Because they are looking at aerial photographs the usual
worries about abstract art don't surface, and they are making something personal to themselves in what they choose as their subject matter.
Not exact matches
I
worry a little
about the confidence with which Tony talks
about «
abstract sculpture» and «three dimensional
abstract sculpture» and «non three dimensional
abstract sculpture» — but when he talks
about there being «no guarantees when making new
art» I'm with him.
I have been so
worried about the fact that I paint
abstract art and everyone always wants to know what it is I painted, but I can't tell them because it's really intuitive!
Innes isn't
worried about whether viewers «get» his point — and as an
abstract painter, he is sure to garner reactions ranging from the dubious «this - isn't -
art» bystander to enthusiastic gallery - hoppers to the serious
art scholar with an extensive framework through which to interpret his pieces.