As he commented, «if you've ever had anonymous sex in a park or even in a bathhouse, basically it is like having sex with a
zombie, and not necessarily in a
bad way... having sex with them frees you from the personal and emotional restraints of normal sexual behaviour».65 American scholar Shaka McGlotten echoes this sentiment when he suggests that the «collective zombification» of «contemporary queer sociality» as represented in LaBruce's
zombie films, possesses a creativity and «openness» from which «enlivening modes of agency» can be at the very «least» imagined if not cultivated.66 In symbolising the «return of the repressed» LaBruce's
zombies evoke the idealised polymorphous body of sexual liberation.
The fourth, too, now that we know that Overlord, the
zombie WWII movie
Bad Robot's had in the works for a while is a Cloverfield
film (Julius Avery directs, and it's written by Billy Ray).