Sentences with phrase «write about character»

Rather than write about a character who stays the same from book to book, I decided, my series would be about the process of becoming a hero.

Traditionally, requiring students to write about a character from a book is a task that most students find quite boring.

Simple resource to encourage children to write about a character from a story, can be made more challenging by adding more lines (which is what I did for my more able children).

Always Write About the Character, Not the Costume Christopher Markus: We never have a character slug line in the script that says Captain America or Iron Man — it's always «Steve Rogers» or «Tony Stark.»

The most common error that I see in peoples online dating profiles is that they write about their character.

It doesn't interest me to just write about a character's relationship or a comedy for the sake of doing a comedy.

Or perhaps like the poor gullible fool you are, you just accept things on faith knowing that nothing was written about this character until 30 - 40 years after death and knowing that stories told like that so many years after could very well hold little accuracy.

He admitted to Waugh what he had said to himself: «I wish Evelyn would write about characters whom one would like to meet in life....

Can you imagine if Terms of Endearment were out now, the kind of lengthy think pieces that would be written about both characters in terms of whether Aurora was a stereotype or Emma was a stereotype — there would have been no room for the film to simply exist and breathe on its own without a town meeting on whether or not they were portrayed correctly.

This helps them to place extracts in context when responding to the extract question and to organise essays chronologically when writing about a character or theme.

Through a selection of practical games and activities students will gradually build up their experience of writing about character.

The questions (10 to 15 for each chapter) aim to keep notes of each chapter as well as support the students» understanding of how to write about characters, setting, language and style.

This detailed and high quality unit includes: * 24 lesson plans (with 13 differentiation strategies) * 116 slide PowerPoint presentation (divided into lessons) * All resources and worksheets (20 sheets) * Homework project (7 tasks) that includes both reading and writing skills * End - of - unit reading / writing exam * End - of - unit exam mark scheme (suitable for KS3 Levels 4 - 7, with GCSE 1 - 9 conversion) Unit's lessons include: * Contexts match - up activity * Reading and discussing the whole play * Exploring Salem society in the 1690s - power and influence * Exploring key characters * In - depth analysis of characters - John Proctor and Reverend Hale * Essay writing skills - writing about characters * In - depth analysis of themes - relationships, jealousy, respect, religion * Exploring tension across the play * Linking the play to the 1950s McCarthy Era * 2 huge 60 - question revision quizzes * Spelling tests on key vocabulary (differentiated by writing level) * SPaG starter activities * End - of - unit reading exam (GCSE English Language / Literature style) * End - of - unit writing exam (GCSE English Language style) * Teacher / peer / self assessment opportunities

This unique set of lesson plans contains all of the teaching resources that you will need for your students to write about the characters from this story.

Students write about their characters inside the vest area and they glue descriptive adjectives on the character's arms, legs, and pants / skirt.

Making authors sign away rights to characters — so you can never write about those characters again without paying the agent a fee.

In the video below, Junot Díaz eloquently explains why he enjoys writing about his character Yunior in This Is How You Lose Her; and in the following written interview, he discusses his first book, Drown, and his Pulitzer Prize - winning novel, The Brief Wondrous Life of Oscar Wao.

To the latter, Ben Greenman thought about it for a second and remembered being told to write about characters as if they didn't know they were being looked at; a trick that for him has offered a lot of creative freedom.

As one of the powerhouse young adult authors who championed the #YASaves hashtag on Twitter, a cause that was taken up by authors and readers alike who felt that powerful teen literature had helped them survive high school and shaped them into the adults they are today, Rainfield often writes about the characters and topics that teen readers hunger for but that the adults in their lives want to pretend aren't real.

Fortunately, I still enjoy writing about those characters, so this isn't any sort of hardship for me.

The author writes about characters, plots and settings which are imagined and not real.

Author Bio: Ann McGinnis writes about characters that let their egos and sense of justice rule their lives, while they protect the public from serial killers and unthinkable crimes.

She writes about characters in peril, who sometimes find a moment for romance.

Not exact matches

For much of his career, he wrote bitterly satirical novels about well - off Londoners; even when the prospect of nuclear catastrophe arises, as it does in London Fields (1989), Amis seems to treat «The Crisis,» the coming «horrorday,» primarily as a vehicle for revealing the largely unpleasant traits of his handful of main characters.

Anyway, when I write about the non-violent character and nature of God, I often get accused of «cherry - picking» the Bible.

The person has not fared especially well at the hands of modern attempts to write about history, which have generally sought to locate historical explanations in the workings of large structures, impersonal forces, and social groups rather than the vagaries and razor - edged contingencies of individual character and agency.

I'm starting every day by writing down five things I am thankful for and five things I know to be true about God's character.

CNN: My take: «Atheist» isn't a dirty word, congresswoman Chris Stedman, author of «Faitheist: How an Atheist Found Common Ground with the Religious,» writes that when Rep. Kyrsten Sinema's campaign said «the terms non-theist, atheist or non-believer are not befitting of her life's work or personal character» it implied that there is something unfavorable about nonbelievers.

A story about a magical character written decades after he supposedly died is not historical evidence of a non magical person existing.

In some sense, indeed, Kierkegaard's life could be written as a kind of dark comedy; despite his premature death, and a great number of sadnesses that afflicted him along the way, there was something enchantingly absurd about his character, a certain benign perversity that often prompted him to make himself willfully ridiculous, and a peculiarly touching element of the ludicrous that clung to him all the way to his early grave.

She is delicate (like a barracuda) in her maneuvers around the third main character in Leaf's drama, a graduate student who is writing her dissertation about the moment in 1973 when Margolies lost an election for the presidency of a national feminist association to a rival supported by Feinberg.

Readers are thus made to feel like witnesses to what actually happened, with access to the thoughts and motives both of the characters in the drama and of those who wrote about them, the authors of the sources used to build an uncluttered reality.

Hereâ $ ™ s some of the things that grabbed me: important theological / spiritual themes are developed through the story such as good and evil, leadership, courage, love, forgiveness, and unity; good character development; convincing geographical descriptions; it does feel like the same kind of worlds Tolkien, Charles Williams and C. S. Lewis wrote about.

He is passionate about helping people break - free from religious oppression by writing about the true character of God, love.

One of my favorite role - playing situations in conferences of ministers and priests has found me assuming the role of minister or priest, while two of the participants are given the roles of a husband and wife with some written background about their character and how they fight.

A second clue is something you wrote in a comment to me which I found odd (not the comment where you called me a troll — an ugly character — that's totally understandable) I'm talking about when you wrote: «I wouldn't say my «faith» changes.

Luke had been at pains to make clear that the risen Jesus was no otherworldly spirit but a physical form with flesh and bones, 42 who consequently presented his disciples with infallible proofs.41 The risen Christ came to be regarded as having conducted a fresh ministry with his disciples, and in these forty days he «taught them about the kingdom of God».41 But since the experience of the risen Christ was not of this character at the end of the century when Acts was written, it had to be made clear that this kind of experience was brought to an end by a new event, the Ascension.

These skills are helpful in building character and rediscovering the «vanishing» American adult the junior senator from Nebraska writes about.

Anything in your book written about what jesus did or said were written decades after the jesus character was said to have lived.

It's almost like how sometimes fiction writers talk about how their characters write their own stories without their permission.

Anything else ever written about your storybook character jesus was written by people in the same deluded cult as you are.

This is Greek historical writing at its concise best, elaborating the facts simply whilst working in a wealth of information about all the characters involved.

(Example: Benjamin Constant was often marveled at as an extraordinary instance of superior intelligence with inferior character, He writes [Journal, Paris, 1895, p. 56]-RRB-, «I am tossed and dragged about by my miserable weakness.

It's when the Kentucky character in Re-Membering is at his spiritually lowest, wandering around the streets of San Fransisco at dawn, that he muses about how it would be great to live there (away from his wife and roots) and learn Japanese and all about Zen Buddhism, something Gary Snyder really did, after he had already written a book all about Northwest Native American mythology.

The characters about which Toomer writes are caught up in the social order of Jim Crow and yet they manage to tap into the deeper, spiritual rhythms that stand as a bulwark against the prevailing order.

Christian ethicists like Stanley Hauerwas have utilized what Aquinas wrote about the cardinal and theological virtues in their own work on the formation of Christian character.

In writing about the ministry of Jesus, Luke gave a focal place to scriptural texts highlighting his salvific character.

Wonderful... I once wrote a paper for a theology class about the «madness» of a Bible character and chose Jonah.

(26) Rogers, in emphasizing the first level, is consistent with his theological mentor, G. C. Berkouwer, who wrote: «Every word about the God - breathed character of Scripture is meaningless if Holy Scripture is not understood as the witness concerning Christ....

I was writing blogs, reading blogs, commenting on blogs, commenting on comments, joining groups, creating groups, posting bulletins, reading bulletins, taking top ten quizzes that told the world what I thought about my favorite CDs, movies and what character I would be if I was living in the world of Buffy the Vampire Slayer!