Sentences with phrase «works on most surfaces»

The internal laser sensor works on most surfaces, and is easily portable, fitting into almost any laptop bag.

Not exact matches

The idea of entrepreneurs working in glorified garages trying to solve one of the most ambitious problems in physics sounds absurd on the surface.

While we may be on the cusp of change, most large company compensation committee members don't have more than a surface understanding of how their decisions to squeeze worker pay affect the economy, their businesses, and the lives of the people who work at the companies they represent.

Studies show the most significant factors in the development of shin splints are a sudden increase in work load and / or speed, and working on uneven surfaces.

-- Category: Special Diet — Meet the blogger: Keen gardener, writer, and mother of four Chris — Why we love it: Family - friendly veggie recipes, most of which can be cooked in 30 minutes, «with a toddler on the work surface, an older child moaning, another one asking for homework help and yet another needing to be picked up»

Working with researchers at Zhejiang University in China, Changxi Zheng, assistant professor of computer science at Columbia Engineering, has developed a technique that enables hydrographic printing, a widely used industrial method for transferring color inks on a thin film to the surface of manufactured 3D objects, to color these surfaces with the most precise alignment ever attained.

«Experimental work has shown these scratches were most likely produced when a stone tool was used to process material gripped between the anterior teeth and the tool occasionally struck the labial face leaving a permanent mark on the tooth's surface,» Frayer said.

But though the Uhlirs» electropolishing method worked well most of the time, their samples were sometimes ruined by a thick black, red or brown film which appeared on the surface of the material.

These artifacts are bifacially worked (chips removed from both sides of the original rock), creating sharp edges on most surfaces.

Dr. Justin Marchegiani: Yeah, I've seen it work phenomenal and I find that, you know, a lot of your conventional psychologist, psychiatrist or a way author, typically more just in the drug interventions but most of the psychologists, they're just only working on the conscious mind, just the talking, and I feel like these type of therapies really get below the surface like you said.

keep up the good work that is a grreat time most people i talk to don't get that close i don't no how old you are and what your goals are, but i'm 48 and thats what i'm doing on a hilly road surface actually around 40 min.

I am actually obsessed with the Dyson vaccuum (don't judge me...); it is the most deep cleaning vaccuum I've ever used, gets even the most microscopic dust, and works on all surfaces without changing the vaccuum head (it actually figures out what surface you're cleaning and adapts!)

Begoun explains that this avenue of treatment has only been minimally explored to date — not to mention, most skincare products are intended to work their magic on the surface of skin.

Jacobson carries most of the movie on her shoulders, displaying a strength that's always bubbled just beneath the surface of her comedic work on «Broad City.»

The Passat is competent on most road surfaces, the steering, brakes and suspension all work together to provide unflustered progress although those looking for that engaging driving experience that higher - tier German sedans are known for will walk away disappointed.

Just like the most recently released Surface Pro, this budget tablet also won't include a keyboard cover over stylus in the box, though Microsoft is reportedly working on a cheaper version of these accessories.

PC users who are looking to buy their first tablet and who have no preconceived notions of what the experience is like on iOS or Android, should be fine with the Surface 2 provided they understand that none of their Windows XP, Vista and Windows 7 software will work on it and that they need to find Windows RT compatible versions of their most used software.

Electrostatic dust mops work well on most other hard surfaces.

Elevate works differently enough from most programs Americans are familiar with that it looks like a bad deal on the surface.

For the most part these buttons work well and are responsive; however, I did find landing on the edge of surfaces didn't always line up with the image on the screen.

Why it would have worked: Although it was the most satisfactory of THQ's games for their uDraw tablet, Pictionary was frustrating because it is so hard to draw on one surface and watch the results on your TV; being able to use the Wii U controller as a true drawing pad would have made this game so much better.

The 82 - year - old painter, who has lived most of his life in northern France near the Belgian border, has pursued his distinctive if somewhat conservative painting style for at least three decades, working for months and sometimes years on canvases whose paint surfaces are so obsessively thick that their images — mostly nudes, heads and still lifes — are virtually obliterated.

Challenging the set traditions of oil painting, works in this series articulate on the essence of working with the canvas and utilizing the limitless possibilities of the surface in the most unrestrained manner.

A painting may begin in a traditional sense, with a few strokes on canvas, then become whitewashed, sanded, thrown on the ground to collect spills from another project, whitewashed again, and so on, up to at most 15 times before a surface is built, and the work is deemed finished.

Perhaps the most surprising work of this trio and the one that looks the most disconcertingly new — as if painted by a young zombie formalist feminist artist — is «Voyage,» in which appliquéd bits of textile melt into the surface while other textile patterns appear as silhouettes, not literally collaged on but, rather, spray - painted.

When I'm up close and I'm painting on a big surface, I'm just absorbed in the most technical of things and then I sit back and think about the work, look at it.

Most of this work isn't overtly political on its surface — there is Henry Taylor's monumental 2012 portrait of a woman grilling chicken on a barbecue, or Celeste Dupuy - Spencer's 2016 painting of a man making a playlist on his laptop, a cigarette - filled ashtray in front of him.

Vuillard's interest in patterned surfaces and domestic intimacy led him to produce many of his most compelling works around 1900 in two radically different formats: on the one hand, large - scale paintings, conceived as decorative ensembles and commissioned for private, domestic spaces; and, on the other, intimate color lithographs, produced in series and destined for broader circulation.

In contrast to other Abstract Expressionists, most notably Robert Motherwell, Richard Pousette - Dart saw prints as a beginning, a surface to work on.

In his most recent work, since the 1990s, he has embarked on numerous series with a remarkable variety of surface effects.

Here are a few of the most significant works on paper to surface at auction in recent years.

Most of the works on view in «Suspension of Disbelief» incorporate the use of cracked surfaces, but a few do not and allow for a deeper consideration of her process and the paintings.

Most of her images, like Web # 1 1999, are painted or drawn very close to the edge of the surface she is working on and seem to extend beyond the frame of the image and into the space occupied by the viewer.

Although my work doesn't look on the surface much like his, I think he taught me about using iconic signifiers and figures that I could project myself into for emotion and as an avatar in paint (like Scott McCloud describes in his amazing book, Understanding Comics, that we do as comic readers), and create figurative narrative allegories that hopefully resonate deeper than most political cartoons and relate to Goya and other art historical uses of politics and allegory as much as the imagery could relate to underground comics and contemporary worlds.

The figure most often quoted within Verabioff's work, however, is Hannah Wilke whose presence is palpable in the gum «lesions» that populate the surfaces of the show's canvases and works on paper.

Frequently taking on closed in shots of hand painted signage, politically - fueled graffiti, and weathered urban surfaces as his subject matter, Siskind is most known for his mythic compositions that at times bear a striking resemblance to the work of important twentieth century Abstract Expressionist painters.

Isaac Julien is joined by Giuliana Bruno, Professor of Visual and Environmental Studies, Harvard University and author of the upcoming book Surface: Matters of Aesthetics, Materiality, and Media, for a discussion of Julien's prolific and diverse moving - image work, and its active migration from cinema screen to gallery installation in such recent works as Vagabondia (2000) and Baltimore (2003), both of which take as their subject the space of the museum; the immersive video installation Ten Thousand Waves, on view in the Museum's atrium through February 17; and his most recent installation, the seven - screen PLAYTIME.

The exhibition includes 105 works from 1968 - 2008, installed posthumously, on roughly 40,000 square feet of old mill wall surface - the most expansive view of LeWitt's oeuvre in a single space.

His intense reflections on the nature of materials, textures and surfaces lead to the creation of some of his most important works: the sand paintings.

Most recently the marks on the surface of these works have moved from within the frame to the surface of the glass and the edges of the frame.

Höch's early work from the 1920s and early 1930s is by far the most sought after — when paintings from this period surface on the market they are highly competed for.

In perhaps what is his most traditional work, Stripes (2017), an ink on paper work, showcases vertical lines of grey and white moving across the surface of the board, illuminated by a single LED light.

Free Union, one of the paintings in the exhibition, has been described as:... one of Winters's most striking works from this period, irregular fan - shaped membranes floating like apparitions on a silvery, vaporous ground, where bits of rudimentary, cellular matter surface and dissolve.

That probably describes most works of art, but when expressed with an elaborate environment that takes over interior surfaces of a brownstone gallery — that's walls, ceiling and floors on two and a half floors, including stairs and hallways — and dazzles at every turn, it gains force.

The only full - color botanical in the show, and the genesis for most of the works, is the fittingly titled Mutant Generate (Lester's titling is on point, recalling the synthetic nature of her subjects, just as her choice of surfaces, translucent drafting film, is purely manmade).

The large works that have occupied him since 1969 are, in brief: Hubris, commissioned for the University of Hawaii at Manoa, one of Smith's most open and regular pieces to date, which consists of a two - section, 9 - by - 9 grid in black concrete, one half thin slabs at ground level, the other half the same grid raised to 3 feet 3 inches by a four - sided pyramidal module; Batcave, a complex environmental interior designed to «mold space and light» rather than material form, at the Osaka World's Fair, a new version of which will be shown soon at the Los Angeles County Museum; a gigantic triangular sculpture inserted into a Californian mountainside; a labyrinthine water garden for a delta; Smog, a huge new horizontal piece made from the dismantled components of Smoke (which was made for the Corcoran's «Scale as Content» show, 1967); Haole Center, a sunken square «pavement» within a square stone sculpture, with a metal ladder leading down below the earth's surface; two related monumental sculptures on platforms (Arch and Dial); and a flat 81 - block grid proposed for downtown Minneapolis.

Jason Box is one of the most prominent scientists working on Greenland and he has a recent paper reconstructing Greenland temperatures for the period 1840 - 2007 (Box, Jason E., Lei Yang, David H. Bromwich, Le - Sheng Bai, 2009: Greenland Ice Sheet Surface Air Temperature Variability: 1840 — 2007.

My experience in working extensively with temperature measurements and temperature forecasting leads me to believe that our best estimates of global temperature anomalies based on surface measurements have a much larger degree of uncertainty than has been implied by most users of these estimates.

According to Ellen Lupton and J. Abbott Miller in The Bathroom and Kitchen and the Aesthetics of Waste, «her most influential recommendations dealt with the layout of storage units and work surfaces, which she modeled on the assembly line of the modern factory.»

«Prior to our study, it was not known whether the catalysis, which takes place on the surface of the cobalt oxide crystallites, happens at every cobalt center on the surface at the same speed, or whether a subset of cobalt sites does most of the work while other subsets are slow or merely spectators, Frei says.