Reason # 3... I can get my books out to far, far, far more places and into more stores and more countries around
the world as an indie publisher than I ever could through a traditional publisher.
Not exact matches
So I like «traditional»
as a term for major
publishers since this new
world has given writers choices between being an
indie publisher or selling to a traditional
publisher.
But
as an
indie publisher, with no real track record yet, (and a
world that is expanding into electronic publishing faster than most people can keep up with) how is it possible to make any real projections of sales?
As an
indie publisher, knowing the nuances of the
world's largest marketplace will increase your ability to get your book in front of thousands of potential customers.
«After only a month KDP Select has dramatically changed things — finally
indie publishers are playing
as equals with the big publishing houses in the
world's biggest eBook marketplace,» said Serhiy Grabarchuk, Co-Founder of the Grabarchuk Puzzles company.
The elimination of the NEA could have a severe trickle - down effect in the small press
world,
as many
indie publishers depend on funding from the organization to stay afloat.
Established, recognized literary awards in independent publishing include, but are not limited to, the Ben Franklin Book Awards (Independent Publishing Association); the Colorado Book Awards (Colorado Humanities & Center for the Book); the EVVY Award (Colorado Independent
Publishers Association / CIPA); Foreward Magazine's Book of the Year /
Indie Fab Awards; Global Ebooks Award; Historical Novels Society Awards; International Book Awards (USA Book News); IPPY Awards (Independent
Publisher Book Awards); Midwest Book Awards (MIPA): National Book Awards; Next Generation «
Indie» Book Awards;
Indie Excellence Award (National); Pen Center USA Literary Awards; WILLA Literary Awards; Writer's Digest Self - Published Book Awards; USA Book Awards / Book News Awards; and genre specific awards such
as the RITA (Romance Writers of America and the HUGO (
World Science Fiction Society / Worldcon).
Through our ongoing «Open Up To
Indie Authors» Campaign and other guides, campaigns and associations, ALLi is helping to facilitate mutually beneficial partnerships between authors and the publishing industry and book trade —
publishers, bookstores, libraries, book clubs, festivals, literary events,
as well
as reading agencies all over the
world.
«Therefore, even while Defendant Author Solutions prominently markets itself on its website
as «[t] he leading
indie publishing company in the
world,» authors often discover, once it is too late, that Author Solutions it is not an «
indie publisher» at all.
However, with traditional
publishers scaling back and trying to catch up with the digital
world, many new traditionally published authors are faced with similar self - promoting challanges
as those who
indie publish.
«Finally
indie publishers are playing
as equals with the big publishing houses in the
world's biggest eBook marketplace,» co-founder Serhiy Grabarchuk said enthusiastically in today's press release from Amazon.
Yet in the broader
indie world there's sometimes a tendency to use reports of any and all ills in the corporate publishing sector
as proof that self - publishing is the better way, (indeed, for some, the only way), and that all authors should leave their agents and
publishers behind and embrace entrepreneurship.
Ms. Miller, like the traditional publishing
world from which she hails, disdains the new
indie world just
as surely
as the
publishers have for years discounted the readers who will nurture the
indie world, fertilize it and make it grow.
In a splendid irony, in my day job
as an editor and publishing consultant, I help small
publishers and
indie authors get their books out into the
world and achieve their dreams, cheering them on, helping them overcome obstacles, feeling excited for them when the successes come etc etc... and yet my own personal manuscripts suffer a different fate.
From my short time in the
Indie world as I prepare to release my book, there seems to be a deep sense of comradary, whereas the feeling I had while under a traditional
publisher was competition with authors of the same genre, fighting for the attention of the
publisher.
As a global
publisher, the Versus Evil team is strategically placed around the
world with presences in California, Texas, Maryland, New York, and London and works with
indie studios in North America, South America, and Europe.
This is important (to my mind,
as IGF Chairman) because there's been plenty of
indie titles identified with the IGF and other
indie game festivals - but rarely is there such direct causation in the game
world between a public showing of an unreleased game, and a bigger
publisher / distribution mechanism picking it up.