Sentences with phrase «works in horror movies»

Not exact matches

But all varieties of horror flick are easily identifiable at this point, whether they're spooky, low - budget films (numerous); viscera - stained slasher movies (more numerous); quick - cut zombie flicks (even more numerous); macabre sci - fi, floating - in - space efforts (somewhat less numerous than they should be); sexualized vampiric tales (I trip over one of these whenever I get the newspaper); films of the more critically favored retro - mashup variety (Quentin Tarantino and Robert Rodriguez's Death Proof plus Planet Terror feature Grindhouse); or foreign entries of the psychological horror variety (the works of Dario Argento, of course; Alexandre Aja's films, which have their defenders; and Juan Antonio Bayona's El Orfanato, which only someone who truly dislikes cinema can dismiss).

Work in hospitality industry and enjoy gaming (of course), museums, romance, movies (horror, sci - fi, foreign, old school martial arts, drama, and any strange movie).

I like to watch horror / action movies, working out, laughing, video games, dancing, fishing... I'm retired so I sleep in a lot??

i currently live in an adult foster home i work at lcc doing various jobs i hope to be getting a diffrent job soon im hoping for a relationship that we can take slowly i am into anime listening to music reading fantasy and horror books or scify same with movies i love walks in nature

Hard working, caring, affectionate, out going, I like all kinds of music, horror movies, the outdoors, traveling when I can.I'm looking to talk, meet, get to know, hopefully fall in love and at some point get married.

I'm a hard working man, loyal, funny, good personality, never in a shitty mood, I like to listen to misic, all kinds, I like to watch movies Hey, action, comedy, drama, horror, etc..

I like working out in my yard, going to the movies - I'm a chick flick kinda a girl and I don't do horror movies, walking around art fairs, taking walks hand in hand, snu...

Annihilation is best viewed as a trip deep into an otherworldly house of horrors, offering a deliberately illogical twist on the formula of horror movie storytelling — because when assessed as a science fiction movie, its lack of weighty ideas makes it pale in comparison to both its influences and Garland's prior work.

The hard - working actress has made a career of choosing diverse and challenging projects both in film and television, starting with her acting debut in the movie JOE, which she soon followed with the 1975 cult classic THE ROCKY HORROR PICTURE SHOW.

It has some clichés here and there that could have been avoided and the characters sometimes don't seem to be the brightest people in this sort of situation, but still this atmospheric horror movie works quite well, especially in a second half that can be really unnerving.

Joe Dante's a great filmmaker, but I wish he had made his return to features with a movie better than Burying The Ex, a glib, EC Comics - influenced horror comedy that would probably work better as a short chapter in an anthology film.

The horror movie / social satire, which plays with the very real fears that come with being a young black man in today's America, is a confident, assured work crammed full of wit, clever twists and surprising depth.

Although he worked in most realms of exploitation films, from «nudie - cuties» to juvenile delinquent films and even children's films, he is best known for creating the «splatter» sub-genre of horror movies.

While some of the side characters could have used some work, the main characters were likable and sensible (A rare quality in a horror movie).

For example, prior to digital distribution, horror films from filmmakers working in countries like Japan, Spain, and Italy were traded on VHS and DVDs by American fans of the genre, including movies that never saw an official theatrical release in the United States.

Originally labelled a haunted house movie set in space, it created a whole new sub-genre of science fiction horror, kickstarted the careers of Ridley Scott and Sigourney Weaver, and introducing mainstream audiences to the fantastical works of the late surrealist sculptor and painter, HR Giger.

EMILY BLUNT jokes about working with ANTHONY HOPKINS in new horror movie The...

Although this is the kind of movie that works best the less you know, misfortunate souls that saw another British horror flick this year about an underground dweller, Creep, will probably find the story here quite familiar, especially in the look of the creatures.

An unholy hybrid between a teen gang film and a «torture porn» horror movie, this film by Mitchell Altieri and Phil Flores (who work under the name «The Butcher Brothers») throws in plenty of Grand Guignol - style bloodletting to very little effect.

He was still working right up until his death, most recently starring in the horror spoof Stan Helsing, with appearances in Spanish Movie, Stonerville and The Waterman Movie still forthcoming.

Within a very few years, artists like John Carpenter, John Landis, Steven Spielberg, Joe Dante, Rob Bottin, Rick Baker, Sam Raimi, Brian DePalma, Bob Clark, Dan O'Bannon, Sean S. Cunningham, Wes Craven, Tobe Hooper, Stan Winston, Larry Cohen, and on and on and so on, were working in and reinvigorating the horror genre — many under the tutelage of Roger Corman, still others the initial products of formal film school training, almost all the consequence of a particular movie geekism that would lead inevitably to the first rumblings of jokiness and self - referentiality - as - homage that reached its simultaneous pinnacle and nadir with Craven's Scream.

While the film works as a weird, trippy, tongue in cheek horror film set at Disneyland, it's nothing more than a film school - made B - movie.

But instead, this is Weisz working her Constant Gardner bones, showing some real horror in the movie's more difficult scenes.

The connection to classic American tough - guy movies isn't always apparent in his celebrated horror films, but it's all over the body of work he produced in relative obscurity before he finally caught a break with Cure.

It's very rare for a movie franchise to get better with each successive installment (especially in the horror genre), but that's exactly what writer / director James DeMonaco has done with the «Purge» series, refining the concept each time by carrying over the elements that worked best.

That is exactly the kind of person that makes a film for longtime B - movie producer Roger Corman (Death Race 2000, 1960's The Little Shop of Horrors), a man who has worked with some of the biggest names in Hollywood before they were big.

Anyone with a passing familiarity with modern Austrian cinema outside of Michael Haneke «s work will not be surprised that arthouse horror «Goodnight Mommy» is produced by Ulrich Seidl, whose own «Paradise» trilogy, as well as 2015's terrific, underseen semi-doc «In The Basement,» share a certain chilly formalist distance with Fiala and Franz» movie.

Baker protégé Rob Bottin's work on that film was arguably equal to that of his mentor (who left Bottin in charge of The Howling «s effects after he exited the project for the bigger - budget American Werewolf), and yet the Academy couldn't even be bothered to nominate him (or, perhaps more likely, its members simply couldn't bring themselves to watch a low - budget horror movie not put out by a major studio).

Its origins, however, were modest: While working on his epochal 2006 eco - horror / giant - monster movie hit The Host (the highest grossing South Korean film to date), Bong happened to wander into his favorite comic book store in Seoul.

Caleb Landry Jones, best known for his work in X-Men: First Class, has signed onto to the horror movie Get Out.

While THE CONJURING is obviously working some kind of magic on a large percentage of viewers I personally found this utterly predictable throwback to «70s horror cinema so clichéd, schmaltzy, devoid of compelling characters, lacking in atmosphere and flat out boring that I almost walked out of the theater midway through the movie.

It's a shame, really, given the potential here for a fun horror - movie ride, with Johnson's ongoing difficulties in sustaining viewer's interest ultimately ensuring that The Wolfman comes off as a sporadically intriguing but mostly underwhelming piece of work.

Release date: June 1 Cast: Logan Marshall - Green, Betty Gabriel, Simon Maiden Director: Leigh Whannell (Insidious 3) Why it's great: It's not easy to combine action, horror, and sci - fi into one nifty little 95 - minute package that actually works in all three departments, but this movie gets it right.

It's then such a surprise that perhaps the greatest work he's done is in a found little footage horror movie called Creep.

Shore's most recent work was (appropriately enough) directing the «St. Patrick's Day» segment in the 2016 horror anthology movie Holidays.

Giamatti talked about how wild it was to be a part of such a historically terrifying story, that he describes as «a horror movie, in itself,» and said that he played one of the wealthiest slave traders in America, at that time, how difficult it was to do some of what his characters does to these people, and how amazing it was to work with the director, who wanted to create a world it which these actions were completely normal.

Berberian never shows a single frame of movie Gilderoy works on but provides plenty of aural cues, sound track snippets and narration describing the ludicrous set up of each scene to paint an image of an over-the-top mess commonly found in Italian horror.

Among other things, the actress discussed how the horror thriller «Fear,» and the horror genre in general, influenced her decision to take on the role of Sylvia; how forming close working relationships with both Johnston and Bota while filming helped develop her character; and how she has already been receiving positive feedback from fans who have seen the movie.

But while they were shooting the thing, lead actor Robert Quarry, who played the titular vampire, convinced Kelljan and the producers at AIP that the movie could work as a straight horror flick for the drive - in circuit.

He is best known for his work in the horror film genre, particularly in the subgenre known as giallo, and for his influence on modern horror movies.

Supporting a wife and new baby and desperate for work, Gordon wins the contract by promising to complete the massive undertaking in only a week, bringing in a crew comprised of the conflicting personalities any good horror movie needs.

There are a few docs, a studio horror movie, a hardcore work of exploitation shot in a Thai prison, and even two Sundance darlings about dads and their daughters coming of age together.

At the film's recent press day, Speedman spoke about his creative collaboration with Egoyan with whom he worked previously on Adoration, how Egoyan wrote the role specifically with him in mind, why he was drawn to the complicated character and enjoyed the challenge of an enigmatic story, the backstory he created for his character, his research with the Kitchener - Waterloo detectives, working with Reynolds and Dawson, how they had fun while doing serious work on a dark movie, and his upcoming films: October Gale, a romantic thriller with Patricia Clarkson, and Out of the Dark, a horror - thriller with Julia Stiles.

I Am Not a Serial Killer sells itself on being one of those quirky and slightly surreal indie horror movies that has a premise that sounds familiar but adds a few twists and turns to throw you off your guard, and for the first half of the movie this approach generally works; the sense of a small town in the grip of an apparent serial killer comes across thanks to the geography of the houses and the interactions of the people we meet, and as a character John is well - written and superbly acted, making him instantly interesting and, despite his odd character traits, slightly endearing.

Get Out turns out to be more fun, and more provocative, than it is scary, at least in the traditional midnight - movie sense: The film works so well as a gauntlet of social horror that Peele almost didn't need the more traditional thriller elements he introduces in the third act, when a carefully calibrated build in just - because - you're - paranoid dread gives way to some disappointingly conventional survival games.

Moving your party together is also more work than it's worth, which is the worst thing you can say about a game's core concept; in any horror movie or tactical combat game, you have to stick together or those things will get you.

It's basically molded after a teen horror movie and set in an isolated area where the power's out and the phones don't work.

Star Wars may be a work of pulpy sci - fi fantasy, but in the gritty, self - serious world of this game, a plasticky cartoon of a «person» sticks out like a still - living black guy at the end of a horror movie.

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