Sentences with phrase «worth watching in the film»

Not exact matches

But despite these academic worries, the film is well worth watching, as is the experiment — however naive — in alternatives forms of commerce currently under way in Argentina's worker - managed factories.

A discussion about the proper order to watch the films in the Marvel Universe (obviously, in order of release date, not narrative chronology, dummy) is not worth a rise in blood pressure.

There's enough action, intrigue and drama to convince adults that it's «a serious movie well worth your time» but in reality, it's a film for the whole family, and for many, watching it together has become something of a rite of passage.

So I flew in late to NYC since I stayed on to watch my daughter's 1st play from her drama club (totally worth the wait) I was really keen to get to the filming, even though I knew I was coming down with something (and boy was I ill for the rest of the week with an ear infection — yikes).

This giant of Italian politics is now portrayed in an Italian film, Il Divo, which is well worth watching.

Bullet to the Head is a wasted opportunity to make something quite interesting and worth your time, but instead it just takes bits and pieces to create something that in the end is not worth watching because the film lacks a good story, effective action and more importantly good performances and interesting characters.

Instead, you have to start up the Second Screen feature — which plays supplemental material on your iPad or laptop while you're watching the film — in order to access the commentary track, but once you do, it's definitely worth checking out.

The two documentaries included as special features are nice enough in an HBO Special Presentation kind of way (and are worth watching for the skinny Hirsch footage alone), but they're relatively lightweight and not nearly enough to satiate those for whom this film has become an obsession.

While the milieu of The Strongest Man might be overly familiar to those who watch a lot of indie films (lots of static, symmetrically composed shots, a cast of disaffected, ennui - filled characters), Riches invests enough humanity in the story to make it worth seeking out.

Don't watch this one, you'd be better off watching something else in terms of comedy and The Whole Nine Yards is a bland film definitely not worth your time.

But I grew up in the 1950's and it was so hard to find a good science fiction film worth watching.

Between Southpaw and the generally terrific Creed last year to Hands of Stone and now Bleed for This the question around the story of Vinny Pazienza was always going to be not what made it worth telling - we know what the hook is - but more what makes this film in particular worth watching as the options for such sports dramas are continually growing.

If a science - fiction historical epic starring Michael Fassbender and directed by Justin Kurzel isn't something worth watching, then everyone had better just give up trying to adapt games into films in the first place.

Written and directed by actress Adrienne Shelly, who also has a bit part in this film, I»LL TAKE YOU THERE is an offbeat black comedy that has many bits and pieces that make it worth watching, but as a whole isn't quite substantial enough to remember long afterwards.

Rockwell in particular saves this film and makes it worth a watch.

Originally screened in the at the 2013 Toronto International Film Festival, the film tackling homophobia, racism and poverty is worth the watch.

Zamperini died earlier this year and is played by former Skins actor, Jack O'Connell, who was brilliant in the supremely suspenseful thriller»71 earlier this year, another film worth watching if you have the time this Christmas.

The film is worth watching alone for Manville «Äôs master class in acting.

This film offers an interest in that part of history, and it's something worth a watch due to the fact that these events were quite important and played a big part of bringing justice to one of the biggest crimes ever committed.

Hirsch is best known as being the creator of Disney's the cult favourite «Gravity Falls,» so with him and Perlman both being in the mix, should they do end up writing it, Detective Pikachu might just wind up being a film worth watching for those who aren't Pokémon fans, as well as the ones that are.

His cinematography and camera orchestrations are as sumptuous as ever, almost worth watching without dialogue, and yet, he doesn't exactly offer anything new here — it occasionally seems like he is trying to remake his cult classic, Chungking Express, for a Western audience, with some of the more interesting bits of his other films tossed in for good measure.

If you are a fan of the comics and the first movie or love film noir crime dramas, then Sin City: A Dame to Kill For is definitely worth checking out, especially in 3D, but take my advice and watch the original first or you won't be able to appreciate nuances of the second.

The design of the film is strong; the prophetic dream sequences are incredible to behold, the Watchers look amazing on the screen (introduced in silhouette, a tactic Aronofsky uses a lot here) and there is a truly awe - inspiring sequence of Noah retelling the story so far of Genesis that could legitimately be worth owning this on physical media just to watch again whenever necessary.

Personally, I have but one standard under which I evaluate all films: the movie in question must be worth watching.

Why it's worth a watch: From the insane car chases, to the twisted «70s thriller vibe, to * that * elevator moment, there's no other film in the MCU that touches its prowess.

A slick production design combined with an efficient 80 minute running time, this is a film in the same vein as Zack Snyder's Sucker Punch or Justin Lin's Fast Five, in the sense that it's not a film intended to enlighten, but rather entertain and in that inclination the film is a worth watching.

It's also worth watching for the fine performances by Forsythe and Gwenn, while also notable for the debut of Shirley MacLaine in films — and yes, that's a young Jerry «Leave It to Beaver» Mathers as the young boy.

While the film itself is a bit flimsy, Aphrodite is worth watching just for Sorvino's magnetic performance, in which she takes a hackneyed hooker - with - a-heart-of-gold character and injects it with enough humanity to transform the role into something truly special.

Although it occurs in the last 10 minutes of the movie, it is still worth watching the rest of the film, as well as the factual documentary section which follows.

It's worth mentioning that while the middle section of the film is a tad uneven, it all comes together thrillingly in the final movement, which closes things off with a bang and, as with so many good horror films, makes you rethink what you've seen, and want to watch again.

But Loach's keen eye for unpolished reality (down to the gravy - thick Scottish accents; thankfully the film, while in English, is subtitled) and Mullan's passionate, well - modulated turn keep the film well worth watching.

But I do find these films worth a watch and I knew I had to watch it when irdis Elba was in the film!

The acting in the film is very unique and make this film worth watching just for it alone.

DRONES is definitely worth a watch, its minor imperfections are easily ignored in favour for the drama and entertainment the film delivers.

Like Tron: Legacy this is the kind of film you're cheating yourself by watching it in standard 2D and one that makes it worth the investment to get a 3D system.

Watched sans picture, the film still has the chops to raise the goose pimples, though it's worth mentioning that the alternate DD 2.0 stereo option doesn't cut it in the same way.

It is easily the best sequence in the film and Salvo is worth a watch for it alone.

Enjoyably slick, genuinely tense and well executed, most of this silly, throwaway film is carried with conviction by O'Brien, a talent worth watching in literally any old toss.

Tuck Everlasting is probably a film worth watching with the family, although a well - read adult might not find enough to keep the interest level high in a story that's this predictable.

It also clued me in that this was probably a sequel to John Carpenter's Vampires from 1998, which was an OK vampire film made worth watching by the fact that James Woods is absolutely the man in every film he is in.

To get everyone in the mood, and remind you that all the films that don't win are still worth watching, here's one final Oscars supercut video montage.

Her reaction, in the scene in which Jerry tells Dorothy — with his back turned to her — that he has broken up with his fiancee, Avery (Kelly Preston), is priceless, and alone makes this film worth watching (repeatedly).

It's well worth watching, but if you need the toilet during the film, try to hold it until roughly 115 minutes in, and you may save yourself an unfortunate cinematic low point in an otherwise excellent film.

Even though she was nominated in the wrong category (Gerda Wegener is by all accounts the film's main character and the so - called «Danish Girl» of the title), Alicia Vikander deserved her Academy Award for this performance, and as such The Danish Girl is worth watching for her brilliance alone.

The film is now available on Amazon Prime and is worth a watch if you're in a silly mood and feel like seeing some Mighty, Morphin» Power Rangers.

The disc also includes an optional laugh track, the ability to watch the film in fast - forward («The Quickie») and twelve deleted / extended / alternate scenes, but they're hardly worth your time.

In this series, I will take a look at a film releasing in theatres this week and recommend an older / classic film either as a double feature companion (if the new release looks to be worth watching) or a substitute (if it looks like the new release is of the skippable varietyIn this series, I will take a look at a film releasing in theatres this week and recommend an older / classic film either as a double feature companion (if the new release looks to be worth watching) or a substitute (if it looks like the new release is of the skippable varietyin theatres this week and recommend an older / classic film either as a double feature companion (if the new release looks to be worth watching) or a substitute (if it looks like the new release is of the skippable variety).

Here's the question worth asking: If the most vile character in the film (and that's saying something in this one) is intimidating this young and none - too - bright young woman into stripping for him, and we watch, how complicit does that make us in his actions?

With that said, it's pretty incredible at how many great actors writer / director Peter Landesman was able to cast in the film — some of whom play such small, peripheral roles that they're only in a scene or two — because it's the quality of the talent that makes «Parkland» worth watching.

Eight of these scenes merely show extra footage from scenes in the finished film, but three, which show Tracy with her former friends, an early visit from Tracys dad, and Evie shunning one of Tracys old friends, are worth watching.