Sentences with phrase «works on canvas out»

The installations take her work on canvas out of the studio into a larger context in which she can isolate certain specific concerns.

Not exact matches

Over the last few years, Adams has been working on a series of paintings that feature bold chevrons running across the canvas, or diagonal lines radiating out from a triangle anchored to the bottom of the canvas.
Speak, breathe, prophesy, preach, get behind a pulpit, mark exam papers, run a company or a non-profit, clean your kitchen, put paint on a canvas, organize, rabble - rouse, work the Love out and in and around you, however God has made you to do it, just do it.
She gathers up the scraps of pie dough, scrunches them together, and then rolls them out into a level canvas on the steel work surface.
I don't know what's «industry standard practice» for fine art galleries these days, regarding pricing works on paper vs. works on canvas, but my suspicion is that the reason for the * historical * difference between the two is that works on paper are perceived to be less «serious» (after all, watercolor started out as a quick way for oil painters to sketch out drafts), and less long - lasting (historically, a lot of watercolors were fugitive, and tended to fade with time, unlike varnished oil paintings).
the interview was very informative and it makes good sense to approach selling art with a good business mind, I felt relief as I enjoy both the arts and commerce skills and see that selling is an art and an artist should not have trouble in designing a path that will work out sales special interest groups in other social networks this is just another journey a new color on the canvas I can do this thanks Cory your channel has been an inspiration I printed and sold 6 prints the first time I pitched I was selling prints of my work all with in a week end among friends I have now professionally digitized my work for reproduction online and want to offer a nice web gallery and this is where it's scary I'm an artist not enjoying computer mode I moved from an area with an art culture in Cincinnati to rural where artist is odd man in town so this is nice chatting with creative people thank you to Melissa for her uplifting input as well blessings to all
Work out where your still life should sit on the canvas by trying different things out, and keep a rag next to you to wipe off any lines you don't want.
Hansa artists» works represented in the Grey show include Jane Wilson's Portrait of Jane Freilicher (1957), an oil on canvas merging abstraction with figuration, and Jean Follett's Many - Headed Creature (1958), a piece that recreates a fragmented body on a wood panel out of junk and found objects — a light switch, socket cooling coils, a window, a screen, nails, a faucet knob, mirror twine, cinders, a caster, springs, and rope.
Margaret: I rarely make more than idea sketches, but do draw it out in pencil on canvas first when working perceptually.
Michael Raedecker has worked from this bland utopia for years, picking it out in thread on monochromatic canvases.
She uses odd humor, interior logic, and palimpsest - like surfaces — evidence of her working everything out on the canvas, to create paintings of abstract characters in imaginary worlds.
You never thought, «Oh, this is an idea that I could work out on canvas
Executed only a few months before his death, the work shows Warhol in the signature peroxide fright wig of his late career, staring starkly out from the canvas in an emotionally arresting vision that confronts the reality of time head on.
Among the very large works are BK - 002 (2006), image above, BL - 060 (2005), a twelve - foot wide blue ballpoint pen work on canvas that suggests the solid mass of a hill suspended above or dissolving into nothingness, and BL - 071 (2005), a similarly massive work that offers up another motif common to Lee's works on canvas and paper — a field of seemingly vibrating forms appears out of an expanse of markings.
Commonly working with the canvas laid out on a table in front of her, she painted at such close quarters that it was almost impossible for her to see the whole picture while she worked.
In Red Figure, 2017, acrylic on canvas, 122 x 152 cm, the last work completed, a naked female figure in strong red hues, casually seated with a strong poise, holds out her arm with a decapitated male head in the palm of her hand.
Of the themes that define my waking hours and whose influence is undeniably woven into in the work, the most palpable one, playing out on the canvas of late, is an obsession with time — as a resource, as a thief, as a constant shadow.
Her work is full of thighs, bellies, wounds, surgeries and corpses, spread out on monumental canvases in thick oil and murky charcoal.
The 1951 three - panel White Painting is believed to have been painted over almost immediately as Untitled [matte black triptych](ca. 1951, fig. 2).6 In fact, there is no exhibition history or any other evidence to indicate that White Painting [three panel] was extant between 1951 and 1968; 7 in those years, most of the original White Paintings had slipped out of existence, their canvases used as the supports for other pieces.8 Though artists throughout history have created new works on used canvases, Rauschenberg did so with an unusual frequency and ease, particularly in the early 1950s.9 Looking back at that period some ten years later, he commented, «Today I wouldn't do that....
In the large enamel and oil on canvas, Number 7, 1952, one can see not only a head, but also Pollock's own footprint in the upper right corner, and the exhibition catalogue points out that Pollock's re-engagement with more overtly figurative work may have been due in part to his time staying at Ossorio's home.
In contrast to many of his contemporaries who were moving out of the studio and away from painting, Quaytman remained committed to working on canvas and to pushing the modernist idiom in a new direction with monumental shaped canvases that demonstrated his unique vision and style.
Back in New York in 1953, he made paintings out of substances as varied as gold and dirt, returning to paint to work, this time, primarily in red on canvas enriched with fabric swatches, newspaper, and bits of wood.
Everything Will Work Out in the End, If It Hasn't it's Not the End, 2016, hand - dyed canvas, rope, oil on canvas, 55 x 46 x 26 inches
Even in his abstract paintings, when he abandons geometry and stylised elements and spreads out the paint on canvases in an «illogical» way, it is possible to recognise shapes and patterns that have always characterized his work.
Her initial representational painting would be done from life, out in the open air, then she would take the canvas home to her studio and work over it so that it took on an emotional resonance — something she described as: «that memory or dream thing I do that for me comes nearer reality than my objective kind of work».6 She painted on canvas with a very fine weave and coated it with a special primer to make the surface extremely smooth, blending one colour into the next, making sure that the brushstrokes were invisible.
But walking through this retrospective, I was entirely convinced by these familiar works with their sequinned outlines of figures and bead - effect dots marking out subjects, densely patterned designs on canvases supported by shiny round elephant turds.
«One of the goals behind Vitality and Verve is to spotlight artists who are stepping out of their studios to paint on a grand scale using outdoor walls as their canvas as well as urban artists who are beginning to work in a traditional studio setting.»
A lot of the artists who I looked at while I studied — Charline von Heyl, Amy Sillman, for example — talk about painting as an open process, where the finished piece is a result of ideas that are worked gradually out on the canvas.
Other highlights of this auction include Lot 20, «Duridium,» a 26 - by - 36 inch magna on canvas, dated 1964, by Roy Lichtenstein (1923 - 1997), estimated at $ 600,000 to $ 800,000, which sold for $ 607,500; Lot 21, «Ileana Sonnabend,» a 1963 metallic paint on canvas, 77 3/4 - by -128-inch work by Frank Stella (b. 1936) that has a high estimate of $ 600,000, and which sold for $ 684,500; Lot 29,» Evening in the Studio,» a monumental painting that out - Rubens Rubens by Lucian Freud and has an ambitious high estimate of $ 3,500,000, and which sold for only $ 2,422,500; Lot 30, «Lying Figure,» a large, interesting composition by Francis Bacon (1909 - 1992) that has an ambitious high estimate of $ 2,500,000 and is starker than his more painterly small works, and which was passed at $ 1,600,000; Lot 35, «Bedouin (Personage Gris et Rougeatre),» a great Jean Dubuffet (1901 - 1985) painting that is conservatively estimated at $ 700,000 to $ 900,000 and which sold for $ 992,500; and Lot 46, «Aux Bons Principes,» a more colorful but not as strong Dubuffet that has an ambitious high estimate of $ 3,000,000, and which sold for $ 2,202,500; and Lot 63, an untitled, large painting by Sigmar Polke (b. 1941) that has a mysterious, luminous and mystical sense of a great mountainscape by the Sung Dynasty masters of China and has a conservative high estimate of $ 300,000, and which was passed at $ 150,000.
In the film Schnabel remarks: «I started to use different kinds of materials because I was looking for some kind of new way to paint... working with things that already exist affords you associations that are beyond your invention... I see opportunities everywhere as paintings, in images that already exist, in surfaces that will repsond to paint a certain way, or it might come from an accident... I realized a picture could be the architecture of a painting... so I would select thigns that already had pictures - images of things impregnated on them - and then I could treat them as a blank canvas... let them inform what I was doing and make me react to what was there and come out with a hybrid painting... it has a much to do with reacting rather than acting.»
In his Number Structure works Nakamura graphs out number - structure patterns and calculations on canvas and paper to be presented as art.
His current work is an exploration of feeling, memory and a unique vision laid out on canvas in a style which is both original and inviting and offers a fresh, new look at color and form.
His allegiance to the stretched canvas was so unlike anything else shown in France at that time — an era dominated, in terms of avant - garde painting, by the Supports / Surfaces dogma of the loose canvas (la toile libre, literally the «free» canvas, freed from the stretcher)-- that he exerted a powerful fascination on younger painters even though they could barely figure out his work.
Almost instantaneously, there was a realization that Schnabel and Salle's work was coming out of Color Field painting — they used stained canvases, but they placed images on top.
«Trying to figure out who I am and my work is trying to understand systems,» says Julie Mehretu, shown working with her assistants in Berlin on seven large canvases for a show at Deutsche Guggenheim.
Wightman's abstract works are simpler, with the colours and forms worked out first in small modelli on paper; his landscapes are originated from found images, sketched in Photoshop and then transferred as cartoons to canvas before collaging and painting.
Whether painting in plein air, or working in the studio, I set out each day on a journey to bring the subtle contrast of light and dark onto my canvas through the use of oil paints with a mixture of brush and knife.
Complex underlying structures caused the canvases to bulge or reach out along the wall or into the room; a sequence of 12, gradually changing forms was based on the pages of a calendar from which successive pages had been torn; and finally, in work from 1972, the architectonic quality of the paintings was discarded in his Kite Paintings, in which unstretched, painted canvases were suspended from rods and interrupted by cords and threads hanging off and passing through them.
That's how he embarked on a strain of pure painting that seemed quite radical at the time: working with a prestretched canvas and unmixed oil paints, and figuring out his composition as his brush moved across the canvas.
Starting out with painting, Toivonen worked with different techniques, such as oil and charcoal on canvas and chalk on chalkboard, eventually experimenting towards a more conceptual outcome, using him self or a dead animal as means of painting.
Dorothy Iannone, «Let me squeeze your fat cunt,» 1970 - 71, acrylic and collage on canvas, 74.8 ″ x 59.1 ″ In Time Out, Howard Halle reports that the freshly resurrected career of Dorothy Iannone, born in 1933 in Boston and currently living and working in Berlin, is a good example of an older, underappreciated artist who benefited from... read more... «Dorothy Iannone's career: «A long time coming»»
In the continuity of his work on urban architecture and perspective, Thomas Canto, goes out of the frame with lines that escape the canvas, creating works halfway between painting and sculpture.
As in the past, he works on his canvases flat, spreading out the paint with the aid of spatulas or scrapers over a base of wet rabbit - skin glue, the drying time of which determines the duration of the piece's execution — a few hours at most.
Cutting out the edges of dollar bills and placing them in overlaid pattern against his canvas, while affixing an empty till at its center, the artist is commenting on the work's use - value in society.
His sensitive and humorous observations of life's little moments were played out on various sized works including a 12» x 8» canvas that contained such milestones as his wedding, a cousin's funeral and a bizarre morning commute in which a fire blazed outside the window.
These works appear to coalesce in a series of paintings on unstretched canvas where the corners protrude out and become sculptural.
When, during the production of the wall painting, black acrylic dust spread around the room, Czerlitzki caught it on white - primed canvases, thus generating the so - termed ««dust pieces» out of a side - product of the wall - hung work.
«Inside Out» will include a selection of 16 to 18 Deborah Buck's works on paper and large - scale oils on canvas.
«BASQUIAT: The Unknown Notebooks» @ Brooklyn Museum Brooklyn, N.Y. Rife with doodles, fragmented phrasing and recurring motifs, Jean - Michel Basquiat «s famous works often look like he was working his ideas out on the canvas.
Prince even went a step further (as expected)-- after being kicked off the site for posting his infamous work from 1983's series Spiritual America, featuring 10 year old Brook Shields posing naked, Prince re-emerged on the site by printing out postings from celebrities on canvas, re-photographing them, and posting them anew to his own feed in his own twist on the #regram, turning his Instagram account into a conceptual art project.
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