Sentences with phrase «writer and director there»

It will support you because you are always and forever the most important lead role, writer and director there ever was, ever is, and ever will be.

Not exact matches

You say that suppose this was written and produced by Steven Spielberg — that right there doesn't help your case as he's a very good fictional writer, director, producer, but most of his hits are purely fictional.

While their are several Lucas in English films, literature, and tv shows, there are also several famous Lukas» in Sweden, such as the Swedish film writer and Director, Lukas Moodysson.

Some well - known people have received honours this year including: • actor Kenneth Branagh receives a knighthood, Kate Winslet a CBE and Jenny Agutter an OBE • architect Zaha Hadid receives a DBE, opera director David McVicar is knighted, and comic writer Grant Morrison gets an MBE • there were MBEs for world number one ranked golfer Luke Donald, Welsh rugby union player Shane Williams and former England goalkeeper David James • satirist Armando Iannucci gets an OBE, and there are CBEs for journalist Peter Riddell and cookery writer Mary Berry • there were OBEs for singer - songwriter Gary Barlow who organised the Queen's Jubilee Concert, and Sarah Burton, designer of Kate Middleton's wedding dress

The model of hospital administration in this publication actually has lots of semblance with contemporary models in the US, UK, Republic of Ireland, Australia and Canada where there is a board of directors / governors with a Chairman (does not have to be a Medical Doctor), a CEO / President / Hospital administrator (does not have to be a Medical Doctor) and a CMD / MD / CMO / Executive director medical services etc (Is ALWAYS a Medical Doctor — different names but similar portfolio — In Nigeria we always look up to these countries for direction with respect to global best practices so I do not understand what the commentator code - named afam6nr means by «Obviously, this writer has not attended any Business School Training and has no knowledge of Business Administration» — My advice to afam6nr is to do a little study of the different heath system of the world (specifically regarding corporate governance, organisation and administration of tertiary hospitals) and after this little research come back and comment on his findings!

You know there will be fun times and great action in this Sam Liu, as director and from Batman: The Killing Joke, Bruce Timm, as co-teleplay writer, and Jim Krieg, as co-teleplay writer and from Justice League: The Flashpoint Paradox, work.

Bonus: • Audio Commentary with Director / Actor Ben Affleck and Writer Chris Terrio • «Eyewitness Account» Picture - in - Picture Feature • «Rescued from Tehran: We Were There» Featurette • «Absolute Authenticity» Featurette • «The CIA and the Hollywood Connection» Featurette • «Escape from Iran: The Hollywood Option» Featurette • Previews • DVD Copy

There should be more point to dramatizing something than the fact that it has yet to be dramatized, and it's not entirely clear if writer Tim Talbott or director Kyle Patrick Alvarez know what that reason is.

But director Chris Miller and the credited writers (there are four) are determined that if these films are to be a collection of riffs and gags, with a sweet afterthought for a finale, then they ought to be very good.

There's no getting away from it; Nick Park was director, producer and writer here, so most of the credit or blame has to come home to him.

Co-directed by the writer and director of 2011's Horrible Bosses and starring Bosses star Justin Bateman (still our current go - to beta - male protagonist, and one of the biggest beneficiaries of this latter - day comedy slump), there's certainly no reason to believe that Game Night is out to revolutionize feature - length comedy.

There's an Audio Commentary with writer / director Ryan Coogler and Production Designer Hannah Beachler.

Watching Krisha is a revelation: there are expected «rules» for such material (a former addict returns home for a holiday), but then director / writer Trey Edward Shults breaks every rule, making those rules seem tired and arbitrary in the process, and he does so with bravura, confidence, flash.

There might not be a better combination of director, writer, and star than Jason Reitman, Diablo Cody and Charlize Theron, who previously collaborated on the delightfully wicked «Young Adult» (Cody also penned the Oscar - winning screenplay for Reitman's «Juno»).

There's nothing wrong with a bait and switch, but once writer - director Keating wants to take a different direction, he doesn't seem to take it anywhere of note.

Wwhile there's plenty of melancholia, there is also sweet wonder and celebration in writer - director Mike Mills» semiautobiographical tale of a straight son coming to terms with his own love's possibilities after his father comes out of the closet.

Writer - director Lang explored the character with Richard in two shorts, and there's a lived - in feel to the portrait that emerges in the visually adventurous «Baden Baden,» which weaves darkly luminous fantasy imagery into Ana's mostly aimless hours.

This week, there's a substantial list of watch - worthy openers that illuminate women's stories and / or are the work of women directors and writers: Marguerite, Lolo, Hello, My Name is Doris, Eye in The Sky, River of Grass, About Scout, 10 Cloverfield Lane, City of Gold, Here Come the Videofreex!

There's a trailer out there that people seem to like, it has pedigree (writer - director Bill Condon adapted the screenplay for Chicago, another musical turned undeserved Best Picture winner), and it's been promoted with a certain amount of swaThere's a trailer out there that people seem to like, it has pedigree (writer - director Bill Condon adapted the screenplay for Chicago, another musical turned undeserved Best Picture winner), and it's been promoted with a certain amount of swathere that people seem to like, it has pedigree (writer - director Bill Condon adapted the screenplay for Chicago, another musical turned undeserved Best Picture winner), and it's been promoted with a certain amount of swagger.

«There's no way we could have predicted the success,» said writer and producer Bob Gale, who created the movie with director Robert Zemeckis.

The great director, actor, writer, screenwriter, and filmmaker MARK DUPLASS joins the DTFH and we talk about authenticity, filmmaking, collaboration and getting out there and making stuff happen.

Despite writing the book and screenplay of «Fast Times At Ridgemont High» (1982), the film that established the parameters of»80s teen movies; despite establishing or redefining a host of contemporary film stars; despite major box office success, despite an Oscar, despite his role as a pop music shaman — there's little written about Crowe's work as a writer and director.

There is no good reason to expect anything special from Maximum Conviction, whose writer Richard Beattie and director Keoni Waxman somehow have over forty years of filmmaking experience between them.

EXTRAS: There's an audio commentary by director / co - writer / star Don Cheadle and co-writer Steven Baigelman, a collection of interviews about making the film, and a Sundance Q&A with Cheadle and co-stars Ewan McGregor, Emayatzy Corinealdi and Keith Stanfield.

There is a great audio commentary track with the director Roy Ward Baker, writer Tudor Gates and of course Ingrid Pitt, which is moderated by Jonathan Sothcott.

EXTRAS: In addition to both the theatrical and extended cut of the film (featuring 10 minutes of never - before - seen footage), there's a brand new collection of bonus material, including an audio commentary by director Ridley Scott, writer Drew Goddard and author Andy Weir, a making - of featurette, deleted scenes and more.

There are rumors of course — Edgar Wright and Joe Cornish «s long - gestating «Ant - Man,» for instance, and a possible «Doctor Strange» that's had writers hired, although no director hired as yet.

One of the more interesting conversations I had while covering the red carpet at the Saturn Awards in Los Angeles last night was with Dean Devlin (there to receive the Dr. Donald A. Reed Award for career achievement), the writer / producer who collaborated with director Roland Emmerich on three»90s films that enjoyed varying degrees of success: 1994's Stargate, a modest international hit; the 1996 mega-blockbuster Independence Day; and the critically - reviled / commercially under - performing (though still profitable) Godzilla in 1998.

Perhaps this can be also blamed on the lack of inspiration shown in the preparation for shooting the film — there is so little to the characterisations and the plot that it seems likely writer Scot Armstrong and director Kent Alterman felt the visual gag of Ferrell in a singlet would be enough.

Writer / director / producer Brant Pindivic is on the poster, in every frame of the movie and knows there's a camera pointing at him (if...

Extras: There are only two main bonuses on the Blu - ray disc: an audio commentary by writer - director Peter Hyams and a standard - definition theatrical trailer in a 1.78:1 aspect ratio.

But there's something chilly and remote about writer - director Aristomenis Tsirbas» mythmaking, environmentally correct as it is.

Yet there is the deer — we've seen the symbol of hope, and director - writer Martin McDonagh (In Bruges) gets it both ways.

In less than two hours (although it feels considerably longer), writer / director Susannah Grant cobbles together nearly every imaginable plot, element, and device except the kitchen sink (although she manages to get the bathtub in there).

There is nothing wrong with being self - contained, and writer / director Mona Achache ensures her adaptation of Muriel Barbery's incredibly successful novel «L'élégance du hérisson» («The Elegance of the Hedgehog») remains simple and understated, letting the wonderful characters (and the strong performances that bring them to life) speak for themselves.

There's a lot to like about Leon Ford's debut feature film as writer and director.

Fortunately, Writer Steve Kloves and director David Yates understand that there's a more subtle war going on in the first half of the book — a war of emotions and, particularly, fears.

There's little doubt that Real Time's admittedly intriguing premise initially seems as though it's going to be squandered by writer / director Randall Cole, as the filmmaker generally stresses hopelessly quirky situations and conversations that grow increasingly tiresome as the movie progresses.

Writer / director M. Night Shyamalan's penchant for a deliberate narrative is certainly in full effect with Unbreakable, as the movie, though consistently entertaining and occasionally engrossing, progresses at a lackadaisical pace that tends to prevent the viewer from wholeheartedly embracing the material - with the film ultimately faring better than, for example, The Sixth Sense due to its progressively absorbing narrative (ie there's a sense of forward momentum that was almost entirely absent from that earlier picture).

Phantom Thread (Paul Thomas Anderson, director & writer) Anderson is nothing if not ambitious, as he's shown with Magnolia (1999), There Will Be Blood (2007), and The Master (2012).

There's a genuinely delicate way in which writer / director Taika Waititi builds the relationship between the boy and his foster mother — the gradual move from Ricky's silence to becoming comfortable in everyday conversation, his first - night decision to run away from his new home becoming something a good - night joke between the two, a birthday celebration (which Ricky realizes, without a trace of bitterness, is his first) at which Bella serenades the now - teenager with her tiny electronic keyboard.

Ever since their 1998 modern classic «There's Something About Mary,» writers - directors Peter and Bobby Farrelly have struggled to try to recapture lightning in a bottle and conjure up yet another raunchy comedy with a heart of gold.

With twelve different comedy genius directors including Peter Farrelly («Dumb & Dumber», «There's Something About Mary», «Shallow Hal»), Steve Carr («Daddy Day Care», «Dr Dolittle 2»), Steven Brill («Little Nicky») and Brett Ratner («Rush Hour») to name but a few and eight different writers, this jaw - droppingly crude and often obscene movie features a diverse star - studded cast, both British and American, who have banded together to shock you in the most hilarious ways you can think of.

While there is a distinct element of romance to The Guernsey Literary and Potato Peel Pie Society, director Mike Newell (Great Expectations) and his disparate collection of writers — Kevin Hood (A Royal Night Out), Thomas Bezucha (Monte Carlo), and Dom Roos (TV's This Is Us)-- shift the focus from two individuals to the entire society and their island as a collective.

There could have been a danger that with a firm wink from the writer and director and most of the cast, that this wouldn't work.

Writer / director da Silveira parts ways with the slasher film motif (and all its promise) to handle things like character development and plot, of which there is very little.

Cast: Colin Firth, Emily Blunt, Anne Heche Program: Special Presentations Headline: Lost in America Noel's Take: There's such a strong notion at the core of director Dante Ariola and writer Becky Johnston's Arthur Newman that it becomes even more frustrating when the film follows a familiar road — something that happens within the first 10 minutes, actually.

EXTRAS: In addition to an audio commentary by writer / director Derek Cianfrance, there's a pair of featurettes on making the film and the Cape Campbell Lighthouse.

Although writer and director James Gunn has confirmed he'll return to complete the trilogy, there isn't much else the public knows regarding Vol.

EXTRAS: In addition to a pair of audio commentaries (one with director Adam Wingard and writer Simon Barrett, and another with Wingard, Barrett and actors Sharni Vinson and Barbara Crampton), there's a fairly decent making - of featurette.