearlstein simply do not paint as beautifully as Courbet or Renoir.

Travels to Washington on 3 May for march to the Pentagon in protest of Reagan foreign policy; teaches at Yale Summer School of Music and Art; Mazurs build a summer home overlooking Wakeby Pond in Mashpee on Cape Cod after Gail Mazur's family summer home there is destroyed by fire (1979); after dissolution of the Harcus - Krakow Gallery, continues regular exhibitions at the Barbara Krakow Gallery, Boston (also 1984, 1987, 1989, 1990, 1993, 1995, 1996, and 1998); solo exhibitions: Rutgers University Art Gallery (now the Jane Vorhees Zimmerli Art Museum), New Brunswick, New Jersey (in conjunction with a large acquisition of the artist's work); John Stoller Gallery, Minneapolis; Greenberg Gallery, St. Louis; Andrews Gallery, College of William and Mary, Williamsburg, Virginia; group exhibition: American Prints: Process and Proofs, Whitney Museum of American Art, New York.

Fine Arts Work Center Member $ 50 discount for Work Center members (Supporting Level or above) Year - Round Cape Cod Resident $ 50 discount for year - round residents of Cape Cod

You may receive a $ 50 discount per workshop, not to exceed a total of $ 150, for any of the following: returning student, multiple workshop registration, Fine Arts Work Center Member (Supporting Level and above), Year - Round Cape Cod Resident, MFA student and / or member of Grub Street.

Strongly influenced by the shore and woodlands of outer Cape Cod, Maine, and now Nova Scotia, Witkowski's «research sketchbook» consists of documentary photography and video of the environmental installations exploring light, reflection, and color she creates as references for mixed and multi-media works in painting, photography, and video projection.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they arWorks, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they arworks Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

The Christopher McCowen Murder Trial Blog is the work of Eric Williams, a reporter for the Cape Cod Times.

Modularity has worked for IKEA — although it does not explain the tubes of cod roe paste, a spread for crackers that smells like a cross between 6 - week - old herring and motor oil — and it's going to work at Web - KEA, too.

• Route management and delivery protocols ensuring smooth and quickest delivery of mail to destinations • Collecting money for COD fees and receive signed receipts for all registered and insured mail • Bundling mail in preparation for delivery to relay boxes • Working in all sorts of weather conditions, having walked long distances to deliver mail while carrying heavy bags

May 6, 2002 (One - day) Natick, Massachusetts, April 26 - 27, 2002 San Rafael, California, October 10 - 11, 2002 Cumberland, MD, July 26 - 27, 2000 Dana Point California, 2000 Denver, Colorado, November 6 - 7, 2000 Grand Rapids, Michigan November 9 - 10, 2000 West Michigan Family Therapy Institute Newport California, October 20 - 21, 2000 Cape Cod, Massachusetts, July 24 - 26, 2000 Professional Learning Network (Three - day) Atlanta Georgia, October 13, 2000 (One - day) Georgia State University School of Social Work Eureka, California May 13, 2000 (One - day) North Coast Association of Mental health Professionals Houston, Texas, April 30 - May 1, 1999 — Consortium of four Houston organizations: Houston Association for Marriage & Family Therapy Houston Group Psychotherapy Society Houston Psychological Association Planned Parenthood of Houston and Southeast Texas, Inc..

My client's house is a classic Cape Cod from the 1930s, and I thought the Queen Anne style would work very well stylistically, not to mention the fact that Queen Anne stuff goes for a song!