Sentences with phrase «works in the exhibition include»

Central works in the exhibition include Paola Pivi's extraordinary grizzly bear which instead of fur has yellow feathers; the U.S. premiere of Francesco Vezzoli's acclaimed MARLENE REDUX: A True Hollywood Story!

The essential works in the exhibition include Jean - Paul Riopelle's Saint - Anthon (1954), one of a remarkable series of «white» paintings inspired by the snow - capped peaks of the Austrian Alps.

Works in the exhibition include The Earth Is a Magnet, 2016, a major new commission by Anna Craycroft that brings the photography, biography, and inventions of Berenice Abbott, famed for both her street photography and rigorously scientific images made at MIT, together with video, sculpture, and photography by a group of Craycroft's peers, including Fia Backström, Katherine Hubbard, Matt Keegan, Jill Magid, MPA, Lucy Raven, Mika Rottenberg, A. L. Steiner, and Erika Vogt.

Other works in the exhibition include N U Niddrie, God is Great, and a selection of short films made throughout Latham's career.

Work in the exhibition includes painting, sculpture, drawing, and photography, yet the unifying theme is the idea of Bushwick.

Works in the exhibition include works by Washington Color School notables such as Gene Davis, Howard Mehring and Alma Thomas; alongside newer acquisitions from artists such as Michael Craig - Martin, Robin Rose and Susan Roth.

His drawings freely mix references to art history and recent scandals, and works in the exhibition include a portrait based on Willem de Kooning's Woman and a satirical image of investment swindler Bernie Madoff.

Other works in the exhibition include the artist's «glass-less» mirrored surface paintings, a rejoinder to Michelangelo Pistoletto's paintings on mirrors that he produced in the early sixties.

Works in the exhibition include painting, sculpture, fine art ceramics and silk scarves, mixed media, drawing and installation.»

The fifteen works in the exhibition include already extant pieces adapted for installation in public spaces throughout Marfa, and six new site - specific works specially commissioned by Ballroom Marfa and created by: Kaffe Matthews; Nina Katchadourian; Christina Kubisch; Deborah Stratman and Steven Badgett; Steve Roden and Stephen Vitiello; and Steve Rowell and Simparch.

The final group of work in this exhibition includes small paintings in which food assumes the form of body and landscape: Imagine Saul and Erik Parker tag teaming to readdress the legacy of Giovanni Arcimboldi.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

Works in the exhibition include his earliest extant drawing from 1911, his Bauhaus glass constructions and photo collages.

The works in the exhibition include idealized images of Florida's natural landscape as well as Saint Augustine architecture that still exists today.

Ranging from photography to drawing to installation, the more than four dozen works in the exhibition include: critically acclaimed videos by Marilyn Minter (Green Pink Caviar, 2009) and Kate Gilmore (Between a Hard Place, 2008), who credits Minter for teaching her to «be bold, honest and to never, ever relax»; a new large - scale sculpture by Marianne Vitale (Double Decker Outhouse, 2011), who says seeing Hungarian flimmaker Bela Tarr's 7 - hour epic Sátántángó confirmed her need to be an artist early in her career; and the latest project from Lisa Kirk (Backyard Adversaries (Ashes to Ashes), 2011), who sees a «sublime level of alchemy, the act of making work that is not only inspiring, but is revolutionary» in David Hammons» Fly Jar (1996).

Other works in the exhibition include Lake Como Remix, (2012), Getting Lost The Long Dérive (2012), Micro-Cinematic Essays on the Life and Work of Marcel Duchamp dba Conceptual Parts, Ink (2012), Crapshoot (2015), and wall - sized prints from Amerika's 8 - Bit Heaven series (UK, 2012; Brazil, 2016).

Notable works in the exhibition include:

Significant works in the exhibition include Moholy - Nagy's Construction in Enamel 1, 1923, (one of three works Moholy - Nagy commissioned from an enamel sign factory by communicating the coordinates of a drawing on graph paper over the telephone); Circles in a Circle by Wassily Kandinsky, and Doppelturm by Paul Klee.

Additional works in the exhibition include Thirty - eight works by Andy Warhol, four bronze sculptures depicting figures who are part human, animal and machine by William Kentridge illustrating social and political life in South Africa; and Olafur Eliasson's Fivefold Sphere Projection Lamp which compels us to view ourselves in relation to space as well as time.

Mike Nelson's work in the exhibition includes the installation Amnesiac Shrine; Nathan Coley's has a bright sign declaring «There Will Be No Miracles Here».

Works in the exhibition include ex libris (2010 — 2012), originally commissioned by dOCUMENTA (13), which commemorates the approximately thirty thousand books from Palestinian homes, libraries, and institutions that were looted by Israeli authorities in 1948 and ENTRY DENIED (a concert in Jerusalem)(2003), a full length concert performed by Austrian nationals who were scheduled to perform in Jerusalem and Bethlehem but denied entry at Tel Aviv's Ben Gurion airport for «security reasons».

Other works in the exhibition include wall pieces and a gridded platform on the floor making use of two - way mirrors to create the illusion of fragmentary architectural structures repeating and receding into infinite space.

Highlights of the 13 works in the exhibition include Colored Vases (2010, 2009), groupings of Han Dynasty pots (from 200DC - 220AD) covered in industrial paint.

Works in the exhibition include a recent series of compositions entitled King Wave in which Hilyard uses dramatic and doctored photographs to probe the truthfulness and iconic stature of the image.

Works in the exhibition include Chalet by Dimitri Tsykalov, Property by Beat Klein and Hendrikje Kuhne, Portrait of Alice Liddell, after Lewis Carroll by Vik Muniz, The Flying Komarov by Ilya Kabakov and a film work by Paddy Jolley.

Other work in this exhibition includes an enlarged version of a found McDonald's coffee cup lid which has been squashed and formed into a face.

Other works in the exhibition include Andrew Lenaghan's Corner of Eldridge and Grand Streets After the Storm, a somber view of the Manhattan skyline with the Empire State Building in the far distance, James McGarrell's twilight landscape Headlights, Lesley Dill's paper sculpture Fragile, and Jose Bedia's canvas Alone I Carry On.

He has shown work in exhibitions including Bicycle Thieves at Beret International Gallery in Chicago, House of Prince at Douglas Hyde Gallery in Dublin, The Gallery Show at the Royal Academy of Art in London and Ars Fennica at Henna and Pertti Niemisto Art Foundation in Helsinki.

Works in the exhibition include sculptural objects, site - specific installations, and performative works.

Peter Saul's works in the exhibition include two paintings from his Ice Box series, as well as one of his earliest anti-war paintings, Vietnam from 1966.

Works in the exhibition include two ceramic sculptures by Robert Arneson, one a simple - and inelegant - rose from 1966, and the other a pair of leering binoculars complete with a set of heavy lidded eyes.

Works in the exhibition included Jef Geys» display of multi-coloured «fruit» sculpture, combined with the sale of real fruit, and Christine Hill's vending machine which dispensed objects of daily necessity.

Other works in the exhibition include a 1981 Arneson bronze and ceramic self - portrait, Jack Beal's large oil study for his MTA mural at Times Square, Jose Bedia?s «El otro llado,» a five - part painting from 1992, and Joan Brown?s «Smoker,» a cardboard cutout from 1973.

Significant works in the exhibition include two 1917 Matisse paintings of the Italian model Lorette, Picasso's Rose Period portrait of a «Woman with a Kerchief», Dufy's 1929 «Reclining Nude», and a powerful 1914 Cubist collage by Juan Gris.

Artists works in the exhibition include: Francis Bacon, Henry Moore, John Constable, Barbara Hepworth, Elisabeth Frink, John Sell Cotman, J. M. W. Turner, Ana Maria Pacheco, and many others.

Other works in the exhibition include Mary Anne Kluth's vibrant and surreal photo - collages, Clement Valla's aerial views of bizarre travel - ways generated from Google Earth, Matthew Moore's photo series based upon wheat fields, Tania Kitchell's white, monochrome futuristic floral sculptures and Brice Bischoff's in - situ haunting, light images.

The works in the exhibition include the full range of her drawing techniques including graphite, ink, pastel, and acrylic on paper.

Key works in the exhibition include embrace (2005)-- a circular sculpture matching the diameter of the artist's height and fabricated to look like a luggage conveyor system found in airports.

Other works in the exhibition include a closed canister of 8 mm leader film, and a strip of white 16 mm leader film, again displayed in a canister.

A total of four works in the exhibition includes a film installation, a series of drawings, a flipbook and film stills.

The works in the exhibition include Maradona, a grandiose figure in joyous repose — part man, part maypole, part praying mantis — which stands in duplicate at the centre of the exhibition.

Recent works in this exhibition include: All the Dead Stars (2009), a large map documenting the locations of 27,000 dead stars known to humanity; and Light bulb to Simulate Moonlight (2009), an incandescent bulb designed to transmit wavelength properties identical to those of moonlight.

Works in the exhibition include Hans - Peter FELDMANN's Sunday Pictures (1976), Joseph BEUYS's Orwell Leg, Trousers for the 21st Century (1984) and William WEGMAN's lesser - known conceptual photographs from the early 1970s.

There are approximately 60 works in the exhibition including vessels, furniture, sculptures, paintings, installations and works created since 2000 by an international roster of artists, craftspersons, and designers such as Alexandre Arrechea, Martin Baas, Gary Carsley, Andrew Early, Sebastian Errazuriz, Maria Elena Gonzalez, Silas Kopf, Mark Lindquist, Sofia Maldonado, Matthias Pliessnig, Martin Puryear, Betye Saar, Hiroki Takada, Alison Elizabeth Taylor, and Ai Weiwei.

Works in the exhibition include:

Not exact matches

This exhibition of his work, «Souvenirs from the Waste Land,» includes eight paintings inspired by collector Roberta Green Ahmanson's extensive private postcard collection in Los Angeles.

This week included, in addition to a two hour appointment after work on Tuesday to have my braces removed and a beautiful closing exhibition reception for my students and their artwork at Old Dominion University's Virginia Beach Higher Ed Center on Thursday, lots of cooking for the «Incredible Edibles» cookbook launch party that is tonight (so excited!).

The Mass Audubon Museum of American Bird Art has presented two exhibitions of his work, in 2000 and 2011, and owns more than 30 Clem artworks, as well as his archive, including correspondence and photographs.

This new exhibition incorporates an extensive display of his past work in a diverse variety of media, including installations, photos, videos, posters, banners, performance works and sound pieces.

The Bronx Council on the Arts, located at the Longwood Art Gallery at Hostos Community College, 450 Grand Concourse (at 149th Street), hosts three exhibitions through May 7: In the City: Memory, Places and Spaces, which includes works on migration and urban planning; Transmit - Transit: Hatuey Ramos - Fermin @ The Project Room, featuring traveling in the city and ethnic diversity; and Impractical Hats: Indie Crafts Reinvent Everyday Gear, featuring construction of hats in unorthodox wayIn the City: Memory, Places and Spaces, which includes works on migration and urban planning; Transmit - Transit: Hatuey Ramos - Fermin @ The Project Room, featuring traveling in the city and ethnic diversity; and Impractical Hats: Indie Crafts Reinvent Everyday Gear, featuring construction of hats in unorthodox wayin the city and ethnic diversity; and Impractical Hats: Indie Crafts Reinvent Everyday Gear, featuring construction of hats in unorthodox wayin unorthodox ways.