Sentences with phrase «works in a state of flux»

Not exact matches

In his book Deep Work, he writes that time management basically doesn't matter, especially in environments in a state of fluIn his book Deep Work, he writes that time management basically doesn't matter, especially in environments in a state of fluin environments in a state of fluin a state of flux.

Dave Warren, a Santa Clara Indian whose home is in Santa Fe but who currently works for the Smithsonian, in the course of a long conversation refused to be pinned down, saying that the legislative situation is still too much in a state of flux for him to indicate which way he is leaning.

And while we had the young actress on the line, we had to quiz her about a myriad of upcoming projects she has in the works, everything from the upcoming Wes Anderson joint «The Grand Budapest Hotel,» to Ryan Gosling «s directorial debut «How to Catch A Monster,» to things that are in a more nebulous state of flux, like Joe Wright «s «Little Mermaid» and the hotly rumored «Fantastic Four» and «Star Wars: Episode VII.»

Benedict Cumberbatch says there are no current plans to work on another instalment of «Doctor Strange» with the Marvel Cinematic Universe in a state of «flux».

«Teacher evaluation will soon be in a state of flux given that the grand scheme to use teacher evaluation to «weed out» ineffective teachers and «reward» effective teachers has simply not worked because the movement was solely focused on measuring teachers as opposed to helping them grow.

Recent group exhibitions include A Minor State of Flux at Arti et Amicitiae, Amsterdam, Slow Works at Sydney Project Space in Australia and The Fortune Teller at Garage Rotterdam.

Al - Hadid makes complex works that seem in a state of flux, suggesting both incompletion and decay.

· The works in the exhibition will be in a state of flux, — with a past, present, future.

«Benjamin Patterson: Born in the State of FLUX / us» (2010) was dedicated to the work of Patterson, the founding member of Fluxus who was a contrabass musician and longtime arts administrator.

It is a given in contemporary visual culture that photography and our relationship to it exist in a constant state of flux, and so I was drawn to work that, in one way or another, addresses how the medium does and does not function, right now.

I chose the title «Interim» for this body of work as I saw them forming and the protagonists appear in a state of flux, in between, cocooned.

Her work exists in a state of flux, hovering in a space between fluid technique and measured stillness, where each object is animated by color and light.

The allusions to figure and landscape in her work are posited in a state of perpetual becoming and undoing, presented as entities in a constant state of flux.

Couzens writes that von Heyl «is nothing if not flexible — canceling and subtracting intuitive moves, constructing unstable, open - ended formal juxtapositions into befuddling works that remain in a constant state of flux.

She also has organized several major retrospectives and single - artist exhibitions: Born in the State of FLUX / us (2010), which was devoted to the work of Benjamin Patterson, a contrabass musician, long - time arts administrator and founding member of Fluxus; the survey Donald Moffett: The Extravagant Vein (2011); Trenton Doyle Hancock: Skin and Bones, 20 Years of Drawing (2014); Compilation (2015), a retrospective of work by sonic and visual artist Jennie C. Jones.; and most recently, Everything and Nothing (2016), a 10 - year survey of work by painter and sculptor Angel Otero.

The presence and absence of the body in the work points to the idea that one's identity is not static, and constantly in a state of flux.»

In his work Lick, Owens restages Fluxus artist Benjamin Patterson's iconic performance Lick Piece (1962), currently on view in CAMH's exhibition Benjamin Patterson: Born in the State of FLUX / us through January 2In his work Lick, Owens restages Fluxus artist Benjamin Patterson's iconic performance Lick Piece (1962), currently on view in CAMH's exhibition Benjamin Patterson: Born in the State of FLUX / us through January 2in CAMH's exhibition Benjamin Patterson: Born in the State of FLUX / us through January 2in the State of FLUX / us through January 23.

So, not only do the actual paintings themselves sit within a state of visual alteration due to the viewer's relation to it, the work also remains in flux within its conceptual condition.

However, due to the smaller size, the State of Flux can be seen more as a project space, open to works in progress or more site specific engagements.

The idea that nature is in a constant state of flux and dissolution is central to the work.

Recent venues presenting Burtonwood's work include CICA Museum Gyeonggi - do, Korea, DEMO Project, Springfield, IL; Terrain Biennial 2017, Oak Park, IL; Cedarhurst Center for the Arts, Mount Vernon, IL; The Elmhurst Art Museum Biennial, Elmhurst, IL; The Samuel Dorsky Museum, SUNY, New Platz; Flux Factory, NY, NY; The Compound Gallery, Oakland, CA; Northeastern Illinois University Gallery, Chicago, IL; The University of Illinois Springfield, Springfield, IL; Bruce High Quality Foundation University, NY, NY; Firecat Projects, Chicago, IL; Wright State University, Dayton, OH; Purdue University Gallery, West Lafayette, IN; The Printing Museum, Houston, TX; Terrain Biennial, Oak Park, IL; Fuseworks, Brooklyn, NY; Front Room Gallery Brooklyn, NY; New Capital, Chicago, IL; The Chicago Cultural Center, Chicago, IL; Shemer Art Center, Phoenix, AZ and Printed Matter, NY, NY.

Partially informed by observable patterns found in both human and natural phenomena such as buildings, maps and weather patterns, the work emerges from an ephemeral, intuitional state, resulting in objects and images that convey a sense of complexity, serenity and flux.

The idea behind the work is to learn to let go of the idea of permanence, since the work has be replenished as the candies are taken and consumed by the audience, so the form is in a constant state of flux.

The idea this work embodied was consciousness as a Heraclitean flux, constantly in flow and in a permanent state of becoming.

Interpreting «presence» as the materiality, affect and meaning that constitutes a work of art, the exhibition considers how an artwork's presence is in a perpetual state of flux.

The fil rouge that connects all these works — be it present or alluded to through metaphor — is the body, in a continuous state of liquid flux; ebullient and sweaty, nauseous and curled, feverish and bestial.

The work can also be seen in relationship to Johannesburg, where he currently lives, a city in a constant state of flux.