Sentences with phrase «works in a parallel fashion»

As with other hybrids in the Volkswagen line, the Jetta drive train works in a parallel fashion with a clutch that decouples the gasoline engine from the drive train when coasting or braking, allowing the electric motor to take over.

Not exact matches

«Basically, what we've seen in this work is a method for measuring how much of a neurotransmitter is being [absorbed], and how that amount, or rate, is affected by different drugs... in a highly parallel fashion across much of the brain,» Jasanoff says.

More recent work has involved similar aggregations of electro - physical agents to allow parallel, redundant printing systems to be composed in a hypermodular fashion.

It's because the parallel stories - modern day and wartime - are told in a straightforward fashion, that the movie works so well.

While Minimalist artists such as Carl Andre, Donald Judd, and Dan Flavin were gaining ground with their work in New York, McCracken was experimenting in Los Angeles with a medium somewhere between sculpture and painting, in a parallel fashion.

The parallel, lesser - known history is what happens when they stay in and work against the four walls of the studio — beyond just portraiture, fashion, or product photography — experiments surveyed in MoMA's «A World of Its Own» exhibition last year.

The yellow forms flowing in rhyming fashion foreshadow the parallel bands and rivulets of his mature work.

In one series of five large works, a flat layer painted in the fashion of wood grain is overlaid with a contrasting layer of built - up oil in perfect parallel lineIn one series of five large works, a flat layer painted in the fashion of wood grain is overlaid with a contrasting layer of built - up oil in perfect parallel linein the fashion of wood grain is overlaid with a contrasting layer of built - up oil in perfect parallel linein perfect parallel lines.

We are presented with four works: in Tower Block, a blank monitor is interjected with high rises, surreally spliced into abstraction via arbitrary image edging; in Floor, three parallel projections explore the surface texture of floorboards with a near - fetishistic, intimate scrutiny; in Shirt, worn fabric is rendered nonfigurative, the patterns and folds becoming landscape instead of fashion; while in Moon, a twin - screen installation, presents us with 21 miniature viewing - windows from which we voyeuristically glimpse the moon, creating a field of juddering orbs.

Their practices are useful parallels to Love's; her works in the accompanying exhibition produce social critique in referencing hegemonic symbolic structures — like certain fashion or religious iconography — while being composed of expressive, powerfully raw mark making.