Sentences with phrase «write in contemporary context»
Gather some examples of the problems that you are discussing in the essay as it is important to write in contemporary context.
https://www.studentsassignmenthelp.com/ Not exact matches
In this context, it is difficult to make the familiar Euro - American argument that the Bible was clearly written for a totally alien society with which modems could scarcely identify, and so its detailed moral laws can not be applied in the contemporary worlIn this context, it is difficult to make the familiar Euro - American argument that the Bible was clearly written for a totally alien society with which modems could scarcely identify, and so its detailed moral laws can not be applied in the contemporary worlin the contemporary world.
As Victoria L. Valentine writes in an extended preview for Culture Type, «The Seattle Art Museum (SAM) is organizing a major exhibition of three critically recognized African American artists... The exhibition will explore how their distinct approaches to figuration and history painting have recast the Western canon and challenged perceptions of race and representation in a contemporary context.»
The Interview is a discussion between author and artist and their influences and motivations, the Survey looks at the artist's work in historical and contemporary context, Focus is an analysis of a single piece of the artist's work, Studio Visit brings you into the artist's creative space and Artist's Writing gives further insight into the artist themselves.
an artist whose proposed project does not directly address contemporary visual art (a piece of writing by an artist does not automatically qualify as «arts writing» in this context);
Working across video, writing, installation and other new media, the interdisciplinary artist explores «dialectics formalized in Black radicalism and organized labor into a context of networked virtual life» and seeks to reveal dynamics at play and embedded in technology and contemporary culture.
Hudson & 8th Ave. / thru 7/20 Opening 6/14 Flip Side thru 8/12; Fiercely Modern thru 9/16; Etc. / Rubin Museum / 150 W 17 Screens: N.Beloufa; R.Harrison; J.Kessler; J.Kline; G.Sagri; N.Guagnini; J.Preiss; A.Yi / Murray Guy / 453 W 17 / thru 6/15 John Stezaker; Troy Brauntuch / Petzel / 456 W 18 / thru 6/13 Paul McCarthy; Damon McCarthy / Hauser & Wirth / 511 W 18 (new, second NYC location) / thru 7/26 Opening 6/20 Jorge Macchi / Alexander and Bonin / 132 10th Ave. @ 18 / thru 6/22 Ralph Fasanella / Edlin / 134 Tenth Ave. / thru 6/22 Heavy Metal; Tabitha Vevers thru 6/29; James Weingrod thru 7/27 / Bookstein / 138 Tenth Ave. @ 19 Great Leap / Cohen / 251 W 19 / thru 6/25 Fluxus Documents / Fluxus Foundation / 454 W 19 / thru 6/29 Songs for Spirit Lake / Rauschenberg Foundation Project Space / 455 W 19 / thru 6/29 Frank Nitsche / Koenig / 459 W 19 (new location) / thru 7/20 Maintenance Required curated by Whitney ISP fellows / Kitchen / 512 W 19 / thru 6/22 Lucien Samaha / Lombard - Freid / 518 W 19 / thru 8/2 Opening 6/6 Rashawn Griffin / Gasser Grunert / 524 W 19 / thru 6/15 Cui Fei / Chambers / 522 W 19 / thru 6/7 Jeff Koons / Zwirner / 525 & 533 W 19 / thru 6/29 Abstract Expressionism, In Context: Seymour Lipton / Rosenfeld / 100 Eleventh Ave. @ 19 / thru 8/2 Laddie John Dill / Nyehaus / 358 W 20 / thru 7/26 Toyin Odutola / Shainman / 513 W 20 / thru 6/29 Jeff Ladouceur / ZieherSmith / 516 W 20 / thru 7/12 Anna Ostoya / Bortolami / 520 W 20 / thru 6/7 Dario Escobar / Bienvenu / 529 W 20 — floor 2 / thru 7/18 Vanishing Point / Bitforms / 529 W 20 — floor 2 / thru 7/19 Marcos Bontempo / Ricco - Maresca / 529 W 20 — floor 3 / thru 6/15 Jerry Meyer / Bibro / 529 W 20 — floor 4 / thru 7/6 Go - Slow / Skoto / 529 W 20 — floor 5 / thru 7/31 Textures: The Written Word in Contemporary Art / ACA / 529 W 20 — floor 5 / thru 6/15 Victor Pesce / Harris / 529 W 20 — floor 6 / thru 7/26 Spring Revival: D.Brice; C.Haub; R.MacArthur; M.Palmer; S.Piwinski; R.Rodriguez; Y.Sanchez; D.Smith; J.Urso / Markel / 529 W 20 — floor 6 / thru 6/29 Perla Krauze / Scott / 529 W 20 / floor 7 / thru 6/22 George Sugarman / Snyder / 529 W 20 — floor 10 / thru 6/15 Sopheap Pich / Rollins / 529 W 20 — floor 10 / thru 6/14 Shio Kusaka / Kern / 532 W 20 / thru 6/22 Richard Serra thru 6/15; Blinky Palermo thru 6/29 / Zwirner / 537 W 20 (new, additional location) Mac Adams / Dee / 545 W 20 / thru 8/9 Martin Boyce; Hannah Starkey / Bonakdar / 521 W 21 / thru 6/8 (extended) Bruce Conner / Cooper / 521 W 21 / thru 6/22 Shaking the Habitual: Michael Bevilacqua; James Busby; Jeff Elrod / Kravets Wehby / 521 W 21 / thru 6/14 Anselm Kiefer / Gagosian / 522 W 21 / thru 6/8 Garth Weiser / Kaplan / 525 W 21 / thru 6/22 Ugo Rondinone / Gladstone / 530 W 21 / thru 7/3 Mark di Suvero / Cooper / 534 W 21 / thru 6/29 Sean Scherer / Guided By Invoices / 558 W 21 / thru 6/8 Ellsworth Kelly / Marks / 502 W 22 / thru 6/29 Mark Woods / Newman Popiashvili / 504 W 22 / thru 6/22 Ann Toebbe / Rowe / 504 W 22 / thru 6/15 Ellsworth Kelly / Marks / 522 W 22 / thru 6/29 Wolf Kahn / Ameringer McEnery Yohe / 525 W 22 / thru 7/26 Opening 6In Context: Seymour Lipton / Rosenfeld / 100 Eleventh Ave. @ 19 / thru 8/2 Laddie John Dill / Nyehaus / 358 W 20 / thru 7/26 Toyin Odutola / Shainman / 513 W 20 / thru 6/29 Jeff Ladouceur / ZieherSmith / 516 W 20 / thru 7/12 Anna Ostoya / Bortolami / 520 W 20 / thru 6/7 Dario Escobar / Bienvenu / 529 W 20 — floor 2 / thru 7/18 Vanishing Point / Bitforms / 529 W 20 — floor 2 / thru 7/19 Marcos Bontempo / Ricco - Maresca / 529 W 20 — floor 3 / thru 6/15 Jerry Meyer / Bibro / 529 W 20 — floor 4 / thru 7/6 Go - Slow / Skoto / 529 W 20 — floor 5 / thru 7/31 Textures: The Written Word in Contemporary Art / ACA / 529 W 20 — floor 5 / thru 6/15 Victor Pesce / Harris / 529 W 20 — floor 6 / thru 7/26 Spring Revival: D.Brice; C.Haub; R.MacArthur; M.Palmer; S.Piwinski; R.Rodriguez; Y.Sanchez; D.Smith; J.Urso / Markel / 529 W 20 — floor 6 / thru 6/29 Perla Krauze / Scott / 529 W 20 / floor 7 / thru 6/22 George Sugarman / Snyder / 529 W 20 — floor 10 / thru 6/15 Sopheap Pich / Rollins / 529 W 20 — floor 10 / thru 6/14 Shio Kusaka / Kern / 532 W 20 / thru 6/22 Richard Serra thru 6/15; Blinky Palermo thru 6/29 / Zwirner / 537 W 20 (new, additional location) Mac Adams / Dee / 545 W 20 / thru 8/9 Martin Boyce; Hannah Starkey / Bonakdar / 521 W 21 / thru 6/8 (extended) Bruce Conner / Cooper / 521 W 21 / thru 6/22 Shaking the Habitual: Michael Bevilacqua; James Busby; Jeff Elrod / Kravets Wehby / 521 W 21 / thru 6/14 Anselm Kiefer / Gagosian / 522 W 21 / thru 6/8 Garth Weiser / Kaplan / 525 W 21 / thru 6/22 Ugo Rondinone / Gladstone / 530 W 21 / thru 7/3 Mark di Suvero / Cooper / 534 W 21 / thru 6/29 Sean Scherer / Guided By Invoices / 558 W 21 / thru 6/8 Ellsworth Kelly / Marks / 502 W 22 / thru 6/29 Mark Woods / Newman Popiashvili / 504 W 22 / thru 6/22 Ann Toebbe / Rowe / 504 W 22 / thru 6/15 Ellsworth Kelly / Marks / 522 W 22 / thru 6/29 Wolf Kahn / Ameringer McEnery Yohe / 525 W 22 / thru 7/26 Opening 6in Contemporary Art / ACA / 529 W 20 — floor 5 / thru 6/15 Victor Pesce / Harris / 529 W 20 — floor 6 / thru 7/26 Spring Revival: D.Brice; C.Haub; R.MacArthur; M.Palmer; S.Piwinski; R.Rodriguez; Y.Sanchez; D.Smith; J.Urso / Markel / 529 W 20 — floor 6 / thru 6/29 Perla Krauze / Scott / 529 W 20 / floor 7 / thru 6/22 George Sugarman / Snyder / 529 W 20 — floor 10 / thru 6/15 Sopheap Pich / Rollins / 529 W 20 — floor 10 / thru 6/14 Shio Kusaka / Kern / 532 W 20 / thru 6/22 Richard Serra thru 6/15; Blinky Palermo thru 6/29 / Zwirner / 537 W 20 (new, additional location) Mac Adams / Dee / 545 W 20 / thru 8/9 Martin Boyce; Hannah Starkey / Bonakdar / 521 W 21 / thru 6/8 (extended) Bruce Conner / Cooper / 521 W 21 / thru 6/22 Shaking the Habitual: Michael Bevilacqua; James Busby; Jeff Elrod / Kravets Wehby / 521 W 21 / thru 6/14 Anselm Kiefer / Gagosian / 522 W 21 / thru 6/8 Garth Weiser / Kaplan / 525 W 21 / thru 6/22 Ugo Rondinone / Gladstone / 530 W 21 / thru 7/3 Mark di Suvero / Cooper / 534 W 21 / thru 6/29 Sean Scherer / Guided By Invoices / 558 W 21 / thru 6/8 Ellsworth Kelly / Marks / 502 W 22 / thru 6/29 Mark Woods / Newman Popiashvili / 504 W 22 / thru 6/22 Ann Toebbe / Rowe / 504 W 22 / thru 6/15 Ellsworth Kelly / Marks / 522 W 22 / thru 6/29 Wolf Kahn / Ameringer McEnery Yohe / 525 W 22 / thru 7/26 Opening 6/6
If Anderson's paintings have contemporary affinities in practices (especially with that of Peter Doig, his former teacher), the theoretical contexts they summon are well - rooted — in particular those teleological forecasts about the relationship between his chosen genres as articulated by critics including Kenneth Clark and Clement Greenberg; the latter wrote, in 1949, of the evolutionary conundrum whereby French painting «was brought to the verge of abstraction in and by its very effort to transcribe visual experience with ever greater fidelity.»
This book contains a series of texts that help install contemporary art in the Southern Cone, in relation to their contexts of production and exhibition, a deeply critical and informed view of an author who has written extensively and is a must - read for anyone in the art field.
It had some important information that I used in writing the first of what I hope will be a series of familiar essays in which I try to bring selected ideas — that my reading of Aldo Leopold has placed in my head — into a contemporary context and personal meaning for me.
In writing that is rich in detail, strong in analysis and informed by their research experience they argue for a deeper appreciation of the creativity inherent in Aboriginal and Torres Strait Islander social life, and the way that knowledge is constructed and deployed in complex intercultural contexts in contemporary AustraliIn writing that is rich in detail, strong in analysis and informed by their research experience they argue for a deeper appreciation of the creativity inherent in Aboriginal and Torres Strait Islander social life, and the way that knowledge is constructed and deployed in complex intercultural contexts in contemporary Australiin detail, strong in analysis and informed by their research experience they argue for a deeper appreciation of the creativity inherent in Aboriginal and Torres Strait Islander social life, and the way that knowledge is constructed and deployed in complex intercultural contexts in contemporary Australiin analysis and informed by their research experience they argue for a deeper appreciation of the creativity inherent in Aboriginal and Torres Strait Islander social life, and the way that knowledge is constructed and deployed in complex intercultural contexts in contemporary Australiin Aboriginal and Torres Strait Islander social life, and the way that knowledge is constructed and deployed in complex intercultural contexts in contemporary Australiin complex intercultural contexts in contemporary Australiin contemporary Australia.