Elliott Burns is an independent curator and
writer living between London and Mexico City.
Paul Lloyd Sargent is a multidisciplinary artist, freelance video editor, and
writer living between Brooklyn, Syracuse, and Wellesley Island, NY.
Not exact matches
The reflections of the French Catholic
writer François Mauriac, who succeeded in leading a conventional family
life despite what he experienced as the powerful lure of alcohol, drugs, and homosexuality, demonstrate the gap
between the austere piety of the religious individual and the tactful lifestyle that Tóibín detects in James:
From pagan
writers of the early second century A.D. it can be gleaned that Christianity had spread from Judaea to Rome, possibly before A.D. 50, (Suetonius, in his
Life of Clandius, says that Claudius expelled the Jews from Rome for continual rioting «at the instigation of Chrestus», a phrase which has been variously interpreted, but may refer to trouble
between Jews and Christians.)
Such moments reveal what Christian
writer C.S. Lewis called «our inconsolable secret,» our universal longing to bridge a gulf
between our ordinary
lives and this extraordinary
life set before us.
A more fully developed example of the same kind of reasoning is the fashion, quite common nowadays among certain
writers, of criticizing the religious emotions by showing a connection
between them and the sexual
life.
The
writer of Ephesians uses the language of courtship and marriage to convey the passion and mystery of Christ's union with the church.12 Yet anticipation of full union with Christ does not deny the reality of inevitable daily conflict
between the «old» and the «new» in the
life of believers.
Even the earlier gospel
writers like Mark
live in a kind of tension
between what Jesus was in the days of his flesh and what he was for the church.
Let him wonder out loud if a book published in 1989, and the 15 months of investigations and media barrage it set off, was his bullet... and then try not to wonder, try to shut that midnight whisper down and ignore the connection
between cancer and personal trauma, because otherwise he would have to blame a few people — a
writer, a local managing editor — for this nightmare he was
living, and he would have to hate, and hatred and blame were the worst detours a man could take when he was locked in mortal combat to
live.
If you liked the give - and - take
between Cary Grant and Rosalind Russell in the 1940 film His Girl Friday, you'd cotton to
life around the Lido Beach, N.Y. home of SI reporter Sandy Keenan and her husband, Mike Winerip, a
writer for The New York Times.
On the eve of science
writer Katie Worth's experiment to
live on Mars time and blog about how it feels, she explains how
living between time zones across the universe without guidance from sleep scientists can prove disastrous
The
live blood analysis shows little correlation
between diet and radiation, yet this
writer acts as though it has been proven effective against radiation.
This surprise, small budget, black - and white - collaboration
between writer / director Noah Baumbach (Greenberg 76, The Squid and the Whale 82) and
writer / star Greta Gerwig looks at the post-college
life of Frances (Gerwig), an apprentice dancer fumbling though
life in New York City.
The difference
between American Splendor and Ghost World is that with two solitary figures in search of completion, there is the possibility for recognition of sameness — but with two figures (underground comic book
writer Harvey Pekar and his wife Joyce Brabner (Hope Davis)-RRB- who have found in one another a sympathetic orbit, a partner in
life and lo, with a child dropped willy - nilly into their midst to tie up loose ends, there is instead a sort of alien, island of lost toys exclusion that makes for a further alienation of the very alienated audience to which Pekar's comic so appealed and, eventually, took for granted and pandered.
The feature - length debut of
writer / director Jeff Baena (co-
writer of David O. Russell's oddball «I Heart Huckabees»), «
Life After Beth» can't seem to decide if it wants to be a lark or if it wants to resonate, and wavers
between both tones uneasily.
The Big Sick is based on the real -
life courtship
between the film's
writers, Kumail Nanjiani (who also stars) and Emily V. Gordon.
Features: generally excellent Audio Commentaries [various configurations of producers,
writers, directors and cast comment on all eight episodes]; Take a Look at the Lawman — a one hour making of documentary split
between discs one and two; Interview Clip with Bharat Nalluri [director for the first two episodes]; The Music of
Life On Mars — composer Ed Butt takes us through the surprisingly complex task of composing and arranging the series» theme music; Get Sykes — featurette with production designer Brian Sykes, and a [sadly] pretty average Outtakes Reel.
Whether he's showing Blake binging on whiskey in
between puffs from a cigarette but before puking in a trash can in the alley outside the stage or talking with his newfound love about her kid, his inability to take a much - needed favor from his old student, or when he's going to get to see her again before downing some more whiskey while smoking and soon passing out on his bathroom floor,
writer / director Scott Cooper seems to only care about the obvious details of Blake's here - and - now
life.
Lords is appealing in a rare starring role, the writing by Skopov and Richey intelligent, and the showcasing of the
lives of the tug - of - war
between writer and editor for the direction of a book is somewhat enlightening, but it doesn't congeal into a form that distinguishes itself from the rest of the already crowded rom - com pack.
Rendering characters they developed in tandem with their Spanish
writer - director, these non-professional but astoundingly gifted performers convey so much of what matters in so many working - class black
lives: the solidarity but also the standoff
between parent and child; the series of low - ceiling jobs; the alienation from what few social services still exist; the yearning but also the wariness awakened by new romantic prospects; and the suddenness with which poor choices, ambient prejudice, or adolescent disaffection lead to intractable enmeshments in the penal apparatus.
Yet it also goes deeper: as in Ann Hui's equally compelling The Golden Era, the film respects the mystery of the creative process, the obscure correspondences
between life and art, whether or not it is important to like a
writer to appreciate his / her work — but, ultimately, why it matters for public freedom that
writers should be allowed to misbehave in peace.
It
lives in this in
between place, a narrative feature infused with documentary elements, and
writer - director Bart Layton manages to spectacularly stick that tricky landing.
Life of the Party (2018) Old School Meets New
Life The third collaboration
between Melissa McCarthy and her
writer - director husband Ben Falcone,
Life of the Party is probably the pair's best effort to... Continue reading →
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Life Aquatic with Steve Zissou Directed by Zhang Yimou: Hero From the
Writers: World War Z • Prince of Persia: The Sands of Time • Armageddon • Rogue One: A Star Wars Story • The Sorcerer's Apprentice Season of the Witch • Godzilla (2014)
The series follows the complicated double
life of Andrew (Mangan), a successful travel
writer, who, through extenuating circumstances, finds himself
living between two sets of wives and children, whose existences are unknown to each other.
Writer / director Maggie Betts» carefully calibrated drama shifts
between lives caught up in doubt, illicit romance and the sweeping liberalism of the Roman Catholic Church's controversial Vatican II reforms.
In her documentary, director and
writer Lana Wilson quietly captures the pain and profundity in the struggle
between life and death via an unconventional Buddhist priest.
Jennifer Merin: Beautiful performances from Julianne Nicholson, Margo Martindale, Lorraine Tousaint and Diane Ladd bring to
life writer - director Maggie Greenwald's drama about the love affair
between a lonely belle and her Japanese gardener.
Sony's new film You Are My Friend, directed by Marielle Heller, is being distributed by TriStar Pictures and is inspired by the real -
life friendship
between magazine
writer Tom Junod who reluctantly takes a job to do a feature piece on Fred Rogers and it changes his perception of the world.
As a prolific
writer and renowned public intellectual, he frequently explored trends in American race relations and family
life, hailing, for instance, the controversial report, «Equality of Educational Opportunity» (1966), by his friend James Coleman, which stressed the relationship
between broken families and poor student performance in the public schools.
Many struggling
writers experience a disconnect
between what their writing assignment is focused on and what they perceive to be relevant in their
lives.
They include Emily Callahan and Amber Jackson, who are using their skills and intellect to turn oil rigs into coral reefs; Nate Parker, the activist filmmaker,
writer, humanitarian and director of The Birth of a Nation; Scott Harrison, the founder of Charity Water, whose projects are delivering clean water to over 6 million people; Anthony D. Romero, the executive director of the ACLU, who has dedicated his
life to protecting the liberties of Americans; Louise Psihoyos, the award - winning filmmaker and executive director of the Oceanic Preservation Society; Jennifer Jacquet, an environmental social scientist who focuses on large - scale cooperation dilemmas and is the author of «Is Shame Necessary»; Brent Stapelkamp, whose work promotes ways to mitigate the conflict
between lions and livestock owners and who is the last researcher to have tracked famed Cecil the Lion; Fabio Zaffagnini, creator of Rockin» 1000, co-founder of Trail Me Up, and an expert in crowd funding and social innovation; Alan Eustace, who worked with the StratEx team responsible for the highest exit altitude skydive; Renaud Laplanche, founder and CEO of the Lending Club — the world's largest online credit marketplace working to make loans more affordable and returns more solid; the Suskind Family, who developed the «affinity therapy» that's showing broad success in addressing the core social communication deficits of autism; Jenna Arnold and Greg Segal, whose goal is to flip supply and demand for organ transplants and build the country's first central organ donor registry, creating more culturally relevant ways for people to share their donor wishes; Adam Foss, founder of SCDAO, a reading project designed to bridge the achievement gap of area elementary school students, Hilde Kate Lysiak (age 9) and sister Isabel Rose (age 12), Publishers of the Orange Street News that has received widespread acclaim for its reporting, and Max Kenner, the man responsible for the Bard Prison Initiative which enrolls incarcerated individuals in academic programs culminating ultimately in college degrees.
Empowering
Writers takes a unique approach to
live event writing instruction, emphasizing the connection
between good writing skills and literacy achievement.
In any case your goalpost - moving from «author» to «professional author» undermines your original and underlying thesis — that there is some profound and meaningful difference
between calling somebody a (mere) «
writer» and an «author», and that it has anything to do with either a relationship with a publishing house or ability to make a
living off one's writing.
We prefer to know our clients and organize
live communication
between them and
writers, therefore exclude any possibility of plagiarism.
We figured that sharing knowledge about the book trade — both the bad and good — would spawn healthier collaboration
between writers and the team of editors, designers and distributors who ultimately give a book
life.
King's advice is grounded in his vivid memories from childhood through his emergence as a
writer, from his struggling early career to his widely reported, near - fatal accident in 1999 — and how the inextricable link
between writing and
living spurred his recovery.
These people have found a balance
between real
life and the
writers»
life.
Sometimes the connection
between writer and artist doesn't work out as well as one hopes, but other times, Torres says, «it's fulfilling to see what comes back» when his words are brought to
life by an artist's pencil.
It will prove that the
writer or the student understand the exact differences
between two diverse types of
life and
living.
The battle
between indie and traditional published
writers was short -
lived (only a couple of years) and only
writers with heads stuck deep in the sand now miss that you can do both indie and traditional and should do both, depending on each project.
An intelligent, deeply moving, and remarkably written portrait of a relationship that reads as a cross
between a romance novel and a literary page turner, A Small Hotel is a masterful story that will remind readers once again why Robert Olen Butler has been called the «best
living American
writer» (Jeff Guinn, Fort Worth Star - Telegram).
What does this encounter teach Paul about the difference
between writers» work and their actual
lives, their legend and their reality?
is abruptly shuttered, Billie discovers of WWII - era letters
between a 12 - year - old girl and famous chef and cookbook
writer James Beard — a correspondence that ends up changing her own
life.
From «quite possibly America's best
living writer of short stories» (NPR), Ninety - Nine Stories of God finds Joy Williams reeling
between the sublime and the surreal, knocking down the barriers
between the workaday and the divine.
At once a fascinating historical novel and a glimpse into a
writer's
life, Becoming Mrs. Lewis is above all a love story — a love of literature and ideas and a love
between a husband and wife that, in the end, was not impossible at all.»
Currently Looking For: Fiction that hits the sweet spot
between commercial and literary with interesting settings and a strong narrative voice; mystery (particularly cozies and crossover literary — think Ordinary Grace by William Kent Krueger), literary thriller, and psychological suspense; and memoir by
writers who connect the events of their
lives to readers through incredible storytelling, as well as a wide variety of prescriptive and narrative nonfiction and gift books.
The winner of the Crime
Writers» Association Macallan Silver Dagger for Fiction, among other awards, Donna Leon
lived in Venice for many years and now divides her time
between Venice and Switzerland.
Our
live chat will make communication
between you and your
writer easy and effective!
«From one of the greatest
writers of our time...» Amazon explains in their product description, «written
between 1979 and 2011, chronicling — and foretelling — three decades of American
life.»