Sentences with phrase «worst opening lines»

These are the best and worst opening lines for online dating apps.

These are the best and worst opening lines for online dating apps One of the hardest parts about online dating is the opening message.

These are the best and worst opening lines for online.

A bad opening line can, well... I think you know.

Not exact matches

THE DETAILS: Sorry to be the bearer of bad news, but line up at 5 p.m. (or 5:30 p.m. when it opens) if you want to get in.

Oddsmakers can accurately anticipate the behavior of these bettors and shade their opening lines to force square bettors to take bad numbers when playing the popular side of a game.

In this instance, CRIS opened their lines first and posted a bad number.

Since oddsmakers can easily anticipate this one - sided action on the Cubs, they typically respond by shading their opening lines and forcing public bettors to take a bad number.

Keep lines of communication open with your children and discuss good touch and bad touch.

Perhaps Edward George Bulwer - Lytton's Paul Clifford whose opening line has been voted the worst in history: «It was a dark and stormy night; the rain fell in torrents - except at occasional intervals, when it was checked by a violent gust of wind which...».

Tom Watson went down badly with his «Comrades» opening line which is a bit too old school «scary» for the kids and his plea for everyone to join Labour brought the inevitable left - wing reaction from Maeve Mckeown raging against Labour over Iraq, tuition fees and the usual Blairite crimes.

The current set of lines, then, is just an opening bargaining position, a straw man destined to be ripped apart by good - government groups and a good - guy governor before they all agree to a version that is less bad.

Mingle2: Free Online Dating Site · Personals · Dating... — Meet your Next Date or Soulmate · Chat, Flirt & Match Online with over 20 Million Like - Minded Singles · 100 % Free Dating · Radstock Online Dating Opening Lines For Online Dating For Women Promoting Online Dating Site Ghosting — I've boldly approached the other sex, only for them to assume I'm peddling a productless promotion or worse still... My first foray into online dating was a... LOS ANGELES — Anthony Weiner isn't the only one in hot water about

Radstock Online Dating Opening Lines For Online Dating For Women Promoting Online Dating Site Ghosting — I've boldly approached the other sex, only for them to assume I'm peddling a productless promotion or worse still... My first foray into online dating was a... LOS ANGELES — Anthony Weiner isn't the only one in hot water about

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That opens you up for compromises further down the line, and even worse, believing that what you want isn't really out there.

It's no wonder that Aziz Ansari's character on Master of None completely nailed the perfect opening line to use on dating apps: Ansari wrote a heavily Examples of good and bad online dating profiles to attract women and get them to write you or to respond to your first message to them.

Opening Lines For Online Dating For Women Promoting Online Dating Site Ghosting — I've boldly approached the other sex, only for them to assume I'm peddling a productless promotion or worse still... My first foray into online dating was a... LOS ANGELES — Anthony Weiner isn't the only one in hot water about Read More...

«There's a simple explanation for the durability of the iconic opening line of Charles Dickens» A Tale Of Two Cities: The best of times and the worst of times almost always overlap.»

Before I state the bad I will tell you that I prefer on - line shooters that have wide open maps that you can roam around in without being killed every 10 - 20 seconds like BBC2 or Warhawk.

It's fairly effective, that is, until the moment when one of the characters says to another: «We are not so different, you and I.» That sentence is so bad, so on - the - nose, you can almost hear the actor opening a tiny drawer labeled «THIRD - RATE THESIS LINES» as quietly as possible before speaking.

Whether these assclowns were going for comedy, action, drama, or thriller, what they got with Bad Company is a steaming pile of cinematic effluvium that has Rock screaming his every line whilst rolling his eyes in fear, Hopkins droning all of his dialogue in that half - lidded, disinterested way of his, and a half - packed screening audience trying to keep their eyes open against their better judgment.

The bad: has rust, no radio, rear driver's door only opens from inside, no muffer but not that loud, 4x4 does work, needs new vacuum lines for 4

But a reader only has to open the first page to understand this remarkable work of art is a masterpiece of compression, each section its own unique piece to a larger puzzle that eventually builds an entire universe, with lines that streak like comets through the space breaks, such as: «Bad art is from no one to no one» and «Happiness begins to deteriorate once it is named.»

The Bulwer - Lytton Fiction Contest site is different; it is a contest designed for the writer to come up with the Worst terrible opening line for a novel.

In the opening line of The Bad Beginning: Book the First, the author warns, If you are interested in stories with happy endings, you would be better off reading some other book.

Don't open any new lines of credit, either — you don't want your lender to think you're ready to take on more debt on top of the loan when you're buying a home with bad credit.

Worst is when someone has stolen your identity to open lines of credit in your name.

Contacting collection agencies for an open line of communication, is in my opinion, a very bad decision.

Charles Dickens» «A Tale of Two Cities» opens with the line, «It was the best of times, it was the worst of times.»

When you have bad credit, you want to consider the effect that opening a credit line will have on your overall credit score while you attempt to re-establish yourself as a creditworthy borrower.

Summary: Having an open line of communication (good or bad) will help you have a better understanding of your finances Establish joint vs separate finances beforehand Creating an allowance between you and your spouse will give each other the freedom to spend on...

To say nothing of the mayhem that ensues after Rios utters his take on the classic movie line «at least things can't get any worse,» which we all know is an open invitation for things to do just that.

The opening this time was beautifully crafted (Flow always does the best work) and the story has you walking the thin line between good and bad, and the story pulls at the feels.

General fixes • Significant improvements to the Squad Join interface • Removed FIND ME A SQUAD option • Allow players to join empty Squads alone, thus having 1/4 Squad members • Change order of options to LEAVE SQUAD, INV A FRIEND, SWITCH TEAM • Disable Privacy flag when 1 man Squad • Reset Privacy flag from Private to Public when Squad drops to 1 player • All occupied Squads will now show up colored blue on the Squad selection screen • Players who choose not to join Squads will also show up as Blue in the «Not in a Squad» line • Squads that are currently empty will display as white — if you wish to join an empty Squad, you can choose the first one marked with white text • Added round duration and ticket summary at end of round screen • Fixed sound for when climbing ladders • Fixed and issue with some weapons» sounds in first person view • Fixed a swim sound loop error • You should no longer be able to damage a friendly vehicle when sitting in an open position • Grenades now drop to ground if you get killed while attempting to throw it • Spawn protection now should work in Conquest so you no longer should spawn too close to enemies • You should no longer spawn too close to enemies in TDM and SQDM • Fix for missing input restriction during intro movie, causing players to potentially fall and die while watching movie if moving controller (or having a controller with a bad stick zone) • Combat areas on Kharg Island in Rush mode tweaked in order to disallow defenders to access the carrier ship after first base is taken and being able to enter the AA gun • Fixed a problem with revived players not being able to get suppressed • Fixed a problem with the camera when being revived in co-op • Spotting VO now plays when spotting from MAV / EOD bot • Fixed several issues regarding the kill card, including showing wrong weapons used for the kill • Fixed that sometimes you would be stuck on a black screen when kicked from server • Fixed so when a team captures two flags at the same time, the UI does not show wrong owner of the flag • Fixed a problem where the capture progress bar was shown as friendly when the enemy was capturing • Fixed a problem with the bipod deploy sound • Fixed a problem that you could be spawned in with no weapons after being killed while using the EOD bot • Fixed problems with health bars not displaying health properly when using EOD bots • Fixed a problem with flickering name tags • Fixed a problem where you could damage friendly helicopters • Fixed a problem where you could get stuck in the co-op menu when attempting to join the session twice • You should now be able to spot explosives • You should no longer spawn in home base if your selected spawn point is disabled while waiting to spawn (e.g. if your teammate dies right before you are about to spawn) • Damage from bullets will now continue to cause damage even after the firing user is dead • Fixed several client crashes • Fixed a problem where players could get stuck in the join queue • Fixed the repair icon on the minimal • Fixed a problem with changing camera on certain vehicles • Fixed a problem with the grenade indicator when in guided missile mode • Fixed a problem where the machine could hard lock when joining a public coop game • Fixed a problem where the headset attached icon would not show up in the UI • Fixed a problem with the falling antenna on Caspian Border.

Again, with Mafia 3 being an open world game, a lot of it can be spent behind the wheel of a car as you travel to and from different parts of the city going from one objective to another and while it isn't so much of a problem early in the game, the lack of a fast travel option becomes quite a hindrance as time goes on and the further you get in the game because at times it will force you to travel huge distances to speak two lines of dialogue with someone for example and then makes you drive all the way back to where you were originally, which becomes a bit of a chore, but the car handling isn't bad and it almost feels like you are driving a car from the 60's as it feels heavy and limited as you manoeuvre certain cars around a corner.

Apart from dialogue that frequently toes the line of being lascivious in nature, there's nothing outright perverse that's any worse than the other titles that grace the Vita's open platform.

A Long Way to Go, Aspex Gallery, Portsmouth, UK (2010); Frost King, Open Satellite, Seattle (2010); Mr. Clevver, commissioned by Contemporary Art Spaces Tasmania, Queenstown, Australia (2010); Falling Into Place, published by Bookworks, London and Situations, University of West of England, Bristol (2009); The Black Line, Void, Derry, Northern Ireland (2009); The Shape of Things to Come, Victoria Park, Bristol, commissioned by Situations, University of West of England, Bristol (2009); How to Survive (The Bad Years) at Clint Roenisch Gallery, Toronto (2008); The Opposite of all those Things, Grundy Art Gallery, Blackpool, UK (2008); The Land of Cockaigne, Bloomberg Space, London (2007); And so it goes, as part of the Welsh Pavilion at the 52nd Venice Biennale, touring to Oriel Davies, Newtown and Chapter (2007).

-- Opera Campana dei Caduti — Rovereto - Italy Fishwick Papers — The Smokehouse Gallery — London MAGNET OPEN ART PROJECT — Concord, New Hampshire — USA RARITIES — Hastings / Brighton 13 ELP Annual Exhibition — Triangle Gallery — London Show Me The Monet — Royal College of Art — produced by BBC Dreams — The Freud Museum — London LightBite 2011 — Nottingham — UK Type / Script — Chapel Gallery — Ormskirk 2010 Artisti Mitteleuropei 2010 — Casa della Cultura — Calitri (AV)-- Italy Wishing — ArteOra Spazio Arte Contemporanea — Foggia — Italy The Public Are Not Invited — The Nottingham Workshop - UK ELP Box Set 2010 Launch — 242 Gallery — London 6 × 4 Postcard Exhibition — Yorkshire ArtSpace — Sheffield Link — ArteOra Gallery — group show curated by Maria Vinella — Foggia — Italy Penang International Printmaking Exhibition — Penang State Museum — Malaysia Freud Experience — solo exhibition — Freud Café Gallery — London A Suite of Lighted Rooms — Pushkin House Centre for Russian Culture - London Acqua Bene Comune — Foggia — Italy Twelve — Space Gallery — London Print for Peace 2010 — Arte AC Tecnologico Institute — Monterrey — Mexico Prize Winner — «Copertine al Tratto» 2010 — Subway Edizioni — Milan — Italy C'era una volta Pasolini — group show — Galleria Terre Rare — Bologna — Italy F.A.C.T.S. — Center for the Study in Political Graphics — Los Angeles — USA London Fashion Week — MariaFrancesca Pepe collection — Somerset House — London 2009 The Grand Plasto - Baader - Books — Kaleid Gallery — London Alexandria MiniPrint Biennal — Bibliotheca Alexandrina Conference Center — Egypt Segni 20 × 20 — Micro Macro Gallery — Turin One Night Only — group show — Shoreditch Town Hall — London Quijiang International Print Festival 2009 — Quijian — China Eco Art Project ’09 — Rome IMPACT Centerpiece 09 — SpikePrint Studio — Bristol Pasquale Siniscalco Gallery — Milan Estetica 09 — Church of S.S. Annunziata — Calitri (AV)-- Italy Premio Spazi Evasi ’09 — Francavilla al Mare (CH) Unplug — Solo show — EstremaDura Café Gallery — Verbania — Italy Eleven — ELP Group show — Banside Gallery — London Ex Libris — Group show — Meliusz Center — Debrecen — Hungary 2nd Guanlan International Print Biennial — Guanlan Museum — Shenzen — China Biennial of Humour and Satire in the Arts — Museum of Humour and Satire — Gabrovo — Bulgaria Sorry If I'm Not in Line — Factory - Art Contemporanea — Trieste Ex Libris Mini Print Biennal — Sint Niklaas Dienst Museum — Belgium CDO's and Double Clubs — August Art Space — London Adreanlina 09 — Former Jewish Fish Market — Rome Wonderland — Brothers Grimm Museum — Kessel — Germany Vigna degli Artisti 09 2008 Light One Night — Group Show — ArteOra Gallery — Foggia — Italy Temptation — Group show — Cupola Gallery — Sheffield Urban Jungle — Group show — London City Hall Orange Calls Italy - Shortlisted for the final group show — PolarExpo Space — Bergamo ArteIngenua Second Act — ArteIngenua prize 08 — Guido Iemmi Art Studio — Milan — Italy Concorso Fumetto Giovani 2008 Jury Prize — illustration — Museum of Modern Art — Foggia — Italy Second Impressions — Romford Art Institute — Essex E17 Art Trail — Kelmscott School — walthamstow — London Sustainability — Latajaka Gallery — Warsaw — Poland Wonderland — Deutsches Maerchen und Wesersagen Museum — Bad Oeynhausen — Germany Lessedra International Mini Print — Lessedra Contemporary Art Gallery — Sofia — Bulgaria Evento MUSAE 08 — Museo Urbano Sperimentale Arte Emegente — Tourism Palace — Jesolo (VE) Decarbonart — Greater London City Hall — London — curated by Katja Rosenberg Art Fusion — Live painting performance — The Hub — Aldgate East — London I Am Ten — Bankside Gallery — London 2007 Tetovo IV International Biennial — Museum of Tetovo Area — Republic of Macedonia Dontpanic Design Exhibition — 93 Feet East — London Less Common Event — The Arts Gallery — Bond Street — London Shortlisted for San Fedele Visual Arts Prize — San Fedele Gallery — Milan — Italy Media Poster exhibition — DontPanicMedia — Cargo — Shoreditch — London Museo Urbano Sperimentale Artisti Emergenti — Motta Monte Corvino — Italy PROPAGANDA III WORLD TOUR 2007 — START SOMA gallery and CSPG Center for the Study of Political Graphics Los Angeles — Phoenix Hotel — San Francisco World Annual Print Show — Lessedra Contemporary Art Gallery — Sofia - Bulgaria Triangle Artists Open Studios — Arts Unwrapped 2007 — Hackney — London Innovative — Don't Panic Media, Playstation Season — Manchester International Festival 2007 PRE: CURSORI 2007 — Aragona Castle Museum Gallery of Taranto — Italian Ministry of Culture Illustration group show — Literature Department Gallery — Florence University Draw Drawing 2 — Foundry Gallery — Shoreditch — London — London Biennale 2006 2006 Italian Factory 2006 — Finalist in the competition — Casa del Pane Gallery — Milan XHIBIT ’06 — The Arts Gallery — Holborn — London Alhambra Café Gallery — Aldgate East — London Secuestro Express — ICA Institute of Contemporary Arts — London Cinderella» s shoe — Ascoli Piceno — Italy 2005 In the city: Eye for Art — Curator Space Gallery — London From here to here — London Design Festival — London Those Who Wonder — London College of Communication — London Ofcom Office of Communications — Riverside House Southwark — London 2004 The Sound of Print — Symposium — Victoria and Albert Museum — London Ad Fab — Solo painting exhibition — Red Gate Gallery — London Berlin Design Mai — In collaboration with Shift Magazine — Germany Conversation — London College of Communications — London 2003 Ichiza Project — in collaboration with Crossroad Works

Of course, the best course of action is to be mindful of bad client warning signs, provide competent service and keep open lines of communication.

I didn't have a single glitch, mess - up tab, bad line break, or anything else when opening up the final draft in Word.

Our phone lines are open 24 hours a day, 7 days a week, so there is no bad time to connect with us.

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Leaving the subject line blank is the worst: you have to open each one of the 25 messages you've received from that person to find what you're looking for.

As I often reference, like the Charles Dickens» title: «A Tale of Two Cities» opening lines as offered in google copy — «It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we...»