The works in this exhibition explore the relationship between plants, humans, and the psychology behind their interactions.
Whether ironic or sensuous,
the works in the exhibition explore the visual delight of food and its related themes.
The works in this exhibition explore the way that this subgenre of painting has evolved in the work of artists who may identify as painters, but who explore the space between painting and sculpture.
The works in this exhibition explore a rich and stark monochromatic pallete and utilize the raw canvas as a drawing material.
Among other similarities,
the works in this exhibition all explore particular qualities of light, or hard light (a film / photography term used to describe a lighting situation that casts a sharp, clearly defined shadow), that contribute to the development of fragmented, or broken, ambient narratives.
The fourteen
works in the exhibition explore the contrast between artists who seek to capture light's spiritual and phenomenological quality with those who access light's cultural history, from the glare of the neon sign to the glow of street lights.
Exploring various actual and imagined subtexts — pre and post digital reality, the dematerialization of narrative, co-authorship, mass consciousness and social evidence,
works in the exhibition explore various artistic and political responses to notions of reality and time.
The works in the exhibition explore the construction and transposition of narrative systems applied to systems of representation and images» production and dissemination.
Inspired by the initial and purposeful creases and folds inherent in the creation of origami objects,
each work in this exhibition explores various states of becoming.
The eighteen
works in the exhibition explore subjects including imagery related to advertising, branding, and corporate culture; the flattening of hierarchies between perceived high and low art; the blurred boundaries between the handmade and the technological; and the visual manifestation and capturing of speed as images move through digital frameworks.
The works in the exhibition explore «ideas of home, building community, migration and aspirations, racial profiling, salons featuring jazz, rap, beat and spoken word,» among other subjects.
Other video
works in the exhibition explore reflections of the self in historical art and architecture.
Not exact matches
For mums and dads we ran parents» forums focusing on why fathers are so important, and
worked with internationally renowned photographer Edmund Clark http://www.edmundclark.com/home.html to deliver a six - week course enabling them to
explore their realities of fatherhood through the medium of digital photography — culminating
in a Father's Day
exhibition.
For mums and dads we ran parents» forums focusing on why fathers are so important, and
worked with internationally renowned photographer Edmund Clark to deliver a six - week course enabling them to
explore their realities of fatherhood through the medium of digital photography — culminating
in a Father's Day
exhibition.
Designed to inspire Key Stage 2 primary school pupils to
explore future careers
in transportation and engineering, the
exhibition showcases the contribution of diverse women
working in the industry with strong connections to the West Midlands.
The
exhibition explores the history of American modernist ballet and new representations of the body through a combination of contemporary
works by Mauss and historical
works from the 1930s and 1940s
in ballet design, the visual arts, theater, and fashion.
You can see them
in Our words return
in patterns (part 1), a group
exhibition organised by NOVEL with ICA curator Matt Williams at Galerie pcp
in Paris and drawing on artists whose
work explores language and fiction.
In 2016 Als curated Forces in Nature at Victoria Miro, a group exhibition exploring ideas of man in nature, featuring works by Njideka Akunyili Crosby, Alice Neel, Chris Ofili, Celia Paul and Kara Walker, among other
In 2016 Als curated Forces
in Nature at Victoria Miro, a group exhibition exploring ideas of man in nature, featuring works by Njideka Akunyili Crosby, Alice Neel, Chris Ofili, Celia Paul and Kara Walker, among other
in Nature at Victoria Miro, a group
exhibition exploring ideas of man
in nature, featuring works by Njideka Akunyili Crosby, Alice Neel, Chris Ofili, Celia Paul and Kara Walker, among other
in nature, featuring
works by Njideka Akunyili Crosby, Alice Neel, Chris Ofili, Celia Paul and Kara Walker, among others.
The image - rich volume «Thornton Dial
in the 21st Century» coincided with a 2005
exhibition at the Museum of Fine Arts, Houston, that included a series of large - scale
works Dial created
in tribute to the Gee's Bend artists, and «Thornton Dial: Thoughts on Paper»
explores his early drawings.
Three
works were included
in You Are Looking at Something That Never Occurred, a group
exhibition exploring how artists have used the camera to blur boundaries between past and present, fact and fiction.
Roger Brown is featured
in Art AIDS America Chicago, an
exhibition that includes over 100 contemporary
works to
explore how the AIDS crisis forever changed American art.
The
exhibition will consist of a series of
works of a standard size,
in which the artist
explores abstract and representational visual languages.
Presented through all of MUMA's recently designed galleries, the inaugural
exhibition sees artists
explore performative, media and event cultures, and the post-industrial architecture of the urban fringe, whilst others
work with sound, light, sculpture, film, and painting
in its diverse and expanded forms, offering a multi-sensory register of art and everyday life, from complex cultural perspectives.
Its acquisition enables the museum to represent her with salient
work in both genres and to
explore their connections, the very subject of the 2011 ICA
exhibition Catherine Opie: Empty and Full.
This
exhibition explores parallels and intersections
in the
works of the world - famous Gee's Bend quilters and the self - taught master of assemblage art, Thornton Dial.
Thus the
exhibition, organised
in partnership with the Art Gallery of Ontario, Toronto,
explores the genre of landscape principally through the
works of Paul Gauguin, Maurice Denis, Ferdinand Hodler and Vincent Van Gogh, but also presents North American painters such as Giorgia O'Keeffe and Emily Carr, who are less well known
in France.
Video installations throughout the
exhibition task the viewer
in exploring the
works as both observer and participant.
This
exhibition covers a span of over four decades (c. 1929 — 70), including a total of some forty paintings, photographs by the artist,
works on paper, and sculptures
in order to
explore the change and continuity
in Still's ideas and pictorial forms.
Featuring
works — over a third of which are newly created — by an international and intergenerational group of artists, the
exhibition explores blackness as a highly evocative and animating force
in various approaches to abstract art.
Body Language is a group
exhibition in video format that focuses on two emerging artists whose video
works explore the ways
in which language determines and is eluded by our relationships to our bodies.
The item highlights several of the key themes and
works in the
exhibition and considers how the BxMA will delve into areas of Matta - Clark's practice that have only been briefly
explored in previous surveys of the artist's
work.
Featuring photographs, manuscripts, correspondence, source material and two early video
works from the Larry Rivers Papers, the
exhibition explores the ways
in which the archives contextualize Rivers's multi-dimensional artistic career.
Published to accompany the major solo
exhibition by Lisa Yuskavage that was presented at The Rose Art Museum of Brandeis University
in Massachusetts and at the Contemporary Art Museum St. Louis
in 2015 - 2016, The Brood
explores more than two decades of the artist's
work.
Through the friendship and careers of the trio of artists — all who live and
work in The Hamptons — the
exhibition explored paintings made and the intersections and divergences of each of their art practices during this time period.
Featuring 145 pieces from 1970 onwards, the
exhibition explores how artists have included themselves
in their
work.
The Ecole des Arts de Braine - l'Alleud
in Belgium presents the
exhibition «Colorific,» featuring the
work of almost 20 artists who
explore color.
In that spirit, this exhibition explores the work of 35 dynamic Brazilian artists — many of whom have never been widely exhibited in the US — whose practices and influences are as varied as the social, racial, and geographical composition of the country itsel
In that spirit, this
exhibition explores the
work of 35 dynamic Brazilian artists — many of whom have never been widely exhibited
in the US — whose practices and influences are as varied as the social, racial, and geographical composition of the country itsel
in the US — whose practices and influences are as varied as the social, racial, and geographical composition of the country itself.
The Visual Arts Program at Wave Hill presents the
work of contemporary artists who
explore the dynamic relationship between nature, culture and site through
exhibitions in Glyndor Gallery and the Sunroom Project Space, and through the Winter Workspace Program and generated@wavehill.
The gallery will present an
exhibition of Josef Albers's
work in its 537 West 20th Street location
in New York
in November 2016 that will
explore the relationship between his Homage to the Square paintings and the monochrome.
The Cantor Arts Center at Stanford University is pleased to announce Soulmaker: The Times of Lewis Hine, a new
exhibition that
explores the artistic mastery of photographer Lewis Hine's images of children
working in mills and factories
in the early 20th century.
The largest survey of Nari Ward «s
work to date, this traveling
exhibition «focuses on vital points of reference for Ward, including his native Jamaica, citizenship, and migration, as well as African - American history and culture, to
explore the dynamics of power and politics
in society.»
Flavin would continue to
explore themes of seriality
in a number of key
works, including his «barriers,» which literally extend the notion of potentially endless repeatability into the
exhibition space.
Bringing together artists
working in various media, from multiple regions, and of different generations, this
exhibition focuses on the lyric — the poetic first - person account of lived experience — to
explore the complexities of being
in the world.»
The
exhibition, organized by guest curator Fumio Nanjo, director of Tokyo's Mori Art Museum, and Asia Society's
in - house curator Dominique Chan, presents
works that
explore the artist's burgeoning understanding of life's transience.
Her solo
exhibition «Carrie Mae Weems: Considered» is on view at the SCAD Museum of Art through June 12; She is directing «Grace Notes: Reflections for Now,» a special performance at Spoleta Festival USA
in Charleston, S.C. (June 4 - 5); and her book «Carrie Mae Weems: Kitchen Table Series,» which
explores one of her early and most acclaimed bodies of
work, was published last month.
The first major museum
exhibition to
explore graphite as a medium
in works beyond drawings, Graphite includes sculpture, drawing, and installation
works created over the past decade — including several newly commissioned
works — by emerging and established contemporary artists.
The
exhibition showcases
work by the two artists that
explores and manipulates the illusory flatness of painting
in order to alter the viewer's sense of the possible.
This
exhibition of new
works explores the current socio - political climate
in both Europe and The...
In the first major retrospective of his
works on paper, this
exhibition explores Beckman's primary subject matter: the individual.
Consisting primarily of Saar's sculpture and installation
work, this
exhibition explores the ways
in which the legacy of history bears on the body, and how this history both shapes and guides the way society conceptualizes identity.