Sentences with phrase «works in this exhibition do»

Yet, each work in this exhibition does command attention as its own thing, perhaps the title of Carol Robertson's painting Aura is suggestive of this.

Moving away from the classical chess period of kings, queens, and bishops, the works in this exhibition do not represent medieval warfare but strategies of decision - making around contemporary culture and politics.

Many of the other works in this exhibition do the same, employing spectacle while delivering a deeper meaning.

The works in this exhibition do not have a similar sentimental intent; rather, my interests lie more in the themes of re-examination and re-fuse than in nostalgia.

Though works in the exhibition do not all directly address Sandy, water is a theme throughout, as are ruin and chaos.

The selection of works in this exhibition does not represent the entirety of her extensive oeuvre but seeks to demonstrate the unfolding and development of a number of lines of enquiry and provide a fascinating insight into one of the most innovative and influential contemporary artists working in Britain.»

Not exact matches

I tend to sell more prints than originals, I did start by selling my original work in galleries but as soon as I started selling prints I stopped because it worked out more cost effective to sell online, so I still have a large proportion of my original work, I hope to have an exhibition at some point.

The team designed the stadium to double as an exhibition hall, to work in conjunction with the Javits convention center, but that feature did little to blunt criticism of the project.

For now, I'll just say that after I exhibit my «best off» photos at Cafe Rouge starting next Monday, I'll start preparing a new cycle of photos for the new solo exhibition which I've envisioned to be a «travelling» one so that my art can reach some new destinations and people that don't live in Helsinki or New York can see these works too.

Each Paris Fashion Week gives White Bird founder Stéphanie Roger a chance to turn the spotlight on her talented stable of jewelers, with an exhibition of their work in the concept store itself, a cozy haven of calm and quiet on the rue du Mont - Thabor.

But exhibition has to work with us in order get it done.

The PYP Exhibition puts on display the cumulative work all PYP teachers and students have done in speaking, listening, reading, writing, researching, responsibility, and planning.

And what Marcel Proust, and Laurence Sterne, and Martin Luther, and Walt Whitman, and Ezra Pound, and Emily Dickinson, and Nathaniel Hawthorne, and Jane Austen, and Derek Walcott, and Virginia Woolf all did, at least according to an exhibition newly opened in York, was publish, or pay to publish, their own work.

Of late, these include Cirque du Soleil founder Guy Laliberté's Lune Rouge in Ibiza Town and serial gallerist, Lio Malca's La Nave art exhibition space near Santa Gertrudis, while a number of restaurants on the island also show the works of local artists in one - off exhibitions.

It will not show up on your profile, but it does work in Exhibition mode.

The fund does not award grants to individual artists but to art venues and curators featuring works by Turkish artists in their exhibitions.

I've been selling my art since my mid teens and had successful exhibitions since the early eighties, and all of this was done while working full time in at least two jobs / careers at a time as well as raising a family.

Since completing my Illustration Degree at Portsmouth University in 2010 I have worked as a freelance artist, doing commissioned work and occasional exhibitions.

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.&raquIn the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.&raquin the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.&raquin the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.&raquin paintings made quickly.»

«We are privileged to showcase work from the extraordinary collection assembled by Preston and Joan Haskell through this exhibition and publication, and in doing so, we are asking our audiences to consider abstract painting in a new light.»

In doing so offering a platform to exhibit their work in Central London and continue working with the artists directly through exhibitions and publications of editionIn doing so offering a platform to exhibit their work in Central London and continue working with the artists directly through exhibitions and publications of editionin Central London and continue working with the artists directly through exhibitions and publications of editions.

For many recent exhibitions, including Portrait of a Young Man at the Bass Museum of Art, Miami Beach, URANIBORG at the Galerie nationale du Jeu de Paume, Paris, France and the Montreal Museum of Contemporary Art, Canada and, most recently, Disasters and Miracles at the Kunsthaus Baselland, Switzerland, Grasso has acted as a co-curator in conjunction with the museums, altering the architecture of the exhibition spaces and merging his works with pieces in the permanent collections of the institutions in order to create a unique and dynamic viewing experience.

How do you perceive and experience working on exhibition making in this area of the world?

The whereabouts of the painting after the Armory Show is unclear, but in 2005 the work was exhibited in a major Bluemner exhibition that Barbara Haskell organized at the Whitney Museum of American Art in New York, and while the accompanying catalogue indicates that the painting is one of the 1911 — 1912 canvases that Bluemner reworked in 1916 — 1917, it does not identify the earlier painting as the one that was in the Armory Show.

The exhibition contained 65 works and was presented in Galeries Nationales du Grand Palais, a prestigious space that was slowly becoming receptive to contemporary art.

For her exhibition with Gavlak Gallery, Tompkins is showing works that range from early sketches for paintings to now iconic «Cunt» paintings that in a more abstract manner recall Courbet's «L'Origine du Monde».

The only artist in this exhibition that I don't know is Frank Stella, but I knew his work, and Ralph Humphrey was an artist that I met a few times.

Labor intensive doesn't begin to describe the technique New York - based artist Stephen Dean uses to create the large - scale «Crossword» watercolor compositions featured in this exhibition of recent works.

Apsara DiQuinzio, our Curator of Modern and Contemporary Art, and Phyllis C. Wattis, MATRIX Curator, has a number of wonderful small - scale MATRIX shows in the works, and we are doing several borrowed solo exhibitions that are emblematic of the kind of art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 2017].

Lesley Heller Workspace, New York, NY Claxons (four - person exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY

The Daily Telegraph's review of Tillmans's critically acclaimed solo exhibition at Tate Modern in London in 2017 described how the work «broadcasts his questing, restless desire to innovate and do things differently.»

In 2011, Thomas did a residency at Claude Monet's home in Giverny, France, and the works inspired by her time there are featured in this exhibitioIn 2011, Thomas did a residency at Claude Monet's home in Giverny, France, and the works inspired by her time there are featured in this exhibitioin Giverny, France, and the works inspired by her time there are featured in this exhibitioin this exhibition.

I did not learn much about «Burroughs in Tangiers», but our discussion circled around various works in Dalwood's studio due to be shipped out for his solo exhibition at the Centre PasquArt in Biel.

The foundation's support has been particularly meaningful for us, since it recognizes the hard work BURNAWAY has done to support and promote artists in and from the South, from providing valuable exhibition coverage and taking readers into artist studios to offering professional development workshops, lectures, and visiting critic residencies.

an exhibition curated by Nick Tremley, originating at Pace London, focusing on works done in the spirit of Mingei, or «people's art,» folk art, a Japanese philosophical and aesthetic movement conceptualized in the 1920s by Japanese theorist Sōetsu Yanagi.

Ursula von Rydingsvard does much better in Madison Square, but she has to compete with large screens for live action from the U.S. Open, and I shall return to her work in context of her gallery exhibition opening in September.

This exhibition proposes what has never been done and that is to understand and re-examine the work of artists to whom vastly different philosophies have been ascribed and yet whose works resonate together in visual conversation.

If you didn't see those exhibitions last year, then you really must not miss «Soul of a Nation: Art in the Age of Black Power,» works by 60 of America's finest African - America artists from the 1960s to the 1980s.

«We decided to do more of an introductory exhibition that will let people get to know my work,» he told me through his translator who works regularly with the artist Xu Bing in Beijing.

It's surprising to note that the Museum of Modern Art's upcoming exhibition of work by Tarsila do Amaral — Tarsila, as she is known in her native Brazil — is the first US show solely devoted to perhaps the most important artist in the history of Latin American modernism (11 February — 3 June 2018).

A number of works in the exhibition were included in the Hirshhorn Museum's acclaimed retrospective this past fall in Washington, D.C., which did not travel.

Naturally, the international exposure of his work, widely exhibited in galleries and institutions such as Galerie Jeanroch Dard (Paris / Brussels), Rod Barton Gallery (London), Berthold Pott (Cologne) and in collective exhibitions at the Musée Musée Départemental du Sel (Marsal), Centre Georges Pompidou (Paris), BWA (Wroclaw) and Autocenter (Berlin) is considered, but also his role as a curator in several projects.

While one team at United Talent Agency is working to develop a feature - length motion picture about Kurt Cobain's life, Mr. Roth is planning to «create a touring exhibition that really tells the story of who Kurt was through artworks, personal artifacts and memorabilia, sort of like what the Rolling Stones did in London.»

Nick did an exhibition with us back in 2010 that featured his hyper - detailed futuristic universe of robots fighting, playing and working together in wildly colorful paintings on wood.

Gormley's work has been widely exhibited throughout the UK and internationally with exhibitions at Forte di Belvedere, Florence (2015); Zentrum Paul Klee, Bern (2014); Centro Cultural Banco do Brasil, São Paulo, Rio di Janeiro and Brasilia in Brazil (2012); Deichtorhallen, Hamburg, Germany (2012); The State Hermitage Museum, St Petersburg, Russia (2011); Kunsthaus Bregenz, Austria (2010); Hayward Gallery, London, England (2007); Malmö Konsthall, Sweden (1993) and Louisiana Museum of Modern Art, Humlebæk, Denmark (1989).

His work has been included in many group exhibitions, including It's Gon na Be Reverything, Paragraph Gallery, Kansas City, MO (2008); Palace Does Dallas, Road Agent, Dallas, TX (2008); Nexus Texas, Contemporary Arts Museum Houston, TX (2007); An Introduction to Mountain Making, Okay Mountain, Austin, TX (2007); Me Odio y Quiero Comprar, Galeria Enrique Guerrero, Mexico DF, Mexico (2007); and Making It Together, Creative Research Laboratory, Austin, TX (2006).

Fontana Contended in the Late 1930s Helen Molesworth: Don't Look Back: Eva Hesse's Early Work Andrea Rosen Gallery is delighted to present an exhibition of oil on paper works by Willem de Kooning, «baroque» ceramic sculpture by Lucio Fontana, and Eva Hesse paintings from the 1960s.

Both spaces for temporary exhibitions draw on the permanent collection, as does a small alcove in modern art for work by women.

His exhibition Gerhard Richter: Lines which do not exist, 2010, which opened at The Drawing Center, New York, showcased the artist's works on paper for the first time in the United States.

Your upcoming exhibition is framed as «working within the parameters set forth by the structure and progression of Palermo's installation...» How did you and Øvstebø navigate working within Palermo's parameters in the context of the Renaissance Society's distinct space?