Sentences with phrase «works in the exhibition dealing»

Much of the work in the exhibition deals with the 18th and 19th century, at the height of Victorian splendor — something the artist critiques throughout his work.

Her video and photographic works in the exhibition deal with charismatic Christian prayer warriors; folktales concerning Kuru, an intelligent yet treacherous tortoise; karikpo (antelope) masquerade figures asserting playful gymnastic parkour - like performances around decommissioned pipelines or areas where pipelines once existed; and the color red, which represents birth in the artist's native Ogoniland and symbolizes her own rebirth there.

There are many works in the exhibition dealing with questions of gravity, weight and balance that will be charged by the anticipation created by the runners.

Her work in the exhibition dealt with histories, real and fictional, relating to the later life of the German artist Kurt Schwitters in the north of England.

Not exact matches

The Galaxy finished its off - season work at about the same time it was kicking off its preseason schedule Saturday, completing a deal for Dutch midfielder Nigel de Jong just a couple of hours before limping past Armenian club FC Shirak, 2 - 1, in its first exhibition of the winter.

All of the works in the exhibition are gold in color, and deal with the iconographic complexity of gold.

In cooperation with the University of California Berkeley Art Museum and Pacific Film Archive, Kunsthalle Bielefeld will present the exhibition Creation in Form and Color, dealing with the work of the German - born painter, Hans HofmanIn cooperation with the University of California Berkeley Art Museum and Pacific Film Archive, Kunsthalle Bielefeld will present the exhibition Creation in Form and Color, dealing with the work of the German - born painter, Hans Hofmanin Form and Color, dealing with the work of the German - born painter, Hans Hofmann.

Charlie Was a Sailor also references and underscores earlier works in the exhibition such as Places (2005), which deals with the notions of absence / presence, loss and memory in combination with the exploration of the meaning of «place» and the possibility of rendering this philosophical concept into a work of art, and Places [Lost](2010), which explores places of memory that concentrate meanings, events and fragments of experience.

Following the success of her show at the Saatchi Gallery in 1994, which generated a great deal of publicity for her work, Saville went on to take part in the exhibition American Passion, which toured from the McLellan Gallery, Glasgow, to the Royal College of Art and the Yale Center for British Art in New Haven, Connecticut.

You know, I'm a professional and a curator who has been dealing with these subjects since the early 1980s, and at that time there was only a little gap of thirty years between then and (the most recent works in the exhibition).

Opening: «Janet Biggs: Within Touching Distance» at Cristin Tierney Gallery A celebrated and prolific video artist for the past 20 years, Janet Biggs brings her latest works — a four - channel video installation and a dual - channel video — to the immersive exhibition «Within Touching Distance,» which deals with memories in relation to identity.

So when the Fine Arts Museums of San Francisco made a deal early this year to acquire 62 works by 22 contemporary African American artists, the museums decided to produce a full - scale exhibition with catalog in four months — a fraction of the normal lead time — to celebrate.

Curated by the Royal Academy's Simonetta Fraquelli and Norman Rosenthal along with Picasso scholar Marilyn McCully and members of the artist's family, the 200 - plus - work exhibition should deal a welcome slap in the face to those who equate twentieth - century

The exhibition, Point of Departure, firmly puts behind him his conviction for dealing forged art works by post-war modern artists In October 2011.

This year's Italian Futurism show at the Guggenheim Museum in New York was the first such comprehensive exhibition ever held in the United States; previous shows have avoided dealing with Futurist works created during the l930s.

It wasn't just that Ms. Lévy had exhibited and dealt in Mr. Stella's work and had done an exhibition of his black, aluminum and copper paintings from the late 1950s and early 1960s at her previous gallery, L&M Arts, in 2012 — works that, in the words of the Times» Roberta Smith, «represent the cornerstone of Mr. Stella's reputation.»

The exhibition includes works produced over the five decades of Baselitz's career, from his earliest paintings, dealing with his own existential problems within German society in the post-war period, to his «Fracture» and «Upside - Down» paintings.

Dynamo — A century of light and motion in art, 1913 - 2013 is the title of a survey art exhibition at the Grand Palais in Paris, a show that brings together major works that deal with light and motion and includes artists such as Bruce Nauman, Dan Flavin, Hans Haacke, James Turrell, Yayoi Kusama, Jean Tinguely, Alexander Calder, Marcel Duchamp, Bridget Riley, Dan Graham, Anish Kapoor, Jesus Rafael Soto, Conrad Shawcross, François Morellet, Jeppe Hein, Carlos Cruz - Diez, Takis, as well as artistic collectives such as GRAV (Group of visual Arts research), and the Groupe Zéro.

The exhibition Fiat Lux at the gallery Ruzicska in Salzburg, Austria, gathers works that deal with light by Jenny Holzer...

This exhibition is rooted in contemporary events that deal with a current humanitarian crisis of migration in the Middle East, but Peters» work captures the unspoken side of this narrative.

In this exhibition, Zoe Leonard, whose conceptual works often deal with organizing ways of seeing objects and cataloguing history, reflects on a very personal sentiment, described as «statelessness as both an individual experience and a shared social condition.»

Sohelia Sokhanvari also retains her Iranian identity, though having studied at Goldsmiths (where Michael Craig - Martin, also in the exhibition, tutored the YBA?s) and living in London and Alinka Echeverria who?s work, although produced in London, deals with subjects from Cuba and Mexico, highlighting the diversity of contemporary London life.

The second sub-theme linking the exhibition with society at large deals with the work's conflict with its own support, seen to less effect in Untitled (Angelica)(2013), which sits on a sterile shelf attached to the wall.

The exhibition Fiat Lux at the gallery Ruzicska in Salzburg, Austria, gathers works that deal with light by Jenny Holzer («Four Corners: Truisms, Living» and «Torso»), Brigitte Kowanz («Ad infinitum», «Brightness», «Remoteness» and «Vision»), François Morellet («4 í 4 no. 3» and «Lunatique neonly — 16 quarts de cercle No. 6»), Maurizio Nannucci («Listen to your eyes»), Keith Sonnier («Ballroom Chandelier»), James Turrell («Squat, Red»), and Richard Long («Seeming lightness of light»).

Selected by the Los Angeles artist Sam Durant, whose work often deals with political and cultural subjects in American history, the exhibition includes more than 155 posters, newspapers, and prints dating from 1966 to 1977, as well as a small - scale mural that reprises one of Douglas's vintage images.

Against this backdrop, the group exhibition «Digital Archives» assembles works that deal in a multifaceted way with the networked world and the seemingly limitless possibilities for circulating, archiving, and processing digital information.

While Hong Hao continues to work with found objects,» AS IT IS,» his recent solo exhibition at Beijing Commune, deals with the physical forms in a more straightforward manner, creating an interesting dialectic development of both the vocabulary and concept of his art.

The pairing of Marcel Broodthaers and Hanne Darboven in a single text would seem to favor the former's methods, which lampooned and utilized the idiosyncrasies and serendipities of surface and contingency that brought about such a pairing in the first place — which is to say the occurrence of two contemporaneous exhibitions in two major German institutions by two artists who dealt with issues of archive, text - as - image, and art - as - work just as these tropes have re-emerged as the historically available «next - big - thing.»

Dale's work is often deeply personal and as other showings of his work, the exhibition deals with human condition — this time in the form of greed and excess.

In this inaugural exhibition for this newcomer gallery to the 56 Bogart building, Life on Mars presents the works of fourteen unique artists that all deal with the complex issues of scale.

Continuing the research developed in previous works, the artist presents in this exhibition sculptures - objects in glass that deal with issues related to the concreteness of forms and structures and the «inconcreteness» of space.

Welch references that work in a piece for this exhibition using Stewart's line of paints to «deal with color and our perception of color as it passes through our contemporary filters.»

In this exhibition of new figurative work, Cathy Daley deals with the theme of communication and the effect of subjectivity on relationships and understanding.

In the «culmination of a great deal of hard work and generosity,» the new Modern Art Museum of Fort Worth will open the first exhibition in its new building in mid-DecembeIn the «culmination of a great deal of hard work and generosity,» the new Modern Art Museum of Fort Worth will open the first exhibition in its new building in mid-Decembein its new building in mid-Decembein mid-December.

When Ms. Clay unwittingly parlayed her works by planning to display them in a group exhibition, she upped the ante just enough to agitate the estate lawyers, who emitted their flurry of documents and eventually struck a deal.

Artist Talk and Panel Discussion with Martha Wilson Wednesday, September 18 5 pm FREE The exhibition Martha Wilson: Staging the Self presents the artist's work dealing with issues of assumed and projected identity, as well as examples of her curatorial practice, in which she provides a site for the exploration of avant - garde art.

30 April — 21 June 2014 Gerry Bibby's exhibition Combination Boiler took place at The Showroom, in which he dealt with the proposition of «how to work together» as an infiltrator, finding a disruptive role in the workplace.

11 April — 08 June 2014 Ella Kruglyanskaya's exhibition took place at Studio Voltaire, in which she developed a series of new paintings dealing with women in work.

The (In) constancy of Space - Struggle for Identity is a group multimedia exhibition which includes works by eminent Dutch and Croatian Contemporary visual artists dealing with the concept of man made space and its (in) constancy, not only in physical sense but also on sociological, symbolical, psychological and ideological leveIn) constancy of Space - Struggle for Identity is a group multimedia exhibition which includes works by eminent Dutch and Croatian Contemporary visual artists dealing with the concept of man made space and its (in) constancy, not only in physical sense but also on sociological, symbolical, psychological and ideological levein) constancy, not only in physical sense but also on sociological, symbolical, psychological and ideological levein physical sense but also on sociological, symbolical, psychological and ideological level.

Discussing current commissions (Katrina Palmer, The Quarryman's Daughters for Art Angel); exhibitions and recent sound displays (for example, Susan Phillipzs: War Damaged Musical Instruments) the group considered current theoretical, practical and institutional issues dealing with artists working with sounds as a sculptural medium, informing the networks about current practices in contemporary art.

Presenting a variety of artists that are from or deal with the region in their work, the exhibition attempts a portrait of place that goes beyond its restrictive outside image of «failure, conflict, and narrow aesthetic formulas.»

Along with the series «Muted Situation» (2014), directions for listening to sound situations in a new way or perceiving the political qualities of sound itself, and a selection of works from the series «Sound Drawings» (2015 ---RRB-, the exhibition also features large - scale installations in which Young deals with conflicts and wars.

Against this backdrop, the exhibition presents both artistic works that deal explicitly with political or social issues as well as works dealing with more fundamental questions inherent in art itself.

The show is composed of two independently conceived bodies of work from those years that, for various reasons, Johnston placed in storage and dealt with no further until the present exhibition.

Dealing with the themes of race, love and labor in photography and everyday life, the exhibition features work by Alma Leiva, Tommy Kha, Isaac Diggs, Eyakem Gulilat, among others.

Though MoMA occasionally flirted with politically motivated topics during its first several decades — including exhibitions of artworks made through the New Deal's Works Progress Administration in the «30s and several shows in support of the military during World War II — the institution, like most of its cohorts then and now, tended to keep the focus on art rather than current events.

A good deal of attention has been paid in the past decade to the work of Mel Bochner, with exhibitions at the Art Institute of Chicago, the National Gallery of Art in Washington, DC, and London's Whitechapel Gallery, among other venues.

In addition to numerous unique books made in 2011, the exhibition includes two comprehensive new series: One series, including several large - sized works, deals with the representational aspect of painting while the other series with smaller works questions the topic of timIn addition to numerous unique books made in 2011, the exhibition includes two comprehensive new series: One series, including several large - sized works, deals with the representational aspect of painting while the other series with smaller works questions the topic of timin 2011, the exhibition includes two comprehensive new series: One series, including several large - sized works, deals with the representational aspect of painting while the other series with smaller works questions the topic of time.

The work of the four artists in the exhibition, while working in different media, deals with the constant flux that is central to contemporary abstract art: ideas of the past — casting shadows onto the present.

East Gallery: Turn the Other Cheek In this exhibition of new figurative work, Cathy Daley deals with the theme of communication and the effect of subjectivity on relationships and understanding.