Sentences with phrase «world in beautiful settings»

Perfect for family vacations, we list the finest luxury villas around the world in beautiful settings — beach villas, golf villas, ski villas, and more.

Not exact matches

One can look out of the window at something beautiful — for even in the drabbest of settings there is almost always something lovely — and thank God for his world.

«He hath made everything beautiful in his time: also he hath set the world in their heart from the beginning to the end.»)

From Dianna: You seem to have a pretty unusual faith journey, but one thing I notice throughout each of the four major steps (Catholic - Hindu - Anglican - Orthodox) is the inherent beauty in each of those worship styles - Catholicism has a very beautiful set routine of liturgy, the Hindu call to prayer is (to me) one of the most beautiful sounds in the world, and Anglican services tend to be quite beautiful as well.

Luther on The Gospel Reading for Oculi This is a beautiful Gospel from which we learn many different things, and in which nearly everything is set forth as to what Christ, his kingdom and his Gospel are: what they accomplish and how they fare in the world.

Some of them, however, come to life for us: Condanna, the confessor; Sariputta, one of the disciples who is allowed to hear a word similar to that spoken by the Lord to Peter: he compares him to the eldest son of a world ruler, who, following the king, together with him sets in motion the wheel of rulership which this king lets roll over the earth; his friend Maha - Moggallana, the possessor of mysterious miraculous power, whose beautiful account of being called is passed on to us in the Mahavagga.

He hath made every thing beautiful in his time: also he hath set the world in their heart, so that no man can find out the work that God maketh from the beginning to the end.

Residents of this beautiful city will be joining people around the world in making a huge difference for the better and setting a new pattern for the future of this planet.»

This is an incredibly difficult question to answer for a variety of reasons, most importantly because over the years our once vaunted «beautiful» style of play has become a shadow of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes of Bellerin and Gibbs and the spirited albeit offensively stunted play of Monreal, but none of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out of position far too many times since arriving and that the players in front of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that, of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already of course... strangely enough, even he doesn't make sense given the constructs of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack of mobility is an albatross around the necks of our offence... so when you ask who would be our best starting 11, I don't have a clue because of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits

These couples - only resorts are set on some of the most beautiful and romantic beaches in the world.

From the beautiful natural settings to a soul - stirring ambience, the country offers everything that allows yogis to delve and immerse completely in the mysterious world of yoga.

The human body is a beautiful design and certainly not one to be manipulated or forceably changed however that is exactly what much of the western world has set out to do in modern times.

Have you ever wanted to do your healing work by supporting women around the world to come together, in person, in beautiful retreat settings to usher in intensive healing experiences?

For centuries, Indians have done as good a job as any people in the world of setting up religious buildings and retreats in beautiful areas.

Ubud, Bali, Indonesia About Blog Hanging Gardens of Bali is the World's First Seven Stars Boutique Hotel, set in lush rainforest in the heart of the Balinese jungle and is a place to relax and enjoy the beautiful and natural tropical environment, a sanctuary truly inspired by nature.

With that in mind, Day by Day in Our World is hosting a giveaway for a beautiful necklace and earring set with a total retail value of $ 120.

With romantic, simple styling, today's wedding inspiration shoot from photographers Nata Danilova and Sergei Rolianskii along with planner Yes I Do Agency is set in the most exquisitely beautiful place in the world for an intimate wedding: the mountains of Montenegro.

These young women often attach themselves to rich athletes and wealthy businessmen who love to be seen with a beautiful younger woman on their arms and who have no problems setting these young women up in homes and apartments in different parts of the world so they have someone to be with when they travel... [read more]

The world - famous Natural History Museum is the perfect location for an interesting date set amongst some of the most beautiful architecture in the city.

With networking sites of this caliber one is made to feel we are in a small world after all and we all can connect and interact very easily seekingmillionare.com has set the standards to venture for the elite and beautiful to come together.

Wakanda has to be built from the ground up in an incredibly short amount of time, and when you keep that in mind, it's amazing how skillfully Coogler avoids getting mired in too much exposition and crafts his world largely through visual elements like the blocking of his actors, beautiful sets, and exquisite costumes.

The racing is somewhat flawless, the cops are aggressive, the roads and environments are beautiful, the personalization options have a lot of depth for a NFS game that isn't Underground (but who wants to put a bodykit on a Aston Martin Vanquish), the car list is pro-exotic and features the newest cars in the world, Ferrari is finally back since Hot Pursuit 2, All - Drive sets the bar for

An enchanting little adventure set in a beautiful world.

When it's at its top, Mad Max is a action packed game, set in a beautiful post apocalyptic world.

With a beautiful setting, a huge open world with tons of content and side quests with more plot than you can think of, Origins will grab you the moment you step in the Animus and won't let go until you've had your fill.

Veterans of Ori may wish to return in its beautiful world to enjoy its new difficulty settings, along with the new level.

Amy Schumer («Trainwreck») takes a fall and wakes up believing she's the most beautiful woman in the world in the first trailer for STXfilms» «I Feel Pretty,» a new comedy set for release this summer.

The film finds the actress in a coming - of - age tale set in the English countryside, against the backdrop of World War III, and Ronan described it as «just the most beautiful story.

It's an amazingly beautiful animated adventure set in a sort of hybrid magical / alien world.

Needless to say, this hyper - atmospheric art film is a little too reliant on its environment, but the deep snow setting of this lyrically bleak drama was always going to be instrumental in the establishment of both tone and aesthetic value, and sure enough, this film's beautiful environment goes complimented by cinematography by Bedřich Baťka which, while held back by a black - and - white palette, is playful enough in lighting and scope to attract you into this film's handsome world.

They are both beautiful works of literature, but how much stomach will the Academy have for another bleak story, particularly one set in a post-apocalyptic world?

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosIN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

Into the Woods stars James Corden (One Chance), Emily Blunt (Edge of Tomorrow), Johnny Depp (Transcendence), Anna Kendrick (Happy Christmas), Meryl Streep (The Homesman), Chris Pine (Star Trek Into Darkness), Lilla Crawford (Little Miss Perfect), Daniel Huttlestone (Les Miserables), Tracey Ullman (The Tracey Ullman Show), Christine Baranski (The Good Wife), Mackenzie Mauzy (The Bold and the Beautiful) and Billy Magnussen (As the World Turns) and is set for release on Christmas Day in the States and January 9th 2015 in the UK.

Konami's FOX Engine is not the most advanced engine out there, with the likes of Unreal Engine 4, CRYENGINE and Frostbite powering games with incredible visuals these days; however, Metal Gear Solid V: The Phantom Pain is still one of the most beautiful open world games you could buy right now, especially if you can get the PC version which sports an increased number of lights, improved shadows, ambient occlusion (NVIDIA users can disable the in - game setting and enable HBAO + via their Control Panel to get even better results) and geometry.

Yes, it's pretty much perfect with a great open - world illusion set in beautiful Australia and the only thing is missing, is that smell of rubber!

The New World: The Criterion Collection Rotten Tomatoes Score: 62 % Available on DVD and Blu - ray While the 172 minutes extended cut of Terrence Malick's beautiful vision of the John Smith / Pocahontas story has been available for some time now, Criterion has taken the production to a new level with this set which includes the extended cut as well as the original theatrical 135 minute cut and the 150 minute first cut, all remastered in HD.

It doesn't hurt that the film is set in one of the world's most romantic and beautiful cities.

This weekend might be all about Black Panther, Marvel's much - anticipated, 18th entry in its ten - years - and - counting cinematic universe, but that's no reason to ignore the other visually expansive, comedic delight arriving in in multiplexes: Oscar - winner Nick Park's (Chicken Run, Wallace & Gromit) latest foray into stop - motion wizardry (his first as sole director), Early Man, an unexpected, if no less welcome, ode to the joys, excitement, and wonders of the «beautiful game» («soccer» to less enlightened Americans, European football everywhere else) set against the backdrop of a future - hanging - in - the - balance, winner - take - all Stone Age vs. Bronze Age football match that's almost as thrilling and exhilarating as watching Real Madrid vs. FC Barcelona or Manchester United vs. Manchester City play in front of paying fans (i.e., in the real world with real - world stakes).

This is the rarefied environment in which Luca Guadagnino's Call Me by Your Name is set, a world in which beautiful and / or flawlessly erudite people spend balmy summer days and nights, fall in love, ponder on the vagaries of life, in and around a stately Italian villa, while almost invisible domestics — at least, they're occasionally glimpsed, but have next to no dialogue — tend to their needs, cooking, gardening, or presenting them with handsome, freshly caught fish.

This double feature of pre-World War II Ozu is a beautiful match - set of dramas in duty and sacrifice, but the five years between 1936 and 1941 make all the difference in the world, for both Ozu the artist stretching himself into the sound era and Ozu the director doing his duty in the Japanese film industry.

Coco is also one of Pixar's most visually dazzling movies; the way co-directors Lee Unkrich and Adrian Malina conceived of the underworld is vibrant, lush, and jaw - droppingly beautiful, but the scenes set in «real world» Mexico are also lovely.

Along with the high tech and advanced teaching techniques that engage kids with the world, being in a setting as beautiful as any in nature offers its own special ways of learning.

The second time this glorious venue has played host to the Concours, it promises to be an event to remember, with 60 of the world's most rare and beautiful cars set to appear, assembling in the gardens and forming the main part of this exclusive event.

I have not been disappointed in my recent selection of Caroline Leavitt's Cruel, Beautiful World, a coming - of - age novel set against the backdrop of the late»60s.

Cruel Beautiful world is a story of love as exhibited in Iris as her marriage is described, her taking in Charlotte and Lucy and watching how when we set aside ourselves, our small desires and needs, and extend ourselves to another by surrender of self in the moment, what we bless becomes a blessing in our lives.

When Sara Wiborg and Gerald Murphy met and married, they set forth to create a beautiful world together - one that they couldn't find within the confines of society life in New York City.

Set in prehistoric Europe and centered on an outsider Cro - Magnon woman who joins a tribe of Neanderthals, this epic historical tale creates a stunning, well - researched portrait of an Ice Age world that's both brutal and beautiful.

But Commissario Brunetti is not a foreigner, so his Venice illuminates the paradox of living in the world's most beautiful urban setting built — not just on water — on danger and menace.

One day, they set out to win the hand of the most beautiful girl in the world.

However, if you aren't set on a certain breed there are also lots of beautiful, loving calicos in shelters across the world.