Sentences with phrase «works in the exhibition continue»

Cumulatively, the works in the exhibition continue Hammond's post-minimal engagement with materials and process and a survivor aesthetic that began with her fabric sculptures in the early 1970s while also anticipating her materially informed paintings of the last decade.

The works in the exhibition continue the artist's signature use of functional and found objects relating to his home country, drawing on both cultural and social shifts as well as considering these objects as vessels with personal and geological histories.

Each reveling in visual detail, eliciting an almost iconoclastic charge, the works in this exhibition continue to expose layers of pleasure and discomfort lurking beneath the surface of aesthetic experience.

With nineteen - sixties Minimalism having established an active engagement between the spectator and object, the works in the exhibition continue this dialogue by including the viewers» physical participation or perceptual awareness as a crucial component in each artwork.

Recognized for his early paintings of simple, formally symmetrical shapes in a carefully considered color palette, the works in this exhibition continue his recent experimentation with a looser structure.

Further works in the exhibition continue to dissolve boundaries.

Not exact matches

To ensure the connection within the global creative industry and our local community continues to grow, Lane Crawford works with emerging talent and creative businesses on a seasonal basis for in store highlights, product collaborations, editorial features, exhibitions and event animation.

His re-evaluation and playful subversion of the tableau tradition continues throughout the works in the exhibition, shown in his use of disposable materials, such as wooden veneer, bungee cords and plastic washing baskets and brooms.

This play between documentary and staged images, usually shot using a large - format camera, is what Wall has become known for, and, with this exhibition of new work, Wall will continue to mess with what viewers believe to be the truth in his pictures.

In doing so offering a platform to exhibit their work in Central London and continue working with the artists directly through exhibitions and publications of editionIn doing so offering a platform to exhibit their work in Central London and continue working with the artists directly through exhibitions and publications of editionin Central London and continue working with the artists directly through exhibitions and publications of editions.

Opening at Mana Contemporary in Jersey City on Saturday, May 10 and continuing to August 1, 2014, the exhibition will present work from Resnick's entire six - decade career, including a rare 1937 portrait; quintessential Abstract Expressionist paintings from the 1940s and»50s; a selection of the large allover paintings of the 1960s through 1980s for which Resnick is best known; and a group of late figurative works.

In this exhibition, Thomas Houseago presents a body of work that not only testifies to his continuing interest in the history of sculpture, but also hints at the emergence of a new aesthetic sensibility within his oeuvrIn this exhibition, Thomas Houseago presents a body of work that not only testifies to his continuing interest in the history of sculpture, but also hints at the emergence of a new aesthetic sensibility within his oeuvrin the history of sculpture, but also hints at the emergence of a new aesthetic sensibility within his oeuvre.

New Work will pick up where that exhibition left off, as Semmel continues to capture, with bold brushstrokes, her own aging body as she sees it, from above and mirrored, in constantly shifting images.

Many of the paintings in the exhibition utilize this fabric as their starting point, and over which she has continued to paint to create new works.

According to ArtForum, Russian intrigue continues in Ghent: «A panel that was formed to investigate a number of allegedly fake Russian avant - garde works in the exhibition «From Bosch to Tuymans: A Vital Story» at the Museum of Fine Arts Ghent in Belgium — including pieces by artists such as Kazimir Malevich and Wassily Kandinsky that were on loan from the Dieleghem Foundation, a nonprofit founded by the Brussels - based Russian businessman and art collector Igor Toporovski — was dissolved only hours after meeting, reports Simon Hewitt of the Art Newspaper.

An exhibition of work by four photographers opens today at the Depot Gallery in Montauk and continues through Aug. 22.

Whilst taking Neel's work as a point of reference, the exhibition aims to open up possibilities for reading figuration and portraiture in contemporary painting, to assert the continued relevance of these modes of practice, and to re-consider Neel's work in relation to artists working today.

Flavin would continue to explore themes of seriality in a number of key works, including his «barriers,» which literally extend the notion of potentially endless repeatability into the exhibition space.

His presence is so heavily felt in the work of so many, it's surprising that an exhibition on his continued influence wasn't conceived earlier.

With «Surface Tension,» the artist's new exhibition at James Cohan Gallery (on view through November 30), Taylor continues to evolve her rarefied style, devoting her latest body of work to find surprising instances of transcendence in urban sprawl.

Pauline has exhibited her work annually in Boston since 1998 and has also continued to exhibit in Australia where she was the recipient of a coveted prize for oil painting in the prestigious national juried exhibition, The A.M.E. Bale Art Awards, known as Australia's premier awards for traditional realism and figurative art.

With the exhibition Conceptual and Applied III: Surfaces and Pattern, Daimler Art Contemporary in Berlin, Germany, is continuing its series of exhibitions that focus on artists who have worked on the borders between free and applied disciplines.

Martina -RCB--LCB- Johnston, an artist - run house gallery in northwest Berkeley, will continue its ongoing program of presenting work by emerging and mid-career Bay Area artists to the public and supporting the local arts scene through solo and group exhibitions, artist talks, screenings, readings, and class visits.

During the 1970's and 80's, Marlborough continued to stage major exhibitions of its stable of artists alongside important retrospectives of Modern Masters: Jacques Lipchitz and René Magritte in 1973; Max Beckmann and Max Bill in 1974; Henri Matisse in 1971 and in 1978 and the revisionist Kurt Schwitters in Exile: The Late Work 1937 - 1948 in 1981 which led to a new appreciation for the late work of this artWork 1937 - 1948 in 1981 which led to a new appreciation for the late work of this artwork of this artist.

In Selah, Sanford Biggers's first solo exhibition at Marianne Boesky Gallery, the African American artist continues his ongoing exploration of African power figures and his carefully formalist work with antique quilts.

In addition to its continuous exhibition schedule of new work, the gallery continues to develop interest in showing historic works in relation to contemporary artistIn addition to its continuous exhibition schedule of new work, the gallery continues to develop interest in showing historic works in relation to contemporary artistin showing historic works in relation to contemporary artistin relation to contemporary artists.

The gallery continues to work in collaboration with institutions, large and small, developing partner relationships and initiating exhibitions and projects throughout the United States and abroad.

He continued to show work extensively in America and Europe, enjoying a retrospective exhibition at the Museum of Modern Art in New York (1975).

- ISelf Collection displays: The exhibition continues the Whitechapel Gallery's dedicated collections programme in Gallery 7, which reveal rarely - seen works from around the world.

This exhibition at Meredith Ward, with a focused look on the works from the 1960s, continues the momentum and renewed interest in the artist's work.

While in Pittsburgh, Haring continued to study and work on his own and in 1978 had a solo exhibition of his work at the Pittsburgh Arts and Crafts Center.

As the works in his exhibition show, both his understandable hubris and his imagery continue to entice and insistently haunt.

Concluding the exhibition are commissioned works by emerging artists, which provide critical insight into the continued relevance of the artist's studio in understanding pervasive elements of contemporary life, such as the rapid exchange of information and emphasis on performance and spectacle.

This solo exhibition is presented in collaboration with the Pollock - Krasner Foundation and focuses on these iconic works only and... Continued

Continuing a year of remarkable achievement for Ursula von Rydingsvard, which has included the artist's first major survey exhibition outside the United States, the unveiling at Barclays Center of her first permanent outdoor sculpture in Brooklyn, and receipt of the Lifetime Achievement Award from the International Sculpture Center, Galerie Lelong will present a solo exhibition of the artist's work opening October 23.

Florian Maier - Aichen, Der Spaziergang (Green, White, and Blue), 2011 C - print 15 x 12 inches April 29 — June 25, 2011 With the works in this exhibition, Maier - Aichen continues his practice of picking apart and expanding notions of photographic representation.

It continues with works from the world's leading innovators in the arts, as they break through thresholds of space, memory, sound, and genre — from Philippe Parreno who, in his largest exhibition in the U.S. to date, transforms the presentation of visual art into an evolving sensory journey; to Wayne McGregor, Olafur Eliasson, and Jamie xx as they create a new contemporary ballet; to avant - garde performance artist Laurie Anderson who, through a site - specific installation in the Armory's drill hall, will expand upon her work with storytelling and technology to create a site - specific environment that serves as a meditation on time, identity, surveillance and freedom; and finally to Igor Levit and Marina Abramović as they interpret Bach's renowned Goldberg Variations, to create a concentrated durational performance that reflects upon music, time, space, emptiness, and luminosity.

Many of the works presented in the exhibition share an element of continued processing of used or found materials, which in result are brought into a new form of artificiality.

Travels to Washington on 3 May for march to the Pentagon in protest of Reagan foreign policy; teaches at Yale Summer School of Music and Art; Mazurs build a summer home overlooking Wakeby Pond in Mashpee on Cape Cod after Gail Mazur's family summer home there is destroyed by fire (1979); after dissolution of the Harcus - Krakow Gallery, continues regular exhibitions at the Barbara Krakow Gallery, Boston (also 1984, 1987, 1989, 1990, 1993, 1995, 1996, and 1998); solo exhibitions: Rutgers University Art Gallery (now the Jane Vorhees Zimmerli Art Museum), New Brunswick, New Jersey (in conjunction with a large acquisition of the artist's work); John Stoller Gallery, Minneapolis; Greenberg Gallery, St. Louis; Andrews Gallery, College of William and Mary, Williamsburg, Virginia; group exhibition: American Prints: Process and Proofs, Whitney Museum of American Art, New York.

The tactile quality of Innes's paintings continues in his new works on paper, a number of which will be included in the exhibition.

Through its work, Iniva has continued to encourage the study and interrogation of cultural identity and difference, most recently in its 2011 exhibition Entanglement: the ambivalence of identity, but also previously in exhibitions such as Alien Nation (2007), which explored science - fiction, race and contemporary art and Veil (2003), which addressed the veneration and vilification of the veil in contemporary culture.

Trotta closed the space in 2009 and has continued to curate exhibitions and produce work with artists, both in New York and Paris.

As part of our continuing Visual MashUp series, this exhibition features work by artists who participated in October's Visual MashUp.

In his first exhibition following the 2007 career retrospective, Thomas Chimes: Adventures in «Pataphysics, at the Philadelphia Museum of Art, Chimes will be exhibiting new works that continue to reflect his diverse interests in alchemy, James Joyce's Finnegan's Wake, astronomy, the writing of Alfred Jarry, and Greek poetry in the form of celestial, white and gold paintingIn his first exhibition following the 2007 career retrospective, Thomas Chimes: Adventures in «Pataphysics, at the Philadelphia Museum of Art, Chimes will be exhibiting new works that continue to reflect his diverse interests in alchemy, James Joyce's Finnegan's Wake, astronomy, the writing of Alfred Jarry, and Greek poetry in the form of celestial, white and gold paintingin «Pataphysics, at the Philadelphia Museum of Art, Chimes will be exhibiting new works that continue to reflect his diverse interests in alchemy, James Joyce's Finnegan's Wake, astronomy, the writing of Alfred Jarry, and Greek poetry in the form of celestial, white and gold paintingin alchemy, James Joyce's Finnegan's Wake, astronomy, the writing of Alfred Jarry, and Greek poetry in the form of celestial, white and gold paintingin the form of celestial, white and gold paintings.

Each of the museum's two current headline exhibitions — Anna Betbeze's Venus and Matthew Angelo Harrison's Dark Povera Part 1, both on view through December 17 — engage that complicated relationship in indirect but interesting ways: Betbeze is a Georgia native who continues to make work here despite now living in New York, and Detroit artist Harrison's show draws much of its source material from Atlanta - based collections of African art.

Founds the New Provincetown Print Project in conjunction with the Fine Arts Work Center; during summer, collaborates with master printer Robert Townsend and guest artists Mary Frank, George McNeil, Fred Sandback, and Gregory Gillespie on monoprint and monotype projects; at Harvard's Carpenter Center for the Visual Arts, attends weekly drawing and printmaking sessions with fellow faculty and teaching assistants, resulting in the continuing Harvard Evenings print series; solo exhibition: Michael Mazur: Color Prints, Mary Ryan Gallery, New York (also has solo exhibitions there in 1994, 1995, 1996, 1997, 1998, and 1999).

Rockport and the surrounding area were a continuing source of inspiration for Chaet's paintings of He first gained recognition for what he calls his «dumb» paintings, when Marcia Tucker, founding director of the New Museum of Contemporary Art, included his work in her groundbreaking exhibition, «Bad Painting» (1978) abstract interiors, still lifes and seascapes.

She continued to exhibit regularly in France after the war, although in England, living in London, she almost disappeared from public view until the Tate Gallery retrospective exhibition of her work in 1983, held the year before she died.

The exhibition is offered as a tribute to Woodmere's longtime trustee, Frances M. Maguire, a painter and sculptor who works in the tradition of the Carles legacy and continues to be one of the great champions of the arts of our city.

Reviewed in the New York Times, the exhibition was a most welcome opportunity to keep Resnick's work in the public eye in the interval that continues to precede the opening of our own building.