Sir Elton John has invited exhibiting AIPAD member galleries to submit
work for an exhibition around the theme, A Time for Reflection.
This year's co-ordinators, Royal Academicians Stephen Chambers and David Chipperfield, have selected
works for the exhibition around the theme of «Raw».
Not exact matches
«It's one of my favourite cities at the moment, especially
for the art, there is so much going on here,» continues Unwerth, who has
worked for a slew of top fashion publications including Vogue, Vanity Fair, Interview, The Face, Arena, and i - D, and published dozens of books of personal
work from
exhibitions around the world.
Von Unwerth has now shot
for all of the of top fashion publications including Vogue, Vanity Fair, Interview, The Face, Arena, and i - D, and published dozens of books of personal
work from
exhibitions around the world.
Curated by
FOR - SITE Foundation Executive Director Cheryl Haines, the thematic, site - responsive exhibition will be installed in former military structures overlooking the San Francisco Bay — some open to the public for the first time — and brings together work by 16 contemporary artists and collectives from around the globe to reflect on the human dimensions and increasing complexity of national security, including the physical and psychological borders we create, protect, and cross in its na
FOR - SITE Foundation Executive Director Cheryl Haines, the thematic, site - responsive
exhibition will be installed in former military structures overlooking the San Francisco Bay — some open to the public
for the first time — and brings together work by 16 contemporary artists and collectives from around the globe to reflect on the human dimensions and increasing complexity of national security, including the physical and psychological borders we create, protect, and cross in its na
for the first time — and brings together
work by 16 contemporary artists and collectives from
around the globe to reflect on the human dimensions and increasing complexity of national security, including the physical and psychological borders we create, protect, and cross in its name.
The thematic, site - responsive
exhibition «Home Land Security» will be installed in former military structures overlooking the San Francisco Bay — some open to the public
for the first time — and brings together
work by 16 contemporary artists and collectives from
around the globe.
For the first time, Michael Jackson: On the Wall will bring together the works of over 40 of these artists, drawn from public and private collections around the world, including new works made especially for the exhibiti
For the first time, Michael Jackson: On the Wall will bring together the
works of over 40 of these artists, drawn from public and private collections
around the world, including new
works made especially
for the exhibiti
for the
exhibition.
Beginning in early 2000, Walter Hopps (a leading curator of 20th - century art and founding director of the Menil Collection in Houston) and art historian William C. Agee began kicking
around ideas
for a comprehensive
exhibition of Abstract Expressionist
work from... Read More
Known
for his mixed - media sculptural
works, El Anatsui has received international acclaim, with
exhibitions around the world and his
work represented in the collections of major museums.
Its upcoming show,
for example, will explore the theme of desire through photo and video
work from 14 international, contemporary artists; previous
exhibitions have documented the gay subculture that thrived
around the Hudson River piers, focused on the
works of Paul Thek and his associates, and highlighted the stitched
works of John Chaich.
Leading up to his two
exhibitions later this autumn at David Zwirner's gallery spaces in London (October 5 — November 17) and New York (November 1 — December 19), I discussed with Tuymans a number of subjects that come out of his two new bodies of
work, including the questions they raise
around the romanticized life of artists, the recurring issue of otherness in his
work, and how a talking parrot in a charmingly ramshackle tapas bar close to his studio inspired the title
for a series of new paintings.
Around that time, in 1968, Nicholas Wilder gave an
exhibition to Peter Young, introducing his
work to Los Angeles
for the first time.
Her
work has been exhibited
around the country, most notably at the 2017 LBIF Annual Drawing
Exhibition, juried by the Whitney Museum's Jane Panetta; the Allentown Museum of Art, PA; Delaware Art Museum, DE; and the Center
for Contemporary Art in Santa Fe, NM.
He arrived in Europe
around 1970, and after a period in Holland, settled in England where he became known
for his conceptual
work, with solo
exhibitions in the 1970s at the Museum of Modern Art, Oxford; The Whitechapel Gallery, London; De Appel, Amsterdam; and the ICA, London.
So this
exhibition of
around a hundred of his
works, with a focus on Davis's mature period (1921 — 64), is something of a homecoming
for the artist, who had a habit of going back to where he came from: The show emphasizes how motifs from earlier
works tended to resurface in later pictures.
I did not learn much about «Burroughs in Tangiers», but our discussion circled
around various
works in Dalwood's studio due to be shipped out
for his solo
exhibition at the Centre PasquArt in Biel.
For her upcoming
exhibition at Greengrassi in London in January, Greenbaum plans to show
around 200 smaller
works, allowing viewers to piece together a sprawling gestural history that aspires not to the epic, but the intimate.
The Art House director, Shân Edwards — who first encountered Ryan when, as a junior gallery assistant at the Camden Arts Centre, she was helping Ryan to unwrap her
work for a show — hopes that this
exhibition will remind the UK what a powerful talent Ryan is, and intends to tour it
around other UK galleries in 2018.
It is partnering with the American Federation of Arts
for an
exhibition of selected
works from its collection that will tour six venues
around the country from 2019 - 2020.
This is the first in a series of projects that will see her
work simultaneously at Modern Art Oxford with another solo
exhibition, Invisible Strategies (21 January — 30 April) and her participation to The Place is Here at Nottingham Contemporary (4 February — 30 April), a major
exhibition bringing together
around 100
works by over 30 artists and collectives exploring the pivotal 1980s decade
for British culture and politics.
Despite the fact that various museums
around the world have managed to stage Bacon
exhibitions,
for the last 30 years Japan has not witnessed a solo
exhibition of his
work.
Artistic Director, Mami Kataoka, is in discussion with a number of artists and anticipates the
exhibition will include
around 70 artists in total, each presenting ambitious new commissions or recent
work for the 45th anniversary of the Biennale.
more than fifty gigantic, real firs hanging from the ceiling presents a monumental sculptural challenge: the trees must be placed in a specific relationship to the
exhibition space and simultaneously provide a dialogue with more than forty other
works of art in and
around the site — sixteen of which have been created especially
for the show.
His
works have been presented in numerous
exhibitions around the world, most recently,
for instance, at the Armand Hammer Museum of Art in Los Angeles (2017), the Whitney Museum of American Art in New York (2014, 2003, 1993), and the Venice Biennale (2015, 2005, 2003, 2001, 1999).
For over 30 years Osborne Samuel have specialised in the
work of Lynn Chadwick, arranging many gallery and museum
exhibitions around the world.
Dean Sobel, Director of the Clyfford Still Museum and curator of the
exhibition, said, «Shortly after Allied
Works Architecture was selected as the lead designers
for the Clyfford Still Museum, I began to notice these small, compelling three - dimensional sculptures that were laying
around their offices, with others arriving on the scene over the three - year design and construction process.
For the first time, Frieze has worked with twenty - four leading global artists and galleries to place sculptures around the Royal Park where they will stay until October 8th, creating what is the capital's biggest al fresco exhibition — and its all for fr
For the first time, Frieze has
worked with twenty - four leading global artists and galleries to place sculptures
around the Royal Park where they will stay until October 8th, creating what is the capital's biggest al fresco
exhibition — and its all
for fr
for free.
The
work is the 2005 painting The Eye of Go, and thinking with it involves looking right back to the 1990s and an extraordinary sequence of paintings on acetate that are only now being exhibited
for the first time, and forward to paintings and a series of river stone sculptures that Orozco has started making since the conversation
around this
exhibition began.
For the 2017 edition, ADAA members will present a wide range of solo
exhibitions highlighting artists from
around the world, including presentations that offer new insights on established and influential artists, such as Abstract Expressionist Norman Lewis, whose paintings will be presented by Michael Rosenfeld Gallery; leading Minimalist Josef Albers, whose paintings and drawings on paper will be presented by David Zwirner; and Post-Impressionist Édouard Vuillard, whose paintings and
works on paper will be presented by Jill Newhouse Gallery.
Other highlights of the
exhibition include Robot Bodies, Piper's 1988 seminal interactive digital
work — updated and re-programmed
for this
exhibition — in which the robot, android and cyborg are examined as metaphorical carriers of contemporary anxieties
around racial difference; and a series of mixed media
works on un-stretched canvas, «future projected history paintings of the present», that reference 19th century history painting and have been commissioned by Bluecoat and Iniva.
Now in its 240th year, the
exhibition includes
around 1,200
works and the majority of
works are
for sale.
Commissioned to produce a San Francisco walk
for this
exhibition — the artist's sixty - fifth
work in the Electrical Walks series — Kubisch selected and sequenced signals in the area
around the museum that are particularly strong and sonically interesting.
His
work has been exhibited
around the world, including solo
exhibitions Form, Space Kaan, Seoul, South Korea (2017); Civilized Landscape, Klein Sun Gallery, New York, NY (2015), Objectified Spectacle, Tang Contemporary Art, Beijing, China (2013) and In Situ, Ullens Center
for Contemporary Art, Beijing, China (2008).
For her first solo
exhibition in New York, Positions brings together a body of
work that culminates
around a dialectic consideration of language, choreography, and political representation.
Celebrated
for his performance - based
works that circle
around language and the human body, this
exhibition of some 30 prints spanning the years 1970 — 2006 reveals the extent to which printmaking links to Nauman's wider artistic practice.
According to the guidelines in the
exhibition, «while the dancer performs, visitors become bystanders and etiquette decrees that during that time, no one except the performer can set foot in the space», and the way the visitors are guided to circulate is reminiscent of Bronstein's earlier
work, Concept
for a Public Square (2005) where visitors could not step across, but had to skirt
around a low wall demarcating an area of dead space.
Bouvy's
work attaches itself on to you and maybe there is a really good reason
for there being no words
around the
exhibition press.
The book includes drawings from his 1917 sketchbook, Conventions
for Abstract Thoughts; watercolors from 1916 - 18 that were the focus of the first one - person
exhibition at The Museum of Modern Art, Germany, in 1930; camouflage designs from his tour in the army and wallpaper designs from the 1920s; watercolors from the 1940s showing the artist's unique technique of expanding and reworking earlier
works by pasting large strips of paper
around them to dramatically increase their size; and finally Burchfield's large, transcendental watercolours from the 1950s and 1960s.
More than 30 of them will create
works specifically
for the
exhibition, which is spread
around 17 venues.
These
works, when standing idle or when activated by a performer six times a week (Fridays and Saturdays at 2 and 4 pm and 5 pm either by actor / performer Austin Purnell or performer Lollo Romanski), set the tone
for the way in which all of the
works in the
exhibition change subtly as the viewer — or the sculpture itself — moves
around the gallery space.
As curators take on the rights and responsibilities to make choices in and
around the manifestation and installation of Gonzalez - Torres's
work, every
exhibition provides the opportunity
for a more expansive, complex conceptualization of the artist's practice rather than an attempt to present (or preserve) a singular concrete or «correct» interpretation of the
work.
We also
worked with the DIA Art Foundation to obtain the updated version of Wilfredo Prieto's Moment of Silence
for the
exhibition, addressing preservation concerns
around web - based
works.
For his 2016
exhibition at Upfor, Memory Theater, Chowdhury transformed the gallery with colored lighting, sound and a series of scrims,
around which he nestled live plants and small
works by over a dozen fellow artists.
And Tate Liverpool is planning an
exhibition of Chagall
exhibition, featuring
around 60 paintings and a selection of
works on paper — the first in the UK
for more than 15 years.
To his list I would add the Nasher Sculpture Center's recent citywide
exhibition Nasher XChange,
for which an international roster of artists created
work for 10 sites
around Dallas — a great way to send a message that the museum cares about the whole city, not just the Arts District.
His
work has been featured in numerous solo and group
exhibitions around the world, in such institutions as the National Gallery of Iceland, Reykjavík Art Museum, Hafnarborg, Iceland, Frankfurter Kunstverein, Germany, Arario Gallery, Beijing, Liverpool Biennial, Tromsø Kunstforening, Norway, Hamburger Bahnhof, Berlin, KW Institute
for Contemporary Art, Berlin, Kling & Bang Gallery and Bergen Kunsthall Norway.
The mini-dioramas of Ronan - Jim Sévellec were on display earlier this year in several venues
around Paris, including a show on filmmakers Jean - Pierre Jeunet and Mare Caro at the Halle St. Pierre — where, last year, I encountered his
work for the first time in an
exhibition devoted to «L'Art singulier.»
He has held numerous solo institutional
exhibitions around the world, including Florida Living at the SCAD Museum of Art, Savannah (2017), TIME, Hernan Bas: a queer and curious cabinet at the Bass Museum of Art, Miami (2013), The Other Side at the Kunstverein Hannover (2012), Hernan Bas:
works from the Rubell Family Collection, Miami (2007) and Brooklyn Museum of Art (2009), and has been included in a number of important group
exhibitions, including A Sum of its Parts, at Polk Museum of Art (2016), Tracing Shadows, at PLATEAU, Samsung Museum of Art (2015), Aquatopia, The Imaginary of the Ocean Deep, at Nottingham Contemporary and Tate St. Ives (2013), Nightfall, MODEM Centre
for Contemporary Art, Hungary, travelling to Galerie Rudolfinum, Prague (2012), Nothing in the World But Youth, Turner Contemporary, Margate (2011), Busan Biennale, Korea (2008), Like Color in Pictures, Aspen Art Museum (2007), Ideal Worlds - New Romanticism in Contemporary Art, Schirn Kunsthalle, Frankfurt (2005), Whitney Biennial (2004), and The Museum of Contemporary Art, North Miami (2002).
after 11p St Leroy II and Ali Coyote after 12a Oxnylia after 1 am and more all night Open Studios with Maggie Knox Jon Davis / 55BelleChase Bhakti Baxter Michael Vasquez Federico Cattaneo Ernesto Kunde Nina Surel Deft Union Inside Maggie Knox Candle Making workshop starting at 5 pm Open Studio and engagement with resident artist Rondell Crier (in partnership and support with Diaspora Vibe Cultural Arts Incubator, Inc, Adeline Edwards Foundation, Visual Art Network)
Exhibition with
works by Eurydice Kamvyselli, Deming King Harriman Art, Nicole Salcedo, Elizabeth Newberry, Francesca Lalanne, Magdalena Goudie and all the vibes with ABA Jewels «My Queen before you go tell my horse» a Performance by Jamilah Sabur, 9:30 pm (details below) Candle Vigil
for all lost to the current violence of our time If you want a full experience with us take the 11 am boxing class at SolBox FC, 7101 North Miami Avenue (with shower) Please park in the back parking lot, entrance at 7101 North Miami Avenue, in the streets around or take a LYFT CODE FOR 5 FREE RIDES UP TO $ 10 EACH >> > SUPERFINERIDE Special thanks and love to Marlee's Green Tea, Miami Spaces, Gummdrops, Naomi's Garden, Gramps, Diaspora Vibe Cultural Arts Incubator (just to name a few) for their ongoing love and support and Thanks to Superfine - The Fairest Fair for their effort and support in bringing this evening to lig
for all lost to the current violence of our time If you want a full experience with us take the 11 am boxing class at SolBox FC, 7101 North Miami Avenue (with shower) Please park in the back parking lot, entrance at 7101 North Miami Avenue, in the streets
around or take a LYFT CODE
FOR 5 FREE RIDES UP TO $ 10 EACH >> > SUPERFINERIDE Special thanks and love to Marlee's Green Tea, Miami Spaces, Gummdrops, Naomi's Garden, Gramps, Diaspora Vibe Cultural Arts Incubator (just to name a few) for their ongoing love and support and Thanks to Superfine - The Fairest Fair for their effort and support in bringing this evening to lig
FOR 5 FREE RIDES UP TO $ 10 EACH >> > SUPERFINERIDE Special thanks and love to Marlee's Green Tea, Miami Spaces, Gummdrops, Naomi's Garden, Gramps, Diaspora Vibe Cultural Arts Incubator (just to name a few)
for their ongoing love and support and Thanks to Superfine - The Fairest Fair for their effort and support in bringing this evening to lig
for their ongoing love and support and Thanks to Superfine - The Fairest Fair
for their effort and support in bringing this evening to lig
for their effort and support in bringing this evening to light.
This
exhibition and publication narrate,
for the first time, the interwoven life and
work of the School's two founders, with a focus on the period
around 1910.