Sentences with phrase «world as a physical object»

Imagine the media world as a physical object resembling a 20 - sided D&D die, but with many more points, each of them a publishing outlet.

Not exact matches

Hence, we must attribute to God not only the conceptual ordering of the eternal objects by virtue of which he lures the occasions of the world toward order and value; we must attribute to him as to all other actual entities physical feelings as well.

Because Whitehead himself usually explains this operation by way of a common eternal object which is illustrated in all the actual entities of the nexus, the significance of a transmuted feeling as a feeling of physical community in the actual world is often overlooked.

For when Santayana explains what it is for an essence to be exemplified, or for a truth to be about something, he typically talks of their instances or objects as «facts,» meaning by this some particular bit of the natural world as it is at a specific time and place (as it is directly if physical or derivatively if mental).

«14 Following the assumption of simple location, 15 the cosmology derived from Galileo, Newton and Descartes persistently views the objects isolated by scientific method as though they were the fundamental units of the physical world itself.

But God as a physical entity was largely rejected by theologians and philosophers because they thought that God was not one object among other objects in the world.

The three characteristics which make the human individual a truly unique object in the eyes of Science, once we have made up our minds to regard Man not merely as a chance arrival but as an integral element of the physical world, are as follows:

An eternal object is «neutral as to the fact of its physical ingression in any particular actual entity of the temporal world» (PR 70), but there can be no actual entity apart from creativity.

The units of which the world is made up were thought to be material particles which remained unchanged in themselves as they moved about in space and formed the diverse configurations which made up the physical objects in our world.

Thus, in one sense, the physical world, as the class of all physical objects, can be taken as derivative from nature (when by nature we mean the phenomenalistic object of perceptual knowledge).

An eternal object is «neutral as to the fact of its physical ingression in any particular actual entity of the temporal world» (Process and Reality, An Essay in Cosmology 70), but there can be no actual entity apart from creativity.

Thus, physical feeling wells up into our attention as a companion of our increase in emotion toward the object, and we feel both heightened attention to the object and a strengthened sense of relationship to the world and the object as part of the world.

As the world becomes increasingly digital, the importance of the physical object becomes ever more real.

Renowned materials scientist Mark Miodownik studies objects as ordinary as an envelope and as unexpected as concrete cloth, uncovering the fascinating secrets that hold together our physical world.

For such tiny objects, the world is governed by a madhouse set of physical laws known as quantum mechanics.

In the physical world, some people consider the moon as just an object in the sky.

These objects, referred to as virtual manipulatives, are essentially replicas of physical manipulatives placed on the World Wide Web in the form of computer applets with additional advantageous features.

As much as I love the ebook revolution, there is definitely a tangible link to the past having a physical object, weathered and worn as all physical objects become in our worlAs much as I love the ebook revolution, there is definitely a tangible link to the past having a physical object, weathered and worn as all physical objects become in our worlas I love the ebook revolution, there is definitely a tangible link to the past having a physical object, weathered and worn as all physical objects become in our worlas all physical objects become in our world.

These changes, both in the virtual world such as an eBook library, and now in the physical world with a wider and wider assortment of home CAD and CAM with more and more flexibility in terms of materials and the size of the objects manufactured, signal a huge change that the world is barely able to conceive in its mind but which is happening in an ever widening set of circles as exemplified by MIT's FABLABs, and other more commercial examples of similar products, and product production arrays.

There's something extra special about seeing a game that you've worked on as a physical object, knowing that it will be in people's homes around the world.

As players clear lands of enemy control, they can discover new lands, or runes, by selecting a «wild rune» from the game's menu, or by scanning real world QR codes or bar codes on physical objects.

The game joins the most illustrious of sailing crews: immersive sims that regard their worlds, their players, and most importantly their maps as physical objects.

By using physical objects, such as her signature hand - blown glass bubbles and hanging balloons, Loher creates idealized, artificial worlds that sit in harmony with our own, often unpleasant, reality.

He began to produce works which emphasized the picture - as - object, rather than the picture as a representation of something, be it something in the physical world, or something in the artist's emotional world.

Giese views his artistic project as one of repair and re-presentation of natural objects; he employs processes that echo nature's slow and repetitive rhythms as he reconstructs pieces of the physical world in his sculptures and installations.

Manders makes a physical as well as mental space for the viewer to «enter the world of objects and matter and find poetry in it... and to know how poorly we normally see our daily life.»

Inspired by a deep appreciation for botany, mycology, and biology — fields that explore parts of the physical world that are often hidden from humans» perception but shape our experiences in ways both subtle and profound — Ronay seeks to create «something that looks as if it's grown, that these aren't objects that were necessarily made by a human, but that they've grown themselves.»

Like many other artists who began working in the late 1960s and 1970s, Weiner is deeply interested in methods of display that challenge the assumption that the work of art exists as a discrete object in the physical world.

These objects in the installation almost act as a gateway from the physical world into this immaterial place.

In the confusing world of online vs. physical audio distribution, Thom Yorke from Radiohead seems to identify the physical cd as a social object: «And it's really important to have an artefact as well, as they call it, an object.»

As has frequently been noted, Sehgal seeks to make art without producing any physical artifact of the events that he stages in galleries and museums as a gesture against what he sees as the excessive proliferation of objects in the worlAs has frequently been noted, Sehgal seeks to make art without producing any physical artifact of the events that he stages in galleries and museums as a gesture against what he sees as the excessive proliferation of objects in the worlas a gesture against what he sees as the excessive proliferation of objects in the worlas the excessive proliferation of objects in the world.

The exhibition's introductory text panel explains, «As images are rendered into objects, and objects are circulated as images, the boundaries between the physical and the virtual are blurred, challenging us to rethink how we see the world around us.&raquAs images are rendered into objects, and objects are circulated as images, the boundaries between the physical and the virtual are blurred, challenging us to rethink how we see the world around us.&raquas images, the boundaries between the physical and the virtual are blurred, challenging us to rethink how we see the world around us.»

At L.A. Louver, a sharply focused show zeros in on LeWitt's capacity to transform abstract ideas into concrete objects that viewers experience as slippery interminglings of drawing, painting and sculpture — while comparing and contrasting such physical entities with idealized images of geometric perfection, which inhabit the mind's eye but never appear in the real world.

As the artist noted, «I see the plank as existing between two worlds, the floor representing the physical world of standing objects, trees, cars, buildings, [and] human bodies,... and the wall representing the world of the imagination, illusionist painting space, [and] human mental space.&raquAs the artist noted, «I see the plank as existing between two worlds, the floor representing the physical world of standing objects, trees, cars, buildings, [and] human bodies,... and the wall representing the world of the imagination, illusionist painting space, [and] human mental space.&raquas existing between two worlds, the floor representing the physical world of standing objects, trees, cars, buildings, [and] human bodies,... and the wall representing the world of the imagination, illusionist painting space, [and] human mental space.»

Through the presentation of ready - made objects such as antique telegraph machines, tuning forks, eyeglasses, elevator cabins and electric poles, Otavio Schipper's work connects past physical worlds with our present mental landscapes.

As a matter of act, when we get to this world, a lot of things that we think about as physical objects today, like a TV for displaying an image, will actually just be $ 1 apps in an AR app storAs a matter of act, when we get to this world, a lot of things that we think about as physical objects today, like a TV for displaying an image, will actually just be $ 1 apps in an AR app storas physical objects today, like a TV for displaying an image, will actually just be $ 1 apps in an AR app store.