Sentences with phrase «works under a display»

In the run up to the launch of the 2017 iPhones, many a rumor suggested Apple was working hard to try and get a Touch ID sensor that would work under a display, before eventually giving up and switching to Face ID instead.

Not exact matches

reproduce, modify, distribute, display or otherwise provide access to, create derivative works from, decompile, disassemble, or reverse engineer any portion of the Services, except as explicitly permitted under these Terms of Use;

Even Thierry Henry famously said about Nketiah after his scintillating display against Norwich: «I worked with him when I was with the under - 18s and I was delighted to see him grab two goals — delighted but not surprised.

On the tireless work ethic all of Liverpool's players displayed to keep their advantage intact and avoid conceding an away goal while under heavy City pressure in the second half, Henderson continued: «That's what our game's all about, working together as a team, everybody, the whole XI.

In the fall of 2004, Anikeeva began doctoral work in optoelectronics at MIT under the supervision of electrical engineer Vladimir Bulović, developing a class of light - emitting devices based on nanomaterials called quantum dots, which are used in displays.

It's a great result for me, because my nails are always under pressure — I do embroidery art, I work with natural (and not always smooth) materials and I create displays all — the — time.

Under federal copyright law, no copyrighted work may be copied, published, disseminated, displayed, performed, or played without permission of the copyright holder except in accordance with fair use or licensed agreement.

Whatever way you use them, this Photo Pack Bundle will be a valuable resource for you Each Photo Pack includes: 1 PowerPoint presentation with 41 slides 1 PDF file with 40 A4 high - resolution images for printing for display 1 PDF file with 40 postcard size images for printing and group work, 4 images per page Included in the bundle are: * Birds Photo Resource Pack * Castles Photo Resource Pack * Construction Photo Resource Pack * Polar Regions Photo Resource Pack * Rainforest Photo Resource Pack * Seasons Photo Resource Pack * Space Photo Resource Pack * Under the Sea Photo Resource Pack Copyright: All photos are copyright free images.

Under the supervision of the Director of Photography, responsibilities will include: • Work with editors and reporters to identify and coordinate opportunities for visual storytelling • Work with staff to research and implement new and creative ways to display photographs online • Utilize social media to promote photographic work to engage and build reader interest • Work collaboratively with Web team, page designers, and editors in photo selection and display • Assist with efforts to engage an online audience via EdWeek's vast archival content, including both print and digital phWork with editors and reporters to identify and coordinate opportunities for visual storytelling • Work with staff to research and implement new and creative ways to display photographs online • Utilize social media to promote photographic work to engage and build reader interest • Work collaboratively with Web team, page designers, and editors in photo selection and display • Assist with efforts to engage an online audience via EdWeek's vast archival content, including both print and digital phWork with staff to research and implement new and creative ways to display photographs online • Utilize social media to promote photographic work to engage and build reader interest • Work collaboratively with Web team, page designers, and editors in photo selection and display • Assist with efforts to engage an online audience via EdWeek's vast archival content, including both print and digital phwork to engage and build reader interest • Work collaboratively with Web team, page designers, and editors in photo selection and display • Assist with efforts to engage an online audience via EdWeek's vast archival content, including both print and digital phWork collaboratively with Web team, page designers, and editors in photo selection and display • Assist with efforts to engage an online audience via EdWeek's vast archival content, including both print and digital photos

It could be as simple as asking students to organize an exhibit of their art work to be displayed at a pancake dinner or as involved as analyzing the school district report card required under the No Child Left Behind Act.

Mitsubishi Evo 6 fresh import; White with white alloys; 131626 KM EQUATES TO UNDER 81000 MILES; Unmarked body no scratches dents or rust very clean straight panels; Original paint work; Clear lights (not faded); ORIGINAL Piaa front fogs in perfect condition; Upgraded light weight Mitsubishi alloys; Brembo red brake calipers front and back; Blitz Nur spec stainless cat back; Privacy rear glass; Folding mirrors; Wind deflectors; Tein Coilovers adjustable height ride; Adjustable camber; Adjustable ride soften / harden; Juran evolution motor sports gear strut brace; Hks mushroom air filter; Blitz blow off valve; Aluminium koyo radiator; Hid light kit fitted; Razor gear shift; Panasonic Tv Dvd screen headunit; Upgraded door speakers; Momo steering; Srs dash airbag; Dash display turbo boost dial; Blue recaro seats; Greddy profec b spec II electronic boost controller; Intercooler water spray; Gt spec race pedals;;;

The display puts the minimum strain on your eyes, thanks to the real paper like display that works incrediblt well under an array of lighting conditions and does not produce the least of glare or flickering.

One of the key features of the disgo 9104 is the display, it works well in bright sunlight and the colours are good, and the viewing angles means it works well as a video conferencing device, although the front 0.3 MP camera is a little under - powered however there's a more reasonable 2.0 MP rear facing camera.

You also grant each user of the Site a non-exclusive license to access your User Content through the Site, and to use, reproduce, distribute, prepare derivative works of, display and perform User Content as permitted through the functionality of the Site and under these Terms of Use.

This person must have definite abilities to evaluate problems accurately and display well, sound judgment when working without supervision and under emotional stress.

Santa Barbara Arts & Crafts Show, Every Sunday Approximately 300 Santa Barbara County resident artists come to display their own works in an informal atmosphere under the palms of seaside Chase Palm Park.

Santa Barbara Arts & Crafts Show, Every Sunday — Approximately 300 Santa Barbara County resident artists come to display their own works in an informal atmosphere under the palms of seaside Chase Palm Park.

10 a.m.'til Dusk Approximately 300 Santa Barbara County resident artists come to display their own works in an informal atmosphere under the palms of seaside Chase Palm Park.

Approximately 300 Santa Barbara County resident artists come to display their own works in an informal atmosphere under the palms of seaside Chase Palm Park.

Santa Barbara Arts & Crafts Show, Sundays at 10:00 AM Approximately 300 Santa Barbara County resident artists come to display their own works in an informal atmosphere under the palms of seaside Chase Palm Park.

Also on display for Kinect during Microsoft's keynote were several new IP, including the mysterious Codename D from producer Suda51 and Grasshopper Manufacture, as well as the equally opaque Rise of Nightmares survival horror game from Sega, a new 3 - D dragon flight title from the maker of Panzar Dragoon Saga (currently under the working title of Project Draco), and the more family - friendly chills of Haunt.

The event, which is free to enter, offers studios with fewer than 15 people, funding without a publisher and working on a budget under # 1 million the opportunity to display their projects at this year's show in July.

The «defendants have copied, created derivative works of, distributed copies to the public, and / or displayed publicly Pokémon Works without the consent or authority of TPCi, thereby directly infringing TPCi's exclusive rights under Section 106 of the Copyright Act 17 U.S.C. § 10 [Remedies for infringement: Damages and profits],» stated The Pokemon Company in its works of, distributed copies to the public, and / or displayed publicly Pokémon Works without the consent or authority of TPCi, thereby directly infringing TPCi's exclusive rights under Section 106 of the Copyright Act 17 U.S.C. § 10 [Remedies for infringement: Damages and profits],» stated The Pokemon Company in its Works without the consent or authority of TPCi, thereby directly infringing TPCi's exclusive rights under Section 106 of the Copyright Act 17 U.S.C. § 10 [Remedies for infringement: Damages and profits],» stated The Pokemon Company in its suit.

In this episode, Barry and David discuss an early version of Sonic Boom: Rise of Lyric under the working title Sonic Synergy and take a look at concept art of elaborate in - store Sonic Boom displays.

This particular scene created by Square Enix's own Visual Works studio displays the destruction of Zanarkand as it falls under attack from a mysterious force known as Sin as lead character Tidus soon becomes caught up in what will become world - changing events.

Some works display a nod to Hockney's A Bigger Splash, whilst others incorporate «still life», favoured by artists operating under the pop artist movement.

Marginalised for the most part, shiny pieces wrought by a team but produced as art and sold as art ceded to work «executed by the artist», as captioned under at least one work on display.

But as for displaying it in the Henry Moore Institute, under its umbrella ethos of sculptural works, I am in full agreement with Le Feuvre, as, indeed, I'm sure Gego herself would be, could she but see the wonderful and tactful installation and curation her works have been blessed with.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

Featuring the work of eight artists and brought together under the general theme of «ideologies of collage,» the display is the first in the couple's new Deux Femmes Noires project, a mentorship and exhibition program dedicated to increasing the visibility of and creating new opportunities for artists of color.

Martin Kersels» installation «Tumble Room» is one of the most spectacular works on display in the exhibition «Under Destruction» at...

Gray tones, delicate molding, and mottled brushstrokes allow Mao Yan's works to retain all detail and vitality, whether displayed under natural or gallery lighting.

In 1951, Pepi became one of the lucky group of painters who worked under Hofmann, whose sophisticated influence is vividly on display not only in the oil paintings but in the delightful watercolors, which have Hofmann's wind - blown spontaneity (such as the dramatic nightscape 1206).

The group show consists of video and performance works by the artists Benjamin Bellas, Clinton King, Noelle Mason, Magdalen Wong, Justin Cooper and Ross Moreno, whom often collaborate under the curatorial moniker «i.e.» The videos on display range from Noelle Mason's -LSB-.....]

They amassed a collection of over 4,782 works, which they displayed, and also stored in closets and under the bed, in their rent - controlled one - bedroom apartment on Manhattan's Upper East Side.

Each year, under the banner Conversations with the Collection, we put a different selection of works on display.

The works displayed and under discussion find different means to foreground and to investigate the activity of reading: the forms it can take (silent reading, reading aloud, spontaneous reading, purposeful reading, and so on), the matter of reading (the book, the screen, the space of the page), the bodies that engage in it and the contexts in which it occurs.

The works that are on display at MAMbo consist of both monumental canvases which provide space for sprawling narratives of compositional complexity and smaller paintings which focus on the study of individual subjects, portraits that push the figures portrayed into the foreground, as if under a microscope.

These spectacular underwater galleries make divers fall under their spell and display the work of the ocean itself.

Here is just a selection of the work - all of which you can see on display at the William Road Gallery (NW1 3ER) under the exhibition name «Final Flight».

The three works now under consideration and on display are Sphinx, a sculpture by New York - based artist Rachel Harrison, a large - scale colour photograph by Berlin photographer Frank Thiel, and a monumental drawing on Mylar by Los Angeles - based artist Ingrid Calame.

Given to an artist under fifty who has shown distinguished vision and achieved a substantial body of work, the award honored Dion (Season 4) for his prolific creativity and impressive production, which includes mixed - media installations, sculptures and public projects that explore the relationship between art, science and history through pseudo-scientific methods of investigation and display.

Hall is the creative visionary behind Christie's Young Hearts exhibition — a curated display of works by contemporary artists under 40, presented alongside pieces from Christie's upcoming design sales.

COMMUNITY OPENING CELEBRATION Under Pressure: Contemporary Prints from the Collections of Jordan D. Schnitzer and His Family Foundation Saturday, September 7 6 pm FREE 6 pm Collector Jordan D. Schnitzer, in conversation with UMFA's curator of modern and contemporary art Whitney Tassie, will talk about his experiences as a collector and some of the works on display in Under Pressure, which are drawn from his highly respected and comprehensive collection of contemporary prints.

BMCM+AC is proud to routinely exhibit the work of Black Mountain College faculty and students, as well as occasionally display the works of today's artists under the influence of BMC.

2014 A polyphonic wave of concrete materials flowing through the air, curated by João Laia, Fundação Manuel António da Mota, Oporto, PR Changing fronts, Studio Dabbeni, Lugano, CH Performance Festival, curated by Simone Frangi and Heinrich Lueber, Via Farini, Milan, IT Live Works 2, Centrale Fies, Dro, IT Score, curated by Sarra Brill and Anna Cestelli Guidi, MARCO, Vigo, ES FAX, curated by Joao Ribas and Carl Slater, KARST, Plymouth, UK Così Accade, curated by João Laia, Kim Nguyen, Marina Noronha, Fondazione Sandretto Re Rebaudengo, Turin, IT Arte Coni 100, curated by Maria Alicata and Bartolomeo Pietromarchi, various locations, Rome, IT Premio Grafica, Villa Croce, Pisa, IT Highlights, Studio Dabbeni, Lugano, CH Display MADIATING LANDSCAPE, curated by flip project space, Sala Murat, Bari, IT We Are What We Lost, curated by Sara Giannini, CCSP — Centro Cultural São Paulo, São Paulo, BR Acting Truthfully under circumstances, Tenderpixel, London, UK Bye Bye Baj (performance), invited by Raffaella della Olga, Black Coffee, Paris, FR ArtTransit, curated by Simone Frangi and Heinrich Luber, Via Farini, Milano and Zhdk, Zurich, IT / CH

Since all installations are orientated towards the street, BERLIN - WEEKLY works as art in public space under the format of a «window - display».

Artists Marianne Bjornmyr, Madoka Furuhashi, Andi Schmied, Tereza Cervenova and Lara Morrell will have new and recent works displayed in 5 Under 30 at Daniel Blau Photography Gallery.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

Under modern circumstances of display and reproduction, in fact, Untitled, too, is a kind of title: a word that routinely accompanies the work as it circulates in the culture and that instructs us, if only by negation, how to view it.