Sentences with phrase «works of other artists into»

Investigations relating to the various issues involved will take works of other artists into consideration.

Not exact matches

I'm a martial artist wanting to insert a routine like this into my mornings before work, but making a little bit of time every morning is so much easier to be consistent with than wrenching an early - morning wakeup time back an hour every other day.

The event marks the first time The Tenth, which has purposefully maintained only a print edition, has published content online and is exemplary of how INTO supports the work of other queer artists and publications.

It gets a 3 because you can tell the environmental artists put a lot of work into the game, the gameplay itself is copy pasta'ed from other games, the story is SJW tripe and boring as heck.

Like those other films, Gallery is divided into a series of segments highlighting different aspects of the institution: the tour guides explaining a work or an artist; the craftsmen and women building frames, gallery spaces, designing and testing lighting; restorers at work fixing paintings damaged by time; and administrators debating the best ways to persevere the museums brand and grow its audience.

Collaboration, planning and reflection processes are built into TACs, allowing teacher and artist teams time to learn about and from each other, design an integrated unit of study, work together, and assess progress.

Even though he hired others to do much of the work, Valadez was an artist in his own right, a visionary who elevated lowriders from mere custom cars into works of art.

I imagine it it does well, we'll see it for other devices in time, but I'm surprised by some of the reactions - getting the artists of Naruto, One Piece and Ouran Host Club to all sign onto digital editions must of take a lot of work and negociating with Shonen Jump Japan's editorial and Hakuensha [who did dip their toes into digital in the past with that english digital manga site that closed that they were involved in, mind you]

One of the most intriguing techniques that Jojo incorporates into his work as an artist is a water - pressure - inflation technique, which he uses to shape metals into one - of - a-kind pieces of art, including wall sculptures, chairs, coffee tables, and other pieces of furniture.

While many artists make direct use of their collections for research and study purposes — sometimes incorporating individual items into their own work — others keep them under wraps or in storage.

There are a lot of artists who are selling their art online for free, without paying a management fee or doing other things, but they have more than paid for it in other ways: sleepless nights spent working on their Web site, hours spent learning how to upload high resolution images, use social media to gain a following, and write effective copy so that your visitors turn into buyers.

She describes Jim Ede's original collection as «a comprehensive history of British modernism, an education at every turn», and has created a series of new works in response, as well as incorporating other artists into the arrangement, including Robert Mapplethorpe and Nicholas Byrne.

The museum describes Edwards thus: «A truly international artist well before the advent of today's global art world, Edwards has brought his experiences of other cultures and languages, particularly those of Africa, into his work, to explore the varied ways that art can forge bonds of connection and kinship.»

Investigation into new platforms for preserving cultural legacy and archiving artists» work Artist Trust is in discussions with libraries, museums and other institutions about the best ways to gather, secure and share the legacies of Washington State artists, from original artwork to cloud - based archives.

... [snip much amazing thinking and description of great artists and their work]... Greg Allen's Destroyed Richter Paintings channel the elder artist's own private documentary images back into the photo - based painting feedback loop he once deemed «photography by other means.»

It is a celebration of Stella's collaborative relationship with Tyler and his team over five decades, a collaboration that Tyler describes as standing out from all other artists: «A close look at his printmaking reveals a slow and timid start in the early 60s that culminated into an explosion of scale, colour, texture and bold imagery of The Fountain work.

Some of the artists mine popular culture to produce scathing or defamatory indictments of consumer mores; others take the moral corruptions of public and political acts as their defamed subject; and others practice détournement — using elements of well - known media to create new work with a different or opposing message — to elevate injury and injustice into the realm of high art.

Throughout 2016, major museums around the country announced acquisitions of works by black artists, bringing into their collections works by Njideka Akunyili Crosby, Sam Gilliam, Wadsworth Jerrell, Alma Thomas, Mickalene Thomas, Kara Walker, and Marshall, among many others.

Mind and Matter and these other exhibition and incidental installations of individual works are part of an ongoing initiative among women curators at MoMA to delve deeply into the permanent collection in order to find out what works by women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's Fund.

When invited to create a retrospective of her sculptural works, Janine Antoni preferred to ask herself what her works would look like when interpreted by other artists and translated into movement.

To highlight the importance of exchange for Rauschenberg, this exhibition is structured as an «open monograph» — as other artists came into Rauschenberg's creative life, their work comes into these galleries, mapping the play of ideas.

Roth and his co-collaborators have developed an open source application that works with iPhones and others to capture the movements of graffiti artists and digitize the motion - rich styles into -LSB-...]

The works are organized thematically into groups including self - portraits, portraits of fellow artists and intimate scenes with family and friends, among other genres most practiced by women artists at the time.

Efforts to collapse the barrier between art and life during the past half century are often associated with the material innovations of artists such as Robert Rauschenberg — with his rejection of notions of mastery and craftsmanship and insistence on bringing everyday materials into his work, like his bed, the morning newspaper, or an old tire — and the enactment of ordinary daily rituals like eating and drinking in the «happenings» of Allan Kaprow and others.

If you are interested in the work of certain locally exhibited artists, you may look into their other exhibitions abroad.

Perhaps the most surprising work of this trio and the one that looks the most disconcertingly new — as if painted by a young zombie formalist feminist artist — is «Voyage,» in which appliquéd bits of textile melt into the surface while other textile patterns appear as silhouettes, not literally collaged on but, rather, spray - painted.

Why put more effort into the work of other artists?

Each artist incorporates their cultural background into their current work in unique ways, some producing work that clearly shows the resonance of their origins; others creating pieces that express ideas, even controversial ideas, about their roots, and still others are working in new and utterly original forms.

«The other exhibition spaces always take my works down in the end,» says the artist while climbing from floor to floor up to the roof of the museum, turning switches on and off, and thereby setting her kinetic sculptures into motion.

Using the plastic - molded tops of battery - operated remote controls and other common electrodomestic equipment, enlarging them to a giant scale, the artist combines these found objects into sculptural compositions that recall the work of Anthony Caro.

He has also seen tens of thousands of exhibitions, filtering these into his own curatorial projects (which started with a show in his student kitchen during art school) that he now carries out at artistic director of London's Serpentine Galleries, as well as through various other outlets that include 89 +, a joint initiative with Google and Swiss Institute director Simon Castets to showcase work by artists born after 1989.

Other spectacular works display the imagination of Hong Kong artists, such as Amy Cheung's full - size wooden toy tank, which visitors can climb into and operate, and Adrian Wong's large - scale animatronic soft sculptures.

The works on display are: 432Hz (2009 - 2014), a wooden shell that contains honeycombs; Vorkuta (2003), a refrigeration chamber where the temperature of -30 °C contrasts with a chair maintained at a constant +37 °C by an internal thermostat; Mindfall (2004 - 2007), a container which contains a chair and tables, on which 21 electric motors turn on intermittently, one after the other, creating a sort of musical composition; Untitled (2003), a small iron room crossed by blasts of hot and cold air channelled into the space by powerful fans; and Sub (2014), a new work specially created for the exhibition at HangarBicocca, an assembly of aluminium and glass display units which the artist originally designed to exhibit her Inner Disorder (1999 - 2001) series of drawings.

That work, and several others, found its way into 2008's inaugural exhibition of «30 Americans,» a group show that the Rubell's Web site claims focuses on «the most important African American artists of the last three decades.»

Additionally, New York — based artist Jaime Isenstein (b. 1975)-- whose video work was recently brought into the Hessel Collection — will present a durational performance in the Museum (April 13, 1:00 — 4:00 p.m.) where she transforms herself into the arms and legs of a wingback chair, further exploring her interests in magic acts and other old - time entertainments.

Using materials that felt familiar from use - scraps of fabric, wood, string, wire, pieces from children's games, printed labels and other discarded items - artist and Holocaust survivor Hannelore Baron (1926 - 1987) constructed intimately scaled works that offer glimpses into history, the human condition and the artist's past.

Some artists dig deep into photographic materials as though searching for the locus of memory, while others incorporate found snapshots into their work as virtual talismans of recollection.

In 2007, film critic Jonathan Romney described Starr's new silent film Theda: «In a 40 - minute black - and - white film Theda British artist Georgina Starr, best known for her series of works inspired by the 1965 thriller Bunny Lake is Missing, pays tribute to this stormiest of divas and undertakes an archeology of gestural art of the silent - era actress (Theda Bara), drawing on the styles of several other now forgotten grande - dames, such as Barbara La Marr and Maud Allan... the film is divided into three parts «prelude», «act» and «epilogue»... but «prelude» is the real coup: in a long single take, Starr runs through the codified expressive repertoire of the Theda - era performer with such precision that any ironic distance evaporate.

His interest for three - dimensionality and abstraction led him to incorporate into his works systems used by artists like Dan Flavin and Donald Judd, such as basic forms, grids and other superimpositions of materials, especially two - way mirrors.

Later we would run into each other, but it was because of his Declaration that I was more interested in Lawrence's work than that of other conceptual artists.

Other artists involved, including Keith Coventry, Anish Kapoor, Antony Gormley, Roger Hiorns, Simon Starling and Richard Long, show works that provide original insight into the theme in a continual interrogation of the body and the void it inhabits.

Andy Warhol is the best - known practitioner of appropriating images from popular culture, but his work focused mainly on reproducing images; whereas artists like Marisol Escobar, at the same time, incorporated objects bottles of Coke and other consumer items directly into their works.

Céline Condorelli is an artist who works with architecture, combining a number of approaches from developing structures for «supporting» (the work of others, forms of political imaginary, existing and fictional realities) to broader enquiries into forms of commonality and discursive sites, resulting in projects merging installation, exhibition, politics, fiction, display, public space, sound, writing, and whatever else feels urgent at the time.

It's clear that she is moving into new terrain, and at the same time she is looking backward, releasing My Photo Album, a new book of photos taken of the artist in the years before she hit the big time with headline - grabbing works like My Bed — in other words, back when she was young, full of talent, and a far cry from what her conservative culture deemed respectable.

Produced over a quarter of a century beginning in 1964, the maquettes offer a unique view into the sculptor's creative process: some illustrate the origins of compositions for monumental works, while others document ideas not realized ultimately in large scale or provide fascinating examples of early sculptural ideas that underwent significant transformation as they emerged as full - scale sculptures in the exhibition chronicle Arneson's evolution as an artist and the development of his freewheeling creativity and prodigious imagination.

The exhibition includes two series and, for the first, Kennon composed mid-sized prints that put work of other artists, including John Baldessari, Franz West, Sherrie Levine and Wolfgang Tillmans, into curated conversations with each other.

Everything falls faster than an anvil expands this reading to look at contemporaries from this period, as well as artists working today; who take the things of everyday life, the clichés of popular culture, and twist them into the other - worldy.

Moran uses this technique to infuse the work with greater detail than other monotype techniques used in his other artworks.His work strives to «capture a moment of an experience and to draw the viewer into a feeling of intimacy with that moment,» Moran writes in his artist statement.

This sentence could fit into a somewhat lazy review of a Ryan Trecartin piece, or any other number of world famous working artists.

An artists and art dealer from Bergamo, Arzuffi has been so fascinated by the allure of the place that he decided to move his business into the premises, and to create a gallery for both his and other artists» work.