That and making Amazon strong enough and dominant enough to withstand attacks from Publishers and other elements — ones that are
worse than Publishers because they don't really care about readers or reading.
Now, you can do
worse than your publisher and still make more money — that's the simple truth in the 25 % of net royalty math — but I think few authors contemplate giving up print distribution and taking on extra responsibilities because they're fine with losing digital market share.
Not exact matches
Technology giant, Google pulled down 3.2 billion adverts that violated its advertising and
publishers policies in 2017, adding that this was more
than 100
bad adverts...
(Rowman & Littlefield
Publishers, Inc.) Buried within this book is a powerful if familiar argument: the American education system is
worse than we -LSB-...]
Even if the naysayers are right and self - published titles are always objectively
worse than traditionally published titles, at least with a self -
publisher you can count on the
publisher treating the author with respect.
I'm guessing it wouldn't), it's good to see
publishers experimenting with the ebook format, which should be more
than a
badly formatted PDF.
Budget constraints are a reality for indie
publishers as well, but rather
than releasing a
bad book, the indie
publisher may shelve the book project until sufficient money is raised.
The publishing industry has a
bad reputation amongst the majority of writers, many of whom see
publishers as little more
than law firms with an editorial department in tow.
If a self - published book sells 5,000 copies in its first six months, an agent or
publisher is not going to let first rights issues stand in their way (always assuming that the book is well - written [I've known self - pubbed authors who've managed to sell large numbers of really pretty
bad books] and the sales suggest a market that could be tapped, rather
than one that has been exhausted, as with some niche products).
For the record, I also never said that traditional
publishers were elitist swine (certainly they're no
worse than me, which isn't saying a lot).
We just received a check from our
publisher which was less
than the stamp it cost to mail, and
worse, our agent took 15 %.
It's too
bad that the recent meeting between the leaders of the American Library Association and top executives of Penguin Books as well as other Big 6
publishers did not «help» Penguin to reach a conclusion more favorable to libraries
than this complete withdrawal.
And since «
Publishers to Avoid» sounds
worse than not being in the book at all, those companies lose a point.
Worse than this, however, is approaching an agent or
publisher with the first chapters of a first draft of a novel.
I was just listening to a Joanna Penn podcast with Jane Friedman in which they said contracts traditional
publishers are offering first - time authors are
worse than ever.
Not
bad for a book that was rejected by more
than 20
publishers because of its touchy subject matter: the 1942 Vélodrome d'Hiver roundup.
They would abandon the slow, turgid, and overpriced books from traditional
publishers to the point where trad
publishers would be
worse off
than ever before.
I've been trad published, and the last contract I saw was so much
worse than the first from the same
publisher — not on money but on everything else — that it's crazy.
In fact, I don't know if many of you have noticed, but at this point in time, the traditionally published books are much
worse in format and proofing
than what indie
publishers are doing.
In fact, I don't know if many of you have noticed, but at this point in time the traditionally published electronic books are much
worse in format
than what indie
publishers are doing.
If you were saddled with a
bad cover, title or blurb, it's easier for
publishers to assume you failed
than to admit they may have failed you.
But as an author who was
badly treated by a big traditional
publisher (HarperCollins), I, so far think there's no one out there who treats authors more fairly
than Amazon does.
I've never gone into Christian publishing, but friends I know who have, are treated
worse than even those working for the lower - end
publishers in the non-Christian publishing world.
Asterling said: I've never gone into Christian publishing, but friends I know who have, are treated
worse than even those working for the lower - end
publishers in the non-Christian publishing world.
First of all I've read
worse pieces of cr*p from
publishers than from indie, and yet, yes, most of what is published is cr*p, indie or traditional.
Recognizing the name of the
publisher (e.g. AuthorHouse) in a negative way is
worse than not recognizing it at all, if you ask me.
Worse, you have
publishers fighting for a pricing scheme (agency pricing) that they admit makes them less money
than they made under the earlier pricing policy.
Nothing
worse than having a favorite series fizzle out because the author got double - teamed by «ordering to the net» intersecting with
publisher ambivalence.
Related Posts: Kindle Unlimited: The Good, The
Bad, and The Ugly, Making Your eBooks Permanently Free at Amazon, How Self -
Publishers Can Dominate the eBook Market in 2014 (Rather
Than 2020)
There's nothing
worse than being handed a cover which clearly demonstrates that the designer has no idea what your book's about, or its emotional tone: and if that's the case, that's probably because the
publisher has either not briefed them properly, or
worse still, has completely missed the point about your book.
Someone who has the attention of the reader and a trad
publisher of the usual
bad kind is only making ten or five percent royalties or less
than five percent royalties on «discounted books», and then is paying twenty percent of that to his agent.
Stephen King and James Patterson are not
bad at business or math, and they aren't at all happy that Amazon is trying to muck with their business (which includes many more sellers
than just Amazon,) in order to gain more control over the marketplace and get more co-opt money from
publishers.
Nevertheless, Jones goes on to say — and with Andrew Lownie's practiced perspective on the matter, we agree --» Nicola Solomon is right to raise the questions;
publishers could do
worse than provide some answers,» as Andrew Franklin has done.
Worst of all is the pedal point innuendo that selfless
publishers are somehow more benevolent to authors
than agents, who are best compensated only when their author is best served.
Since
publishers know authors have the legitimate choice of walking away from a
bad contract (and being successful anyway), authors now automatically have more power in negotiations
than they've ever had before.
As
bad as it is to have a publishing world with only five major
publishers in it — a monoposony in which a tiny handful of companies converge on terms and practices that are ultimately more to their benefit
than those of authors, it's even
worse to have a world in which a single company controls the entire market.
The fact that 70 % of trade book sales are print may be important to a big trade
publisher, but it is
worse than useless for a writer.
Stat based
publishers can be the
worst to deal with as they will only surrender their review copies to sites that obtain large amounts of visits per month, a good example being Capcom or Sega who ask for nothing less
than 250,000 hits to your site per month.
Even
worse than that: «In Japan, Sony actually seems to be embracing Long Tail to a greater extent
than Nintendo, loading the service up with niche games from small
publishers... But in the US, they have added one (1) third - party game despite the fact that third - party games were inarguably the primary reason to own a PSone in the first place.»
Were it not for some really
bad development decisions and decidedly tone - deaf responses from the
publisher, this game would be launching to the sound of diehard fans cheering rather
than an insane amount of (deserved) vitriol.
Given the failure of the
publisher to show any «error» other
than the expectation that models be consistent with observations, I think that readers are entirely justified in concluding that the article was rejected not because it «contained errors», but for the reason stated in the reviewers» summary: because it was perceived to be «harmfulâ $ ¦ and
worse from the climate sceptics» media side».
Given the failure of the
publisher to show any «error» other
than the expectation that models be consistent with observations, I think that readers are entirely justified in concluding that the article was rejected not because it «contained errors», but for the reason stated in the reviewers» summary: because it was perceived to be «harmful... and
worse from the climate sceptics» media side».
Worse than having your comments deleted is having them marked junk by the blog
publisher.
If lawyers persisted in obtaining desired material via library photocopies, they, the
publishers, would be no
worse off
than before a Slaw TOC project.
With Ecuador cutting off internet communication and visitors for Julian Assange, the WikiLeaks
publisher is now being arbitrarily detained in conditions
worse than most prisoners who have been found...