Not exact matches
When Schultz
references an education initiative he recently launched, in which Starbucks will cover tuition for its U.S. employees
working more than 20 hours per week who enroll in an online college - degree program from Arizona State University, Tatum asks whether Starbucks considered paying for them to attend
traditional, class - based institutions with proven track records and lower attrition rates, like Spelman.
He taught me a lot about evolutionary medicine and nutrition in general, opened many doors and introduced me (directly and indirectly) to various players in this field, such as Dr. Boyd Eaton (one of the fathers of evolutionary nutrition), Maelán Fontes from Spain (a current research colleague and close friend), Alejandro Lucia (a Professor and a top researcher in exercise physiology from Spain, with whom I am collaborating), Ben Balzer from Australia (a physician and one of the best minds in evolutionary medicine), Robb Wolf from the US (a biochemist and the best «biohackers I know»), Óscar Picazo and Fernando Mata from Spain (close friends who are
working with me at NutriScience), David Furman from Argentina (a top immunologist and expert in chronic inflammation
working at Stanford University, with whom I am collaborating), Stephan Guyenet from the US (one of my main
references in the obesity field), Lynda Frassetto and Anthony Sebastian (both nephrologists at the University of California San Francisco and experts in acid - base balance), Michael Crawford from the UK (a world renowned expert in DHA and Director of the Institute of Brain Chemistry and Human Nutrition, at the Imperial College London), Marcelo Rogero (a great researcher and Professor of Nutrigenomics at the University of Sao Paulo, Brazil), Sérgio Veloso (a cell biologist from Portugal currently
working with me, who has one of the best health blogs I know), Filomena Trindade (a Portuguese physician based in the US who is an expert in functional medicine), Remko Kuipers and Martine Luxwolda (both physicians from the Netherlands, who conducted field research on
traditional populations in Tanzania), Gabriel de Carvalho (a pharmacist and renowned nutritionist from Brazil), Alex Vasquez (a physician from the US, who is an expert in functional medicine and Rheumatology), Bodo Melnik (a Professor of Dermatology and expert in Molecular Biology from Germany, with whom I have published papers on milk and mTOR signaling), Johan Frostegård from Sweden (a rheumatologist and Professor at Karolinska Institutet, who has been a pioneer on establishing the role of the immune system in cardiovascular disease), Frits Muskiet (a biochemist and Professor of Pathophysiology from the Netherlands, who, thanks to his incredible encyclopedic knowledge and open - mind, continuously teaches me more than I could imagine and who I consider a mentor), and the Swedish researchers Staffan Lindeberg, Tommy Jönsson and Yvonne Granfeldt, who became close friends and mentors.
Some policies
reference traditional forms of
works such as articles and textbooks.
Referencing C.P. Snow's «two cultures», he introduced the «third culture» consisting of «those scientists and other thinkers in the empirical world who, through their
work and expository writing, are taking the place of the
traditional intellectual in rendering visible the deeper meanings of our lives, redefining who and what we are.
Editor - in - chief Michael Rundell told Charlotte Williams of The Bookseller, «The
traditional book format is very limiting for any kind of
reference work.
Curators Patricia Spergel and Shazzi Thomas selected artists for this exhibition who
reference garden and landscape in their
work in a variety of ways —
traditional observational painting,
works with subtle satirical and political commentary and paintings that lean towards abstraction.
The four
works — Earth, Moon, Sun, and Hunger — incorporate both
traditional forms and
references to contemporary life: in Moon, for example, a bronze - colored stereo sits atop a metal
work box balanced precariously atop a base made from silvery branches.
Apfelbaum's
work explores the limitations of
traditional disciplinary forms, approaches to abstract representation, and
references to graphic pop cultural imagery.
Painted layer over layer over the course of time, the
works contain
references to
traditional ink painting, modern abstraction and action painting, and contemporary conceptual and minimalist art.
Working against the backdrop of the sexual revolution in the 1970s, many of his self - portraits sought to deconstruct
traditional gender binaries, frequently
referencing Marcel Duchamp's female alter - ego Rrose Sélavy.
She uses
traditional Old Master oil painting techniques to create
works that
reference the past, yet are firmly rooted in the present.
Her use of commercial slatwall panels as an artistic medium for both Crow and Corvette (2011), the latter installed among three
works in the «Collective Conversations» gallery, is a departure from
traditional materials of painting and sculpture, but a clear
reference to Minimalist and Modernist aesthetics.
Leigh's commitment to experimentation with
traditional forms, and her embedding of a multiplicity of historical, social, and cultural
references into her
work, under - scores the necessity of reaching across multiple continuums in order to make an art that is truly by the people and for the people.
Brooklyn artist Andisheh Avini's abstract
works are influenced by a fascinating range of
references, from art history and Andy Warhol to
traditional Persian pattern and craft.
She
references a legacy of
traditional techniques of sculpting, firing and glazing to transform her
works from mere vessels into animated human forms.
While
referencing artists such as Vincent Van Gogh and Marina Abramović, Peili re-introduces the
traditional into her practice, which can be seen through her use of Chinese ink and ancient poetries in some of her new media
works.
From a sculptor's
traditional material, wood, Stephan Balkenhol carves figurative
work that mixes
references and traditions.
Some
works function as containers, while others are conceptual interpretations or representations, merely making
reference to
traditional notions of what constitutes a box.
Finally, Yorgos Sapountzis
works with pictorial prints on cloth, which, similarly to his videos,
reference the
traditional depiction of bodies.
Referencing Mexican craft traditions, the hanging
works, called
Traditional Objects (2010 — ongoing), are used as backdrops in performances by Natural Information Society, an avant - garde music ensemble in which Alvarado plays harmonium and percussion.
Referencing the artist's interests in science fiction, hip hop, science and technology, sci - fi, comic books, Black political struggles and symbols of
traditional African cultures, his
work strives to convey the diversity present in the range of breadth of collective Black diasporic experience both past and present.
The
works are loaded with intelligent political or social commentary, and draw on both popular culture and
traditional narratives as they interweave local and international points of
reference.
Referencing the Swahili sayings or slogans found on
traditional Kangas her series of large paper
works, entitled Kangas from the Lost Sample Book (2011/12), used invented texts that evoke a sense of impending danger coupled with a dogged desire to survive.
Ai Campbell is a Japanese artist whose
work also
references traditional techniques.
The
works to be exhibited are made using
traditional kite - making techniques and employ a wide range of
references to Chinese mythology and Ai Weiwei's own life experiences.
His
works focus on the industrialization of modern China, making
reference to
traditional Chinese ink and landscape painting, as well as Western abstract art and design.
In many cases, the
works reflect idiosyncratic and unexpected viewpoints, while in others the artists make
reference to organized religious doctrine and
traditional iconography.
Their
works are visual koans, meant not to make sense but to awaken sensation.To do so, they create images that have no apparent narrative, no
traditional reference point and perplexing associations.
Her
works are often derivative of her own encounters with natural phenomena,
referencing traditional Chinese landscape painting's push of the pictorial frame into the surrounding environment.»
Art historical
references abound: Dadaism, Expressionsim, Fauvism, and nods to
traditional Scandinavian art, Art Nouveau and outsider art run throughout the
works.
In a
reference to the minor arts, or
traditional crafts and trades such as ceramics and roofing, Theaster Gates extends his consideration of time, place, history and culture in a series of new
works that incorporates the roof of a decommissioned church, the gym floor of a shuttered high school, and an archive of Ebony magazines.
Often making
reference to Italy's history and culture in his
works, he has employed
traditional mediums such as bronze sculpture, mural painting, and mosaic, and often
references Italian Futurism, aiming to connect the present and the past.
The
work on display by female artists indicates the extensive range of the exhibition: Hannah Wilke (who died that year), whose autobiographical
works dealt directly with female iconography as well as the effect of cancer on her own body; the performative, body - based
work of Cheryl Donegan,
referencing both video and gestural painting; the more
traditional yet highly stylised and idealised portraits of Elizabeth Peyton, and the critical performance and media
work of Coco Fusco.
Though many see digital influences in his
works, Hwang's points of
reference are Islamic tiles,
traditional Jewish paper cuts, Venetian lace, stained glass windows and Peruvian Nazca Lines.
Through my
work I use many constructs of
traditional painting, but
work to
reference our relationship to technology.
Referencing middle class purposefulness Wondergem's
work balances between
traditional craft and abstract assemblage.
By incorporating influences from his ethnic and cultural background such as the Xhosa language and
references to
traditional craft, ritual, sexual orientation, gender, and nationality into his
works, Hlobo address the constant shifting and subjective nature inherent in these identifiers.
In her
work Jiha merges the
traditional techniques and materials of her native Korea, such as her use of handmade hanji paper, with
references to global art and culture.
In her
work Jiha merges the
traditional techniques and materials of her native Korea, such as handmade hanji paper, with
references to global art and culture.
Beginning with plaster casts that
reference classical sculpture and
traditional ideals of the body, Servanin inserts plastic bags filled with water into each
work.
The six artists included in New Photography 2009 are expanding the medium by introducing new ways of
working with an image, whether
referencing traditional techniques or exploiting the proliferation of images in our media saturated world.
American painter Frank Stella swept aside the existential angst of Abstract Expressionism with his rejection of
traditional rectangular - shaped canvases and with his refusal to make any psychological or metaphysical
references in his
work.
By
working with industrial materials such as styrofoam and polyurethane, as well as with more
traditional sculptural media like bronze, de Jong deliberately combines high and low cultural
references and materials in quasi-allegorical mashups.
She is a multi-media artist currently exploring a combination of experimental and
traditional media in
work that
references the body and questions contemporary notions of value.
For example, from the Plexiglas circular labyrinth Bamboo Cinema (2001) to the graphite seascape Nocturnal (Neon Miniature)(2011) to the shimmering blue walls of Stacked Waters (2009) in the atrium of The Blanton Museum, Texas, Fernández
references traditional artistic techniques from Baroque - era ceiling painting and conventions of landscape painting to the
works of Land artist Robert Smithson and Minimalist Donald Judd.
References to
traditional Korean landscape painting are evident in the «Mountain» series (Mountain, 2008 / 2009/2011): monochromatic
works composed of horizontal, undulating waves of black or red ink applied to hanji paper in varying densities and shades.
In his
work Escobar uses common and mass - produced materials in conjunction with
traditional Guatemalan artisanal techniques and mythological
references.
Sometimes infused with a sly sense of humor, Pierson's
work is inherently autobiographical; often using his friends as his models and
referencing traditional Americana motifs, his bright yet distanced imagery reveals the undercurrents of the uncanny in the quotidian.
Collishaw will also be showing
works within the
traditional spaces of the Museum including a lightbox image
referencing the narrative of Romulus and Remus as children nurtured by savage wolves, and a new snowdome
work made especially for the Foundling.
Henry Takemoto's (b. 1930) early
works, often large, rugged, fired clay forms, were overlaid with patterns and organic shapes
referencing traditional Asian ornamentation.