Sentences with phrase «write good flash fiction»

Lynne Cantwell wrote some tips on how to write good flash fiction here.

Not exact matches

Dina is the assistant managing editor at Compose A Journal of Simply Good Writing and an editor at Flash Fiction Magazine.

Good writers can pack a universe into a piece of flash fiction and bad ones can write paper - thin characters and hackneyed prose across 200,000 words.

Established in 2003, SmokeLong Quarterly aims to publish the best flash fiction to the web, whether written by widely published authors or those new to the craft.

GADM: I like writing drabbles or flash fiction best because it takes a lot of work to hit the word count, especially the 100 - word drabbles.

To answer your question, I haven't written any flash fiction, and all the short stories I've read are longer than this, but my attempts to emulate the genre have left me with new respect for those who write it and do it well.

There will always be a need for good, tightly - written flash fiction pieces — miniature condensations that open out the world for and with us.

In a good flash fiction there is no over writing because words are at a premium.

Wagner's own website is a catalog of his writing style, including sample flash fiction stories that are open to readers, as well as a purchasable works from short story anthologies and longer titles.

My short story and flash fiction writing is going well, I'm roughly 20k words into a slipstream novel set in Lincolnshire and of course I keep revising / submitting the first book in the Strandline series.

This flash / poem (if there is such a thing) is dedicated to my friend Charli, who in her grief for the recent loss of her best friend asked us to write a 99 word Flash Fiction about a breathless moment, to... Continue readflash / poem (if there is such a thing) is dedicated to my friend Charli, who in her grief for the recent loss of her best friend asked us to write a 99 word Flash Fiction about a breathless moment, to... Continue readFlash Fiction about a breathless moment, to... Continue reading →

I just did my first flash fiction, and appreciate your read and the good information in this hub to help improve this type of writing.

These are nowhere near as short as those Chris was able to write but they are the best I could come up with given both the Hub Page preferred minimum word count and my ability as a flash fiction writer.

Nancy Stohlman is the author of three books of flash fiction, editor of three anthologies of flash fiction, and a prominent instructor of flash fiction techniques; Tara Lynn Masih is the founding editor of Best Small Fictions anthology series and the Field Guide to Writing Flash Fiction; Lynn Mundell is a co-founder of 100 Word Story and 2017 Wigleaf Top 50; and Grant Faulkner is the author of Pep Talks for Writers and the flash collection Fissflash fiction, editor of three anthologies of flash fiction, and a prominent instructor of flash fiction techniques; Tara Lynn Masih is the founding editor of Best Small Fictions anthology series and the Field Guide to Writing Flash Fiction; Lynn Mundell is a co-founder of 100 Word Story and 2017 Wigleaf Top 50; and Grant Faulkner is the author of Pep Talks for Writers and the flash collection Fifiction, editor of three anthologies of flash fiction, and a prominent instructor of flash fiction techniques; Tara Lynn Masih is the founding editor of Best Small Fictions anthology series and the Field Guide to Writing Flash Fiction; Lynn Mundell is a co-founder of 100 Word Story and 2017 Wigleaf Top 50; and Grant Faulkner is the author of Pep Talks for Writers and the flash collection Fissflash fiction, and a prominent instructor of flash fiction techniques; Tara Lynn Masih is the founding editor of Best Small Fictions anthology series and the Field Guide to Writing Flash Fiction; Lynn Mundell is a co-founder of 100 Word Story and 2017 Wigleaf Top 50; and Grant Faulkner is the author of Pep Talks for Writers and the flash collection Fifiction, and a prominent instructor of flash fiction techniques; Tara Lynn Masih is the founding editor of Best Small Fictions anthology series and the Field Guide to Writing Flash Fiction; Lynn Mundell is a co-founder of 100 Word Story and 2017 Wigleaf Top 50; and Grant Faulkner is the author of Pep Talks for Writers and the flash collection Fissflash fiction techniques; Tara Lynn Masih is the founding editor of Best Small Fictions anthology series and the Field Guide to Writing Flash Fiction; Lynn Mundell is a co-founder of 100 Word Story and 2017 Wigleaf Top 50; and Grant Faulkner is the author of Pep Talks for Writers and the flash collection Fifiction techniques; Tara Lynn Masih is the founding editor of Best Small Fictions anthology series and the Field Guide to Writing Flash Fiction; Lynn Mundell is a co-founder of 100 Word Story and 2017 Wigleaf Top 50; and Grant Faulkner is the author of Pep Talks for Writers and the flash collection FissFlash Fiction; Lynn Mundell is a co-founder of 100 Word Story and 2017 Wigleaf Top 50; and Grant Faulkner is the author of Pep Talks for Writers and the flash collection FiFiction; Lynn Mundell is a co-founder of 100 Word Story and 2017 Wigleaf Top 50; and Grant Faulkner is the author of Pep Talks for Writers and the flash collection Fissflash collection Fissures.

I feel like the flash fiction I've written has been good practice for short stories, but I don't know if the same is true for longer work.

Over the course of this series Nath Jones's writing style develops from the raw, associative, tyrannic rambles of cathartic non-fiction, flash fiction, and rant in The War is Language and our digital domains, to the delightful rough - hewn vignettes of 2000 Deciduous Trees, into the compact characterizations of the fictionalized tellings in Love & Darts, and finally toward How to Cherish the Grief - Stricken's fully - crafted short stories that use literary devices and narrative elements to reveal a world well - rendered.

To ease myself back into writing everyday for 365 days, I'm in search of a good flash fiction prompt site.

We publish poetry, fiction, flash fiction, and creative non-fiction, inviting all unpublished literature written in the English language (and translations that are accompanied by the original text) as well as many forms of visual art.

SmokeLong Quarterly is dedicated to bringing the best flash fiction to the web on a quarterly basis, whether written by widely published authors or those new to the craft.