Not exact matches
Though most behind - the - scenes features showcase the production process once filming is underway, The Player gives us a glimpse of what goes on behind the scenes of the behind - the - scenes process, where the only dreams that come true are for the people up top — the people who feel that anyone can make a story that will entertain millions, while the lowly creators that nurtured the initial ideas are seen as little more then expendable goods hardly worth receiving input from once the studio handlers squeeze their foots
in the
door, symbolically
getting away with murder — the figurative death of the
writer in the Hollywood production process.
Writers Karim Aïnouz — «Love for Sale,» «Madame Satã» Rakhshan Bani - Etemad — «Under the Skin of the City,» «The May Lady» Siddiq Barmak * — «Opium War,» «Osama» Aida Begić * — «Children of Sarajevo,» «Snow» Jeremy Brock — «True Crimes,» «The Last King of Scotland» Jared Bush * — «Zootopia,» «Moana» John Collee — «Tanna,» «Master and Commander: The Far Side of the World» Buddhadeb Dasgupta — «The Wrestlers,» «The Red
Door» Kenneth Angelo Daurio, Jr. — «The Secret Life of Pets,» «Despicable Me» Luke Davies — «Lion,» «Life» Mohamed Diab — «Clash,» «Cairo 678» Lav Diaz * — «A Lullaby to the Sorrowful Mystery,» «Norte, the End of History» Katie Dippold — «Snatched,» «Ghostbusters» Nelson Pereira dos Santos * — «How Tasty Was My Little Frenchman,» «Barren Lives» Ildikó Enyedi * — «Simon Magus,» «My Twentieth Century» Safi Faye * — «Mossane,» «Lettre Paysanne» Feng Xiaogang — «If You Are the One,» «A World without Thieves» Paz Alicia Garciadiego — «Bleak Street,» «Deep Crimson» Bahman Ghobadi — «Turtles Can Fly,» «A Time for Drunken Horses» Goutam Ghose * — «Shankhachil,» «Paar» Eric Heisserer — «Arrival,» «Lights Out» Barry Jenkins * — «Moonlight,» «Medicine for Melancholy» Alejandro Jodorowsky * — «The Holy Mountain,» «El Topo» Phil Johnston * — «Zootopia,» «Wreck - It Ralph» Kim Ki - duk * — «3 - Iron,» «Spring, Summer, Fall, Winter... and Spring» Mohammed Lakhdar - Hamina * — «Chronicle of the Years of Embers,» «The Winds of the Aures» Brit Marling — «The East,» «Another Earth» Márta Mészáros * — «Diary for My Children,» «Adoption» Mike Mills — «20th Century Women,» «Beginners» Idrissa Ouedraogo * — «Tilaï,» «Yaaba» Éva Pataki — «The Seventh Room,» «Diary for My Loves» Cinco Paul — «The Secret Life of Pets,» «DespicableMe» Jordan Peele * — «
Get Out,» «Keanu» Simon Pegg — «Run Fat Boy Run,» «Shaun of the Dead» Mohammad Rasoulof * — «Manuscripts Don't Burn,» «Goodbye» Eran Riklis * — «Lemon Tree,» «The Syrian Bride» Céline Sciamma — «My Life as a Zucchini,» «Tomboy» Mrinal Sen * — «The Case Is Closed,» «
In Search of Famine» Taylor Sheridan — «Hell or High Water,» «Sicario» Sooni Taraporevala — «Mississippi Masala,» «Salaam Bombay!»
The truth: Most successful
writers get in through the genre
door.
If this happens, the
writers who indie publish first and
get bought will pass along the word to others and indie publishing will become one of the ways
in the
door.
And I'm delighted that literary agencies are awakening to discover that they have to
get out and find the talent because
writers no longer crawl to their
doors in such great numbers.
«Big Pub basically runs its own monopoly over
writers,» a commenter on a New York Times article retorted, and I received an email about the Amazon - Hachette clash
in which the
writer complained of «the impossibility of a non-NYC
writer just
getting his foot
in the
door without sleeping with professors, visiting authors, publishers; without an M.F.A.; or without publications
in major magazines (100 percent of which are supplied by agents).
This is vital information for
writers to consider and they will not even
get in the
door unless they know it.
In the days of traditional publishing only, a writer pretty much had one path to follow to get in the door and get his writing bought and distributed to reader
In the days of traditional publishing only, a
writer pretty much had one path to follow to
get in the door and get his writing bought and distributed to reader
in the
door and
get his writing bought and distributed to readers.
And on top of that, traditional publishers, because of the lack of education of most
writers in business, have come to treat
writers who do
get in the
door like they are babies who can't think for themselves and need their diapers changed.
The main difference between legacy and self - publishing, he says, is that «the overwhelming majority of
writers who couldn't even
get in the
door in the legacy world can now publish just as easily as everyone else, but beyond that, so far I'd say the odds of making a living are roughly the same.»
Getting a foot
in the
door as a designer, a
writer or any other kind of creative can seem like a daunting challenge.
Many people believe the best all around app is LinkedIn's because «you can search for jobs, manage your contacts and leverage your social network to help you
get a foot
in the
door with this one site,» said Cheryl Palmer, a career coach, resume
writer and founder of Call to Career.
Search our blog as well for resume advice from Jasmine regarding how to best work with a resume
writer and how to be a polite pest using your resume to
get your foot
in the
door.
Let Riklan Resources use our 25 plus years of experience as executive resume
writers and expertise with job search strategies to help
get your foot
in the
door, today!
Regardless of why you are looking for work, a skilled resume
writer has the power to help you
get your foot
in the
door.