Sentences with phrase «write reviews of films»

It is not clear whether women chose to write reviews of films with women directors and writers or if editors assigned these films to women writers.

You can read Matt Goldberg's written review of the film on the site right now, but if a spoiler - free video review from a bunch of comic book nerds is your thing then the Collider Heroes crew has got you covered.

Play trapdoor for speaking or use as a scaffold to write a review of a film you have watched in class.

Not exact matches

A couple of weeks ago, Cunningham wrote a stunning review of the aforementioned film about Apple's famous founder.

Rather than write this type of review, I wanted to offer my personal take on the film as a parent of a child with concussions and as concussion educator, and why I think parents should see Head Games.

Dr. Peden has written or contributed to more than 160 peer - reviewed scientific publications on the kinetics and mechanisms of automobile exhaust catalysis; the development of zeolite catalysts for diesel engine emission control; hydrocarbon reforming over bimetallic catalysts; the structure of hydroprocessing catalysts; the development of novel, supported solid acid catalysts for petroleum refining; the growth and properties of oxide and semiconductor thin films; and model studies of adhesion at metal / metal - oxide interfaces.

I enjoyed this film about typewriters so much that I feel guilty writing this review on a computer instead of a Smith Corona.

I recently read Roger Ebert's review of a urban crime picture «Clockers» (A film I greatly disliked) he wrote something true from the results of black on black drugs and violence.

Voted Most Outstanding Journalist of the Decade by the Disilgold Soul Literary Review in 2008, Kam Williams is a syndicated film and book critic who writes for 100 + publications around the U.S. and Canada.

The sadness of being an incorrigible completist, I have to finish all these three films before writing my review, Ned Benson's ambitious feature - length debut is a post-trauma story of a young couple Conor (McAvoy) and Eleanor (Chastain) in

I was not solely thinking about Ebert's essay (he hasn't written a review that I have seen so far), but also Tod Browning's FREAKS which even has a bit of a similar ending, Sam Fuller's Naked Kiss which has the female lead «realize» a horrific situation at the and several modern films.

As for the story, it has potential but fails to follow through; writes the Guardian in a two - star review typical of the overall reaction, «Byzantium starts to introduce issues that you'd seldom find in most vampire films, before cutting of the blood and leaving them to die.»

The sadness of being an incorrigible completist, I have to finish all these three films before writing my review, Ned Benson's ambitious feature - length debut is a post-trauma story of a young couple Conor (McAvoy) and Eleanor (Chastain) in New York after losing their child in an unspecified

It's not meant to be academic film writing, even if Slant's reviews do go deeper than most in terms of analysis.

I did not want to write a review, but the last scene of the film made me do it.

I can't wait to write my review, but suffice it to say that it's unlike any film you'll see this year, just as its probably one of the last gasps of this kind of film from a major studio, where the shock and awe comes from expert artistry of the hand drawn variety rather than CGI (which Scorsese mastered in Hugo).

Reviewed by Damien Straker on the 9th of March 2018 Roadshow presents a film by John Francis Daley and Jonathan Goldstein Produced by John Davis, Jason Bateman, John Fox and James Garavente Written by Mark Perez Starring Jason Bateman, Rachel McAdams, Billy Magnussen, Sharon Horgan, Lamorne Morris, Kylie Bunbury, Jesse Plemons, Michael C. Hall and Kyle Chandler Music by Cliff Martinez Cinematography Barry Peterson Edited by Jamie Gross, Gregory Plotkin and David Egan Running Time: 100 minutes Rating: MA15 + Release Date: the 22nd of February 2018

Alone among his critical colleagues who became filmmakers, he insisted from the beginning that his writing and filmmaking were essentially alternate vehicles for the same discourse; his early movies functioned as film criticism the same way his reviews anticipated much of his filmmaking.

The film is, as I wrote in my own review, an immaculate and often startling piece of work, and while I think Haneke has made richer, more satisfying films in his career, I'm already looking forward to revisiting this one.

IndieWire's David Ehrlich gave the film a D +, writing in his review, «By turning Tarzan into just another superhero, David Yates» blockbuster origin story wastes one of literature's great wild men.»

At various points in his fantastically varied and storied career he wrote position papers on the need of support for a moribund Australian film industry, wrote and directed numerous episodes of such seminal TV shows as Homicide and Division 4 for Crawford Productions, was central in establishing film courses and departments in places such as Canberra and Brisbane (Griffith University), wrote plays and performed poems at Melbourne University and La Mama in the 1960s, directed feature films in the early 1980s (most memorably Ginger Meggs in 1982), made documentaries for the ABC and SBS (The Myth Makers, Images of Australia, The Legend of Fred Paterson, and numerous others), wrote and edited such books as Screenwriting: A Manual and Queensland Images in Film and Television, helmed commercials for a vast array of companies and government bodies, contributed film reviews to ABC radio (and more occasionally TV) across various states (for almost 40 years), wrote for numerous publications including Overland, The Canberra Times, Metro, The Concise Encyclopedia of Documentary Film, The Hobart Mercury, and so much more.

* Wrote music reviews, concert reviews, film reviews, feature pieces and local living articles for Bay Area newspapers including the Oakland Tribune, the Tri-Valley Herald, the Daily Review and The Argus, which boast a combined circulation of over 250,000.

An active member is defined as a member who writes regular film criticism for online publications, published with a minimum frequency of once a month or at least 20 reviews per year.

A big fan of adventure both on the big screen and off, I split my time between writing film reviews and updating my travel blog.

I am of a mind to think that I should just write one review to cover all of the Michael Bay Transformers series, as the strengths and weaknesses are virtually identical in each respective film.

You wrote another subjective opinion I hated about SILVER LININGS PLAYBOOK - a weird thing for a critic who is assigned to review films to do - so clearly the precedent is set and all of your subjective opinions are null and void.

That's the only way reviews have ever worked for a mainstream audience, be it as part of the captive audience for weekly reviews as part of a newscast, as a column in a popular magazine or newspaper, on its own as in shows like Siskel & Ebert At The Movies, or even in print — Leonard Maltin, another beloved film critic and film historian, established his name writing a book of capsule reviews.

Women writing reviews were most likely to hold the job title of staff writer (35 %), followed by film critic (29 %), freelancer (29 %), or some other type of critic (8 %).

Men critics in areas other than film wrote an average of 6 film reviews whereas women with this job title wrote an average of 3 film reviews.

The sample included reviews written by film critics; other types of critics including those for television, music, and popular culture; staff reporters; and

Of the reviews written by men, 14 % were for films with at least one woman director or writer and 86 % were for films with only men as directors and writers.

Men film critics wrote an average of 25 reviews whereas women film critics wrote an average of 19 reviews.

Reviewing the film for The Times, Justin Chang wrote: «One of the best things about «Stronger,» which Green directed from a script by John Pollono, is that it doesn't shy away from, much less attempt to stifle, the anger, despair and terrible loneliness that Bauman experienced during his long, painful rehabilitation.

Of the reviews written by women, 33 % were for films featuring a female protagonist or ensemble cast and 67 % were for films featuring a male protagonist.

Men wrote more reviews of films in all genres than women.

Reviewed by Damien Straker on the 27th of January 2018 eOne presents a film by Steven Spielberg Produced by Steven Spielberg, Kristie Macosko Krieger and Amy Pascal Written by Liz Hannah and Josh Singer Starring Meryl Streep, Tom Hanks, Sarah Paulson, Bob Odenkirk, Tracy Letts, Bradley Whitford, Bruce Greenwood and Matthew Rhys Music by John Williams Cinematography Janusz Kamiński Edited by Michael Kahn and Sarah Broshar Running Time: 120 minutes Rating: M Release Date: the 11th of January 2018

I haven't gotten around to writing a review for Hereditary yet but I will say that the soon to be released A24 horror film is definitely something special especially if you consider yourself a fan of the horror genre and are tired of how must horror films follow a formula.

It's done quite well at the box office though, and was one of three films scored by Trevor Rabin which all appear in the Box Office Top Ten in the same week, at the time of writing this review - quite a feat for the composer.

Of the reviews written by women, 22 % were for films with at least one woman director or writer and 78 % were for films with only men as directors and writers.

Of the reviews written by men, 18 % were for films featuring a female protagonist or ensemble cast and 82 % were for films featuring a male protagonist.

I want to start off this «review» of Suicide Squad, the third film in Warner Bros» new attempt at building a universe out of DC comics characters to rival what Marvel is doing with their cinematic universe, by apologizing for the somewhat lax approach I am about to take to writing this.

Reviewed by Pat Condliffe on the 11th of October 2017 Universal presents a film by Christopher Landon Written by Scott Lobdell Starring:...

Men wrote an average of 14 film reviews.

Of the newspapers featuring film reviews in the fall of 2007, 47 % had no reviews written by women critics, writers or freelancerOf the newspapers featuring film reviews in the fall of 2007, 47 % had no reviews written by women critics, writers or freelancerof 2007, 47 % had no reviews written by women critics, writers or freelancers.

During the fall of 2007, 186 individuals wrote 2,365 film reviews for theatrical releases appearing in the top 100 daily newspapers in the United States with a combined circulation of approximately 28,215,000 readers.

And now, since the film annoyed me so much, I'd lke to just throw down my typed - up notes (originally written in the dark of the theater), rather than waste any more effort on a «review:»

Before starting to write this review, I decided to read the pro-Shyamalan arguments in the attempt to get the flip side opinion as to what I consider to be one of the worst films of 2008, and perhaps the worst film from an auteur of Shyamalan's reputation in some time.

Payne said it was difficult on every level — writing, financing, editing — and also addressed the lukewarm reviews it was met with upon opening late last year, suggesting that its ambitious narrative may have been too much to fit into the framework of a single film.

As an intern at FF2 Media, since January of 2018, I watch films written and / or directed by women every week and write reviews about them.

79 % of the reviews written by men and 64 % of the reviews written by women were about films with exclusively male directors and / or writers.