Sentences with phrase «writer giving you a story»

Not exact matches

He gives some tips on pitching your story to a writer and shares info on the growing trend of private wine parties, which is a great experience.

A story with millions of your own adventure in it — looking for readers, writers, ghost writers, authors, editors, reporters, journalists, bloggers, influencers, entrepreneurs, sponsors like you who want to help by giving $ 1 or more and spreading this campaign and the story to the world.

An unscrupulous writer was given a free pass by editors eager for a salacious, sensational story.

«The author approaches the David story as an imaginative writer, giving play to that dialectical fullness of conception that leads the greatest writers (Shakespeare, Stendhal, Balzac, Tolstoy, Proust, to name a few apposite instances) to transcend the limitations of their own ideological points of departure,» Alter states.

In this story man's supremacy is given technical theological expression, peculiar to this writer and his school.

That's the out the writers gave themselves, but they didn't take it, so the story of the whole arc becomes a huge dump on the entire tag division.

Football Pink is an array of bloggers, content writers and photographers who give their positions, observations and analysis about football stories from all over the globe.

Optional, customized «Story Sparks» prompt even reluctant authors with questions and suggestions that banish writer's block and give structure to wild imaginings.

In December, the Education Writers Association's Educated Reporter blog gave its «Water Cooler Award (for one of the most talked - about stories of the year)» to my article in the New York Times Magazine about character, «What If the Secret to Success Is Failure?»

This writer gave me permission to reprint her story of «recovery» from natural parenting ideology.

I don't want to say anything about the story: it is obvious that the language used in game is worthy of a writer, yet there is no story - and the reason is obvious: it is a parody and a homage (all in one) to Classical RPG, so a deep Story in this game would probably be spoiling it rather than giving something tstory: it is obvious that the language used in game is worthy of a writer, yet there is no story - and the reason is obvious: it is a parody and a homage (all in one) to Classical RPG, so a deep Story in this game would probably be spoiling it rather than giving something tstory - and the reason is obvious: it is a parody and a homage (all in one) to Classical RPG, so a deep Story in this game would probably be spoiling it rather than giving something tStory in this game would probably be spoiling it rather than giving something to it.

The Cabin in the Woods WOW it was a great film the actors and actresses are great the writers the directors, producers and everyone who was involved, The film has a understanding story im not going to give it away for anyone who has not seen it.

This juxtaposition feels like a very calculated move on the part of writer / director Scott Cooper, giving a justification for the past actions of the story's American soldiers and an opportunity for those soldiers to seek forgiveness for those actions.

Writer - director Joshua Marston gives Shannon a chance to shine as a character more pedestrian than the ones he usually plays, though the story is a little too thesis driven to build any dramatic momentum.

I give the film a 7.0 for, even considering that the story is limited to the basic facts without the help of a writer's embellishment, it's still a good deal

While I do like to give most of the credit to Green for writing something this amazing, it does need to be said that these writers worked hard to adapt the story and not leave out anything that took away from fans of the book being able to enjoy the film.

«Something's Got ta Give» (Columbia) Writer - director Nancy Meyers («What Women Want») crafted this story about an aging playboy specifically for Jack Nicholson.

«Solomon Kane»: Writer - director Michael J. Bassett («Silent Hill: Revelation») tells the story of a 16th century mercenary (James Purefoy) who gives up violence when he learns that he is condemned to hell.

After making a striking debut with 2013's based - on - fact, tragically devastating drama Fruitvale Station and following that up with the stunning, Oscar - nominated Rocky spin - off Creed in 2015, the young writer / director was seemingly given the keys to the kingdom by Marvel as it pertained to Black Panther, the studio apparently feeling comfortable to let him do whatever he wanted with this story of an African superhero from the secluded fictionalized nation of Wakanda.

Rather than trying to give every individual a story arc, the writers try to give collections of characters story arcs.

Many faces are forced through cookie cutters to fit into the running time, which is minuscule given the sheer size of the story writer Matt Cook is trying to tell.

Director / co writer M. Night Shyamalan, working from Will Smith's story idea, continues his streak of films that make you wonder what the heck happened to the young auteur who gave us The Sixth Sense, Unbreakable, and Signs.

«The story cutscenes and character animations are all excellent,» added writer Giichi Totsuka, «giving you that extra bit of motivation to go through each mission.

More Muriels goodness: I confess I still haven't had a chance to read everything that was published during the epic «ceremony» (February 16 - March 6), but I know you'll want to check out Dennis Cozzalio's appreciations of Nicole Holofcener's «Please Give» and Emma Stone, Kent M. Beeson on watching «Toy Story 3» with his three - year - old daughter; Kenji Fujishima on «Vertigo»; Ali Arikan on «The Ghost Writer»; Alison Willmore on David Fincher; Adam Lemke on «Everyone Else; Marya Murphy on «True Grit»; and much, much more...

Star Wars: The Last Jedi writer / director Rian Johnson gives his seal of approval to Ron Howard's Solo: A Star Wars Story.

Given the fact that it is essentially a semi-remake of the Japanese film Antarctica (or Nankyoku monogatari), which was set in the late 1950s, you can see just how far astray the writers of this one have traveled to concoct their story.

Though most behind - the - scenes features showcase the production process once filming is underway, The Player gives us a glimpse of what goes on behind the scenes of the behind - the - scenes process, where the only dreams that come true are for the people up top — the people who feel that anyone can make a story that will entertain millions, while the lowly creators that nurtured the initial ideas are seen as little more then expendable goods hardly worth receiving input from once the studio handlers squeeze their foots in the door, symbolically getting away with murder — the figurative death of the writer in the Hollywood production process.

During his acceptance speech, William H. Macy addressed the importance of actors: «Even though our lines and the stories we're told are given to us by writers, it's our job under those imaginary circumstances to find the truth.

Our Take: Given that this story comes from the real - life account of Rogen's friend (and the movie's writer) Will Reiser, expect it to respect the subject matter with a careful balance of humor and authentic drama.

I know that this is a true story, so maybe it is difficult to give the writers too much credit for the decision, but it was different, challenged the expectations of mainstream romance dramas and was touching.

It's also less artistic than Woody's finest, but what it lacks in flourish it makes up for in energy, and we can appreciate the way writer - director Adam Brooks (screenwriter for Bridget Jones: the Edge of Reason and Wimbledon) takes the time to build up the story's many fine small touches to give the larger ones the depth and interest necessary to soar when it needs.

by Walter Chaw Based on an award - winning novel by Andres Dubus III, son of Canadian novelist and short - story writer Andre Dubus, Vadim Perelman's hyphenate debut House of Sand and Fog is difficult to gauge on its own merits, given that the typically invasive grandiosity of another abominable James Horner score sinks the picture almost by itself.

He and writer Matt Greenhalgh flip the switch — finally giving us Gloria's perspective of this story.

Director Craig Gillespie (Lars and the Real Girl) and writer Steven Rogers (Hope Floats) give I, Tonya a documentary feel as each of the main characters is given their time to address the camera and tell their side of the story.

However, because it's not in that movie, The Last Jedi writer - director Rian Johnson wasn't beholden to anything and was given free reign over the story.

Entertainment Weekly writer Nicole Sperling noted that «the epic true story of Louis Zamperini has Oscar bait written all over it» and that «Angelina Jolie... will surely give the boys a run for their money» for a Best Director nod, while Betsy Sharkey of the Los Angeles Times predicted that «Unbroken» will get a Best Picture nomination but that Jolie will be skipped over when the Best Director contenders are named.

The writer - director continues to stick to his guns, giving us more understated humor, awkward pauses, pitch - perfect montage and pathos in another thoughtful story that revels in fractured characters.

Credit goes to co writer / director Walt Becker for giving the film the right look and energy for which to build a farce upon, and even if we've seen this story in various forms before, the hip music and cast chemistry give the film a feeling of freshness that is crucial.

Director Curtis Radclyffe has ample time to expand upon this story, but he and writer Romla Walker instead opt to give us scene after scene of the group roaming the hospital and Nick saying something insulting.

The story centers around Langella's Leonard Schiller, a once - famous New York writer now given to small, pedestrian rituals.

Not only is Elliot an incredibly unreliable protagonist, giving the writers free reign to do whatever they want with little consequences, but the drastic change in direction midway through the season is so sudden that it feels like creator Sam Esmail got impatient allowing the story to develop organically.

Although it finishes at the bottom, Following gave every indication that Christopher Nolan was a writer / director with a sharp point of view who could weave a complex narrative into a cohesive story — laying the groundwork for a noir film like Memento.

Ana Asensio gives an assured debut as writer and director with this haunting story about a migrant woman in the Big Apple.

Since neither director Martin Campbell nor the film's four writers ever seem to fully commit to one or the other, we are given a bizarre mish - mash of «Top Gun» and «The Never Ending Story.»

The Nora Ephron Prize jurors also gave a Special Jury Mention to writer / director Rachel Israel for her film Keep the Change (without additional comment), although Israel's enjoyable romantic comedy (an unusual story with a male character at its center) captured The Founder's Award for Best Narrative Feature (and $ 20,000 sponsored by AT&T).

The only note I have to the writers is to give Penny a new story line cause she is getting a little bland.

Bringing in a performer of his stature (easily one of my favorite actors) gives more power to what was already a great story line from creator Kurt Sutter and his writers.

«Pose» notably announced their series regulars, writers and show consultants first, giving them a full news cycle before announcing the supporting cast, which features Evan Peters («American Horror Story»), Kate Mara («House of Cards»), James Van Der Beek («Dawson's Creek») and Tatiana Maslany («Orphan Black»).

We expect that a film based on a story from Genesis might start with «In the beginning,» but here, co - writer / director Darren Aronofsky gives us that setup twice.

These first - time filmmakers — writer / director James Wan and co - writer / actor Leigh Whannell — unfold their story slowly, giving information only as it's required or unexpected.