Sentences with phrase «works on view represent»

Works on view represent, each in their own way, an awareness of current environmental and urban concerns.

With economic use of form, crisp lines, and bright, saturated palettes, the works on view represent the various ways these artists approached hard - edge abstraction and the use of «craft» materials in everyday use.

The powerful works on view represent four major branches of contemporary Chinese art: ink painting, realist oil painting, conceptual photography, and performance and new media art.

Through an examination of ideals of freedom and of the power of collective action, the works on view represent a range of perspectives within a local and global context by artists including: Pawel Althamer, Cyprien Gaillard, Melanie Gilligan, Shilpa Gupta, Susan Hefuna, Yoav Horesh, Sala - Manca, Wolfgang Tillmans, Danh Vo, Lawrence Weiner, Artur Žmijewski, and Natalia Zourabova, among others.

The works on view represent a recently rediscovered series of works from 1981, all inspired by Lipschutz's hometown of Eagle Mountain, CA, an desert Army training ground turned into a Kaiser Steel mining company town before being abandoned for good in 1981.

The works on view represent variations of photorealism.

The work on view represents the late John Coplans's own body — and his most significant body of work.

The work on view represents a new day for Thiago Rocha Pitta as he delves deeper in his investigations of the natural environment and its progressions and subtle transformations.

Not exact matches

To the editors who worked on the book, it represents one of the boldest efforts ever to introduce into the religious mainstream a view of the Bible as a human rather than divine document.

To the editors who worked on the book, it represents one of the boldest efforts ever to introduce into the religious mainstream a view of the Bible as a human rather than divine docu - ment.

We shall return to Jeremias's work on the parables again and again, for it is epoch - making in several respects, but for the moment we want only to call attention to the consequences of this work so far as a general view of the nature of the synoptic tradition is concerned the success of Jeremias's work demands that we accept his starting - point, namely, that any parable as it now stands in the gospels represents the teaching of the early Church and the way back from the early Church to the historical Jesus is a long and arduous one.

To the editors who worked on the book, it represents one of the boldest efforts ever to introduce into the religious mainstream a view of the Bible as a human rather than divine doc — ument.

Throughout 1977 DCS staff, working with the panel, collected data on energy use and production, generated papers representing different points of view on basic energy questions, and held smaller consultations with subgroupings in the larger panel.

This is a good thing, but in the critique of Ralph Winter that David Hesselgrave gave, he referred to Ralph Winter's reliance on Gregory Boyd's view of «microbial evil» and the necessity of kingdom work overcoming the forces of darkness as represented by disease and poverty in war.

It will be found that, in respect to the authenticity of tradition, I have become more skeptical now than I was in my previous work on the Kingdom of God, and that, in consequence, some parts of this book represent a considerable change of view.

Mike Omeg, the 2017 Good Fruit Grower of the Year, will work under Ian Chandler, Orchard View's director of field operations, concentrating his efforts on research and development and representing Orchard View on tours and industry groups.

In that speech (a full copy of which you can view by clicking here), I offered some suggestions on how each of us — whether we be parent, coach, official, athletic trainer, clinician, current or former professional athlete, sports safety equipment manufacturer, whether we were there representing a local youth sports program, the national governing body of a sport, or a professional sports league, could work together as a team to protect our country's most precious human resource — our children — against catastrophic injury or death from sudden impact syndrome or the serious, life - altering consequences of multiple concussions.

A Blue Labour offer would disrupt this consensus and reinvigorate rural democracy, as working rural people finally find their communitarian views represented on the ballot.

He doesn't represent the views of the thousands of youth and seniors and people of all ages who frequent the Bronx Community Pride Center, or the views of the straight and gay Bronxites who work on the staffs of elected officials, hospitals, clinics, community - based organizations, businesses and arts organizations in the borough.

In asking Labour / former Labour supporters of their views on a number of issues they categorised those supporters by asking, «Which of the following do you think best reflects that the Labour Party should stand for»: «anti capitalist»; «representing the working class»; «building a fairer society».

Articles, reports, reviews, and letters published on the CSICOP.org website represent the views and work of individual authors.

This Manifesto represents views of individuals working in the European science system on the actions needed to enhance research and innovation by addressing gender equality issues.

To end on a happy note, 2016 was the year NGA celebrated its 10th anniversary, as it continues to work tirelessly to ensure that the views of governors are fully represented in the national arena.

Even if I, from a personal point of view, am sorry that we won't be working together on a daily basis anymore, I am convinced that every change represents an opportunity.

Works representing «a pan-African sensibility in contemporary art» by American artist Robert Colescott, Ghanaian artist El Anatsui, and British artist Cornelia Parker, among others, will be on view in the last gallery.

In this two - venue exhibition, paintings by renowned contemporary American artist Mark Bradford — who will represent the United States at the 2017 Venice Biennale — will be on view at the DAM, while a presentation of Still's work selected in collaboration with Bradford will be on view here at CSM.

The BMA is also hosting a Wikipedia Edit - a-Thon for entries about African - American artists represented in the BMA's collection, and offering a new self - guided tour of works by African - American artists whose works are currently on view in the galleries.

Participants presented some of the most dynamic recent works from their roster of represented artists, offering an informed view on contemporary art making.

At both venues, works by Los Angeles artist Mark Bradford (who is representing the United States at the Venice Biennale this year) are on view alongside related Clyfford Still (1904 - 1980) paintings that Bradford helped to select.

Dating from 1958 to 1961, the sculptures on view were not the result of some ancillary detour branching off from painting but in fact represent an entire, autonomous body of work.

These works represent examples of the first experiments in video art and include conceptual and feminist performances recorded on video, experiments with the video signal, and «guerilla» documentaries representing a counter-cultural view of the historical events of the 1960s.

The entire show consists of six different chapters, each showing different relation between the body and the space, from a large 8x2 meter charcoal studies depicting football hooligans fighting, four paintings of the skaters in a modern art museum breaking a series of paintings by Ellsworth Kelly, six black paintings representing the infinite space beyond the surface of the abstract paintings, a cast resin sculpture and a drawing of Colonel Kurtz from Apocalypse Now, all the way to the interactive app that allows viewers to interact with the works on view.

The third installment of Prospect, the New Orleans triennial, follows suit with work by 58 artists on view at 18 venues and is further distinguished by three attributes: Franklin Sirmans serves as artistic director; He curates the show with a decidedly New Orleans lens that doesn't lose sight of the global perspective; And most significantly, there are more Black artists represented at Prospect 3 (more than 20) than at any other American biennial - style gathering in recent memory, perhaps ever.

Los Angeles» growing gallery scene was represented by no less than seven spaces: Night Gallery showed the curious paintings of emerging artist Ross Caliendo, while Nino Mier Gallery's booth thrilled with a selection of new sculptures by Berlin - based Anna Fasshauer — hers were some of the most compelling works on view.

The first works in the series were debuted in Douglas's 2016 Hasselblad Award solo exhibition at the Hasselblad Center in Gothenburg, Sweden, and the compositions that will be on view in this exhibition represent a more expansive and nuanced investigation into pictorial abstraction as well as the complex relationship between technology and image making.

A selection of represented and invited artists» work spanning the last decade, across a variety of international locations, will be on view.

In our Viewing Room: A special presentation of three large works on canvas along with a large - scale ink on paper scroll by Pouran Jinchi from the Tajvid series (2009), represented in the collection of the Herbert F. Johnson Museum of Art at Cornell University and the Museum of Fine Arts, Houston.

Each work on view showcases the high quality and innovative spirit that Todd Merrill Studio has come to represent.

Other artists included Jim Dine, who had a one - person show; Renée Rubin, whose Coney Island Pinball (1958), made of aluminum and oil on canvas and wood, is on view; Martha Edelheit, represented by her multi-media painting Frabjous Day (1959); and Rosalyn Drexler, whose one - person show included works made of found objects, plaster, and melted lead.

On view through January 24, Reeder's «Chicago Works» exhibition represents a seismic change not only for the MCA, but for every young artist in the city.

The 63 large - format paintings, reliefs, sculptures, and models on view fully represent each phase of Stella's career, from his work prior to the Black Paintings, to the Irregular Polygons, to the first metal reliefs, to the architectonic designs.

While «Alma Thomas» was on view at the Tang Museum, I spoke to Berry about the forthcoming catalog and the works that would be represented.

The roughly 200 works on view — which represent only a portion of Maramotti's extensive holdings — are chronologically arranged and showcase his favorites «rather than the most expensive or most historically significant pieces,» Dacci explains.

Taken together, the works on view trace the break from inherited notions of perspective, modeling, and subject matter to an approach that placed a greater emphasis on representing emotions, themes, and various abstractions.

The origins of the works on view date to 2012, when MacPhee began a fake fashion line created out of reassembled cheap clothing, representing the comfort sorely needed in fraught times.

The theme that links all the works on view is «the void», a particularly key concern for British sculptor Rachel Whiteread, who is represented by a cast of the negative space around a shelf of books.

Both iconic and emerging art stars are represented: also on view are works of sculpture (Lita Albuquerque, Gisela Colon, Tim Hawkinson, Kaz Oshiro) painting (Sam Francis, Joe Goode, John McLaughlin), and photography (David Hockney, Melanie Pullen).

There is also an opportunity to preview a selection of artists representing countries in the Venice Biennale later in May, from Carol Bove, representing Switzerland, whose work will be on view alongside the photographer William Eggleston at David Zwirner's (New York, main) stand; the seminal artist Geta Bratescu, representing Romania, showing alongside experimental conceptual artist Lia Perjovschi with Ivan Gallery (Bucharest, Focus); and the sound and media artist Samson Young, representing Hong Kong, showing with Galerie Gisela Capitain (Cologne).

Elsewhere in the gallery, works representing the arc of Lawrence's career and the spectrum of his oeuvre are on view.

Works on view span the greater part of 20th and 21st century and represent a diverse approach to sculpture and it's inherent challenges.