Sentences with phrase «writer and curator for»

Claudine Isé has worked in the field of contemporary art as a writer and curator for the past decade, and currently serves as the Editor of the Art21 Blog.

Tema Stauffer is a photographer, writer and curator for Culturehall.

Kim Simon has been active as an arts writer and curator for over 15 years, she is currently curator at Gallery TPW in Toronto.

Not exact matches

ELIZABETH DEHN, Healers Podcast, Writer, speaker, space - holder, healer - curator Writer and lifestyle editor Elizabeth Dehn spent more than a decade creating content for Fortune 100 companies, popular publications, and her award - winning blog, Beauty Bets, before launching HEALERS podcast in 2017 to support others on their healing journey.

This is the inaugural event in the international series of programs for writers headed by Gareth Howard and Hayley Radford, who were curators, last year, of London Book Fair's AuthorLounge.

Re Lucian's concern i think publishing will continue to morph and new alliances of writers, journalist, curators, illustrators, translators and social & mobile geeks will collaborate on ways to create ebooks, enhanced ebooks, interactive books — and additional distribution channels along with amazon... and increasingly what we create can be agnostic of technology, available on any devise, Mathew's coverage has been in - depth, up - to - date and writing for a wide audience... as a former JSJ reporter who is interested in this area i am in awe of his writing, and thankful for it, like so many others here evidentally are... maybe you, Matthew, will author your own Amazon - supported book?

He is widely known as Passive Guy or «PG» as the curator of a celebrated blog called the Passive Voice, which is a podium for writers, authors, and publishers to voice out their takes on what's in - the - now within the industry.

Complementing his career as a curator, writer, painter and teacher, he serves on the Art Advisory Council of the International Foundation for Art Research (IFAR).

Glenn is a New Orleans - based curator and writer, who is currently the Manager of Publications and Curatorial Associate for Prospect 4: The Lotus in Spite of the Swamp.

Frieze Masters Talks provides a platform for leading artists, museum curators, writers and critics to discuss the history of art and its continuing significance in contemporary practice.

Co-organized by Chief Curator Anthony Elms and guest curator Hilton Als, writer and chief theater critic for The New Curator Anthony Elms and guest curator Hilton Als, writer and chief theater critic for The New curator Hilton Als, writer and chief theater critic for The New Yorker.

The San Francisco Museum of Modern Art announced three new artists in residence for fall 2016, including writer artist and curator D. Scot Miller.

«The difficulties are those which remain invisible»: for a new series, writer and curator Andrianna Campbell speaks about her experience in the art

«Pose and Sculpture,» curated by Daniel Baumann, Casey Kaplan, New York, NY, June 30 — August 4, 2006 «Two or Three or Something: Maria Lassnig, Liz Larner,» Kunsthaus Graz, February 4 — May 7, 2006 «Whitney Biennial 2006: Day for Night,» Whitney Museum of American Art, New York, NY, March 2 - May 28, 2006 «Gone Formalism,» Institute of Contemporary Art at the University of Pennsylvania, Pittsburg, January 21 — March 26, 2006 2005 «Extreme Abstraction,» curated by Louis Grachos and Claire Schneider, Albright Knox Art Gallery, Buffalo, NY, July 15 — October 2, 2005, catalogue «The The,» curated by Stuart Shave, Modern Art, London, July 8 — August 7, 2005 «The Meeting,» curated by Kathryn Andrews, Center for the Arts of Eagle Rock, Los Angeles, CA, May 27 — July 2, 2005 2004 «Showdown,» curated by Kimberli Meyer and Fritz Haeg, Schindler House, Los Angeles, October 22 — 23, 2004 «Full House,» curated by David Pagel, East Gallery, Claremont Graduate University, Claremont, CA, August 16 - September 10, 2004 «100 Artist See God,» curated by John Baldessari and Meg Cranston, The Jewish Museum San Francisco, March 7 — June 27, 2004; Laguna Art Museum, Laguna Beach, CA, July 25 — October 3, 2004; Institute of Contemporary Art, London, England, November 19, 2004 — January 9, 2005; Contemporary Art Center of Virginia, Virginia Beach, Virginia, June 9 — September 4, 2005, catalogue «The Thought that Counts,» curated by Jason Meadows, Sister Gallery, Los Angeles, CA 2003 «Inaugural Exhibition,» Regen Projects, Los Angeles, CA, January 25 - March 8 «Within Hours We Would Be in the Middle of Nowhere,» 303 Gallery, New York, NY, July 19 — August 29, 2003 neugerriemschneider, Berlin, Germany «Popstraction,» curated by Paola Antonelli, curator of Architecture and Design at MOMA and independent curator and writer, Eungie Joo, Deitch Projects, New York, NY, catalogue «Imagination: Perception in Art,» curated by Peter Pakesch and Martin Prinzhorn, Kunsthaus Graz, Graz, Austria, October 25, 2003 — January 18, 2004, catalogue Tanya Bonakdar Gallery, New York, NY, November 20, 2003 — January 10, 2004 2002

DIDACTIC (UNTITLED), 2013 For this project, I asked 5 writers and curators to each write a wall text from which I would produce a painting, thus reversing the standard relationship of generative and reactive forces.

2012 Daniel Belasco, Henry J. Leir Associate Curator, The Jewish Museum Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Kristen Chappa, Curatorial Associate, SculptureCenter Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Elizabeth Houston, Director, Hous Projects Ryan Inouye, Curatorial Associate, New Museum Lesley Johnstone, Curator, Musée d'Art Contemporain de Montréal Nina Katchadourian, Curator, Drawing Center Jonathan David Katz, Curator and Director of the Doctoral Program in Visual Culture Studies at State University of New York at Buffalo John Massier, Visual Arts Curator, Hallwalls Gallery, Buffalo Sara Reisman, Director, Percent for Art and Independent Curator Sara Jo Romero, Director, Schroeder Romero & Shredder Gallery Gregory Volk, Contributing Writer, Art in America Megan Holly Witko, Director, Andrea Meislin Gallery

Join artist Nicholas Mangan for an informal conversation with artist, curator and writer George Clark in the exhibition space.

A Portland - based writer and curator, Stull Meyers was outreach coordinator for the artist - in - residence program at the c3: initiative, an arts nonprofit.

Join Rachel Valinsky — independent curator, writer, translator, and co-founder of Wendy's Subway — for a special Outside the Box gallery talk on «Raymond Pettibon: A Pen of All Work.»

Building on the success of last year's inaugural L.A. Summer Residency, Otis College launched specialized programs for emerging curators, writers of color, fashion designers, L.A. art enthusiasts, and more for 2018.

For his guest blog stint, Brendan Carroll, an artist, writer and independent curator based in New York, will present a guest blog series he's calling «Money Matters.»

Antonio Sergio Bessa, writer, poet, curator, and the Bronx Museum's director of curatorial and educational programs, partnered with Jessamyn Fiore, the co-director of the Estate of Gordon Matta - Clark and frequent exhibitor of his work, for Anarchitect.

For its fourth instalment, the it invites dozens of artists, writers, curators, designers and researchers — including Sophie Jung, Matthew Lutz - Kinoy, Santiago Taccetti — to develop ideas on the spot and experiment with new concepts under the them of «the spiritual side of technology».

Here, he speaks with curator, museum director, writer and cultural catalyst Hans Ulrich Obrist, editor of The Conversation Series, about everything from the need for a redesigned hospital gown, to his relationship to Donald Judd and Marfa, Texas, to «recipes» for making art, his years spent in the Navy, becoming a hairdresser in order to meet women, being cast as a drunken womanizer by Black Mountain College scholars, Andy Warhol's Factory, John Waters, Robert Creeley and even Chamberlains, the restaurant he owned with his son in the mid-1990s.

Bourgeois also held her renowned Sunday salons in the space, during which artists, writers and curators would share their work for discussion.

Monash University Museum of Art MUMA in partnership with the Australian Centre for Contemporary Art I ACCA is pleased to present a special lecture by renowned American art historian, writer and curator Amelia Jones that coincides with the final week of Unfinished Business - perspectives on art and feminism at ACCA.

Author Yuri Herrera (Signs Preceding the End of the World, The Transmigration of Bodies) in conversation with artists Carlos Amorales and Abraham Cruzvillegas; author Ottessa Moshfegh (Eileen, Homesick for Another World) in conversation with writer Patty Yumi Cottrell (Sorry to Disrupt the Peace); Professor Fred Moten (Department of Performance Studies, NYU) in conversation with artist Sondra Perry; Curator Rujeko Hockley (Whitney Museum of American Art) in conversation with novelist Kaitlyn Greenidge (We love you Charlie Freeman) and historian Kerri Greenidge; and author Elif Batuman (The Idiot, The Possessed) in conversation with writer and editor Negar Azimi (Bidoun).

Nadja is an independent producer, specialised in the field of art films and artist films, a curator and writer and has worked as a journalist for press and television (Conde Nast, Canal +).

Presented as a large - scale installation in first floor Atrium gallery this work is the culmination of a 12 - month process involving research in The Tetley archive, interviews with ex Tetley's Brewery workers, collaboration with screenwriter Joe Hepworth and workshops with women from Justice for Domestic Workers (Leeds) supported by curator and writer Amy Charlesworth, J4DW (London), Gill Park, Director of visual arts organisation Pavilion, artist Jo Dunn and seminal women's collective Leeds Animation Workshop.

Our Artist - in - Residence Programs offer competitive professional opportunities for emerging and mid-career, national and international artists, designers, curators, art historians, art educators, cultural researchers, writers, and journalists age 25 and over.

In his catalogue essay for Paul Graham's imminent retrospective at east London's Whitechapel Gallery, the photography writer and curator David Chandler borrows a telling quotation from Richard Ford's novel, The Lay of the Land.

This publication introduces and presents the work of a global cast of painters selected by an international panel featuring some of the most prominent names in contemporary art (including the painter Cecily Brown, curators Tony Godfrey, Yuko Hasegawa and Gregor Muir, and writer - critics Suzanne Hudson, Barry Schwabsky and Philip Tinari) offering an intelligent snapshot of the best new talent in painting from across the world, gathered through an open call for submission that drew over 4,300 entries.

Center, in turn, exists as an independent exhibition space founded by artist Lin May and home to coeval.gen.in, an internet - based platform for artists, writers and curators engaging with a critical use of technology and digital economy.

This unique project was conceived by Action for Brazil's Children Trust supporter and Sports Media Consultant Betise Head, ABC Trust Founder Jimena Paratcha, and Alice Whitney of Creative Nation, with the help of Lee Sharrock, an arts PR, curator, writer and Director of Global Creative PR at Saatchi & Saatchi Worldwide.

Rather, its narrative is a compilation of external observations of human behavior, the curator's ongoing personal quest to achieve homeostasis, the notebooks of French philosopher Albert Camus, the musings of British psychoanalytical writer Adam Phillips, and even a recent study finding that, to an overwhelming degree, people would rather shock themselves with an electrical current than sit in quiet contemplation for even 15 minutes.

«Ruby Green Contemporary Arts Center set a precedent for what can be done here, with a lot of sweat equity and not a lot of capital,» says Adrienne Outlaw, artist and founder of Seed Space, a lab for writers, curators, and artists.

She frequently travelled for exhibitions, and she maintained lifelong communication with her colleagues, writers and curators, many from those two years in New York.

Building on the success of last year's inaugural L.A. Summer Residency, the line - up features specialized programs for emerging curators, writers of color, fashion designers, L.A. art enthusiasts, and more.

Curator and writer Marvin Heiferman organizes projects about photography and visual culture for institutions including the - Museum of Modern Art, Smithsonian Institution, International Center of Photography, Whitney Museum of American Art, and the New Museum.

About Norte Maar: Norte Maar for Collaborative Projects in the Arts is a 501 © 3 non-profit arts organization founded in 2004 by curator Jason Andrew and choreographer Julia K. Gleich to create, promote, and present collaborations in the disciplines of the visual, literary, and the performing arts: connecting artists, choreographers, composers, writers, and other originating artists with venues and each other.

In Alice Neel, Uptown, writer and curator Hilton Als brings together a body of paintings and works on paper of African - Americans, Latinos, Asians, and other people of color for the first time.

Alexi Worth is a painter, curator, art critic, and writer known for his conceptually rich and visually graphic works that address modern life and art making.

The panelists who selected the 2017 - 2018 were Rocio Aranda - Alvarado, Curator at El Museo del Barrio, Kelly Baum, Curator of Postwar and Contemporary Art at the Metropolitan Museum of Art, and Seph Rodney, staff writer and editor for Hyperallergic.

Panelists for the 2016 Open Call were Herb Tam, Curator and Director of Exhibitions at the Museum of Chinese in America; Michelle Grabner, artist and writer; and Leslie Hewitt, artist.

Help Desk is an arts - advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public.

Darren Almond will join curator and writer William A. Ewing for a conversation at Photo London on Thursday, May 17 at 10 AM.

Organized and chaired by artist Sharon Louden, it brought to bear the expertise of a number of New York City's finest art mavens: the artist and writer Sharon Butler, whose well appointed blog Two Coats of Paint will be familiar to many readers here; artist, former gallery director, curator and current Director of the Elizabeth Foundation for the Arts Studio Program Bill Carroll; artist, curator and current Dean of The New York Academy of Art Peter Drake; and New York dealer, inveterate blogger and author of How to Start and Run a Commercial Art Gallery Ed Winkleman.

A number of events expand on the themes explored in the exhibition including a tour led by the exhibition curator David Campany (20 July, 6.30 pm, Free); the exhibition's curator David Campany is joined by writer and critic Brian Dillon, artists Xavier Ribas and Eva Stenram for a symposium discussing notions of time, perception and the history of photography (17 June, 2 - 6 pm, # 15 / # 12.50 concs); and award - winning essay film - maker Grant Gee presents his study of the late German writer W.G. Sebald which is a multi-layered exploration of place, memory, longing and dust (29 June, 7 pm, # 9.50 / # 7.50 concs).

MUMA is pleased to present a special conversation between leading Australian artist Christian Thompson and Professor Sarah Joseph, Director for the Castan Centre for Human Rights Law, Monash University, convened by curator and writer Hetti Perkins.

Howardena Pindell is an outspoken artist, writer, curator, and professor whose career reflects the spirit of a creative risk taker, seasoned traveler, and an advocate for equality.