The truly memorable and most gut -
wrenching scenes of the film come in the form of found - footage (truly found fooage!)
Not exact matches
There is a
scene where Gonzalez, the youngest member
of the cast, delivers the most emotionally raw moment in the
film, and it is gut -
wrenching in the best way (think Hiro's «I'm satisfied with my care» moment in «Big Hero 6,» times infinity).
He's already racked with guilt from watching the costs
of his education tear their marriage apart — in the
film's most
wrenching scene, we discover that David's father has slumped into a drunken stupor.
Interpolating the last day
of Mishima's life with
scenes from his
wrenching novels and his youth, Schrader evokes
films like Kurosawa's Rashoman and Kobayashi's Kwaidan, while also exploring the themes
of masculinity, honor and dedication that resonate both in Japanese culture and in the director's other work.
This time round his alter - ego Wade Wilson finds himself on the cusp
of parenthood, only to have the chance tragically
wrenched away during the
film's unexpected opening
scenes (a surprise neatly reflected in the James Bond - style titles sequence featuring credits such as: «Written By: the real villains
of this
film» and «Starring: someone who clearly doesn't like sharing the limelight»).
Berg's touch with the battle
scenes is equally focused,
filming with an intentional frenzy full
of gut -
wrenching stunt work.
And Jordan — Coogler's muse between this, Creed, and Fruitvale Station — plays the character with such moving, occasionally gut -
wrenching commitment, as in a
scene in which he visits his deceased father on the ancestral plane, that it nearly mitigates the goofiness
of his moniker and the superficiality
of the
film in toto.
The Forgotten is a fairly bad idea for a
film, only made better by two very strong factors: Julianne Moore's gut -
wrenching portrayal and the solid score by James Horner (Aliens, Apollo 13), who gives every
scene the right sense
of foreboding required to achieve edge -
of - your - seat chills.
After a hilarious sequence showing renowned dodgeball champion Patches O'Houlihan (Rip Torn) whipping the Average Joe's crew into shape (with the help
of wrenches and traffic), we're subjected to the most perverse masturbation
scene in the history
of film, a bit that's not just unfunny but seriously disturbing.
«Boyhood»: Richard Linklater's masterwork, and a piece
of cinema as superb as it is unique, with one boy's step - by - step trek through the years brought to meaningful, beautiful life in a
film made up almost entirely
of the kinds
of real,
wrenching and funny
scenes other, lesser movies either cut or never include in the first place.